Fabrice de Nola explained
Fabrice de Nola is an Italian-Belgian artist born in Messina (Sicily) in 1964. He introduced the use of QR codes in oil paintings. In 2006, he created the first oil paintings containing texts and web connections to be used on mobile phones.[1] [2]
Biography
The son of an Italian mother and a Belgian father, Fabrice de Nola lived in Messina until 1981. He attended the Art school in Palermo, but left after one year in order to pursue his interest in photography. At the end of the 1980s he moved to Milan, and thereafter to Mechelen, his father's hometown.[3]
In the mid-1980s he worked as a scene-painter in Geneva, Cairo and Rome.[3] In those early years, he used photocopiers and photography as techniques in support of his painting. In the mid-1990s, the computer[4] became an essential tool for the preparation and pre-production of his paintings.[5]
In 1996, he showed at the Il Ponte Contemporanea Gallery in Rome where he remained until the year 2000.[6]
In 1997, Fabio Sargentini invited Fabrice de Nola to the Palermo exhibition Giro d’Italia dell’Arte curated by Demetrio Paparoni, a survey of young Italian artists, at the l’Attico Gallery.[7] That same year he participated in Roma, 4 young painters, which showed four Roman painters and was curated by Fabio Sargentini at the Generous Miracles Gallery in New York.
In 1999, during the 48th Biennal of Venice, he exhibited in Authoritratti italiani at the Fondazione Bevilacqua La Masa. Posters were put up at that time in Venice reproducing his works. De Nola painted a self-portrait using photographs, CT and X-rays: painted on one half is his face, while on the other half the interior is visible, showing skull, muscles, eyeball and brain.
In 2000, he took part in two group shows in Rome: Lungo il muro del Gasometro at the Teatro India Gallery and Giganti at the Imperial Forum of Nerva. He also showed that year in Sui generis at the PAC in Milan.
In 2001, he created a work on the building site of the Auditorium of Rome. The painting was commissioned by the Ministry of Culture[8] for the permanent collection of MACRO.[9] That same year he participated in the Le Muse inquietanti at the Pascali Museum in Bari and Dalla Mini al mini at the Palazzo delle Esposizioni in Rome.
In 2003, de Nola showed his Neural Pro project in a one-man show at Palazzo Isnello at Il Genio of Palermo. In Rome he exhibited the series Air Ocean at the Teatro Umberto and two large canvases from the Cerasi Collection at the Cloister of Bramante. The Italian Ministry of Foreign Affairs invited him to the Futuro italiano exhibition[10] at the European Parliament in Brussels.
In 2006, he created the first oil painting using painted QR code.[1] [2] The work has been exhibited the same year in Milan.[11] In 2007, the Ministry of Foreign Affairs commissioned two works from him for the Farnesina Experimenta Art Collection.
In 2008, he participated in the VII International Festival of Photography of Rome with his show Skip Life,[12] and he was also invited to the 15th Rome Quadriennale where he presented an advertising installation for the fake Neural Pro Company.[13]
Projects and works
- In 1997, inspired by Andrei Rublev, he painted a negative image, which he photographed in order to see its positive effect on film. The following year he exhibited part of the project Inverse[14] at the Galleria Il Ponte Contemporanea of Rome. The works are diptychs composed of a negative oil painting and the positive of its photographic reproduction. In 2007, the MLAC (Contemporary Art Lab Museum)[15] of the Sapienza University of Rome showed his first large painting of the Inverse cycle.[14]
- In 1999, he started the ecological project Oceano Aria and the project Antennaria on digital identities. Antennaria was inspired by the Echelon affair and, in 2000, the Il Ponte Contemporanea Gallery of Rome showed some works at the solo show Backdoors.
- Since 2003 he has been working on the Neural Pro project, which simulates the existence of a data-processing and biotechnological multinational whose products integrate with the human body creating a man-machine interface without external body devices. He held two conferences on this subject in 2008: Prospects of Web Evolution at Palazzo delle Esposizioni during the XV Quadriennale, and Mind-Machine Symbiosis,[16] [17] at the Faculty of Sociology of the Sapienza University of Rome. The idea was presented at the Google competition Project 10100 (10 to the 100th) with the name of HI (Human Interface).[18]
See also
References
Bibliography
- Marco De Logu (curated by). Vedere la normalità. VII FotoGrafia Festival di Roma. Rome, Zonettive Edizioni, 2008. .
- Lorenzo Canova, Chiara Bertola, Bruno Corà, Daniela Lancioni, Claudio Spadoni. XV Quadriennale di Roma. Venezia, Marsilio Editori, 2008. .
- Maurizio Calvesi, Lorenzo Canova, Marisa Vescovo, Marco Meneguzzo. Collezione Farnesina Experimenta. Rome, Gangemi Editore, 2008. .
- Lorenzo Canova. Visione romana, percorsi incrociati nell'arte del novecento. Pisa, Edizioni ETS, 2008. .
- Giuseppe Cerasa (curated by). Donne di Roma. Rome, Fondazione Musica per Roma/Nero Editore, 2009.
- Francesco Gallo. Palermo/Babilon/Palermo. Sofia, Edizioni Casa Sicilia Bulgaria, 2009.
- Lorenzo Canova. Una mano per l'AIL. Milan, Christie's. 2009.
- Graziano Menolascina. Occhio Magico. Rassegna internazionale di fotografia. Rome, Edizioni Istituto Portoghese Sant'Antonio. 2009.
Sources
External links
Notes and References
- http://www.palazzoriso.it/it/node/343 Fabrice de Nola
- http://www.denola.com/cgi-bin/web/pag.cgi?cod=1426 Active Project
- http://www.denola.com/cgi-bin/web/pag.cgi?ser=pag&cat=10 Artist's biography
- Gianluca Marziani, Dipingere al computer, "Flash Art Italia", Milan, October 1999, issue 288.
- Gianluca Marziani. NQC, Arte italiana e tecnologie: il nuovo quadro contemporaneo. Rome, Castelvecchi Editore, 1998. .
- [Achille Bonito Oliva]
- http://www.fabiosargentini.it/ Giro d’Italia dell’Arte
- http://en.museicapitolini.org/mostre_ed_eventi/mostre/acquisti_e_doni_nei_musei_comunali Purchases and Gifts in Rome Museums (1997-2005)
- Arnaldo Romani Brizzi, Ludovico Pratesi. Roman Construction Sites. Rome, Gangemi Editore, 2001. .
- http://www.futuroitaliano.net/immagine/denola.htm Futuro italiano
- http://www.denola.com/cgi-bin/web/pag.cgi?cod=1051 Bottom up
- http://2008.fotografiafestival.it/eng/circuito_detail.asp?id=47 Skip Life. Special cases of normality in day-to-day life
- Paolo Conti. I visitatori decidono il titolo "Corriere della Sera", page 53, 13 June 2008. Retrieved 5 December 2009.
- Inverse at "denola.com". URL retrieved 21 June 2009
- Paesaggi metropolitani page at the MLAC (Contemporary Art Lab Museum) of the Sapienza University of Rome. URL consultée le 21 juin 2009.
- http://www.denola.com/cgi-bin/web/pag.cgi?cod=1417 Simbiosi mente-macchina, conference text
- http://www.sociologia.uniroma1.it/users/viteritti/Simbiosi%20Mente%20Macchina/Simbiosi%20Mente%20Macchina.pdf Simbiosi Mente Macchina, conference text (pdf)
- http://www.denola.com/cgi-bin/web/pag.cgi?cat=16&cod=1423 HI. Human Interface Foundation Project
- https://www.flickr.com/photos/fabricedenola/sets/72157624008977387/ Active at Flickr