| F. Martin Duncan | |
| Birth Date: | 1873 |
| Death Date: | 1961 |
| Occupation: | Naturalist, photographer, film maker |
Francis Martin Duncan (1873–1961) was a British naturalist and nature documentary pioneer who worked for producer Charles Urban. He specialised in micro-cinematography and pioneered many of the techniques of future natural history filmmaking.[1]
Duncan was the son of noted palaeontologist Peter Martin Duncan. While a student he assisted his father by taking up photography, and acquired a particular interest in microphotography. In the early 1890s he experimented with chronophotography (sequence photography), showing the results in motion on a Zoetrope.[2]
He was recruited by Charles Urban for the newly formed Charles Urban Trading Company in 1903. Together they launched a film series, The Unseen World, showcased at the Alhambra Theatre in London from 17 August 1903, which showed scenes of animal life, with particular emphasis on micro-cinematographic views. The shows were advertised as being shown by the 'Urban-Duncan Micro-Bioscope'. Among the films shown were Circulation of Blood in a Frog's Foot, Red Sludge Worms and the notorious The Cheese Mites, the views of which were preceded by a scene of a man (played by Duncan himself) horrified by what he sees when he views a piece of Stilton through a magnifying glass. Duncan continued to work for Urban until 1908, when he was succeeded by F. Percy Smith.
He continued his career as a zoologist at London Zoo and as a populariser of nature subjects, writing many books on natural history. He also worked as an editor on some of the Secrets of Nature film series in the 1920s. His 1943 book British Shells was positively reviewed as a useful introduction to conchology.[3]