Ernest Boulanger (composer) explained

Ernest Henri Alexandre Boulanger (16 September 1815 – 14 April 1900) was a French composer of comic operas and a conductor. He was more known, however, for being a choral music composer, choral group director, voice teacher, and vocal contest jury member.

Biography

Boulanger was born into a Parisian musical family. His father, Frédéric Boulanger, who left the family when Ernest was only a small child,[1] was a cellist and professor of singing at the Paris Conservatory, winner of the First Prize in cello at the Conservatory in 1797 and a professor of cello, attached to the King's Chapel. His mother, Marie-Julie Halligner, was a mezzo-soprano at the Théâtre de l'Opéra-Comique in Paris.[2] He was a pupil at the Paris Conservatory where he studied under Jean-François Le Sueur, and Fromental Halévy. He studied piano with the virtuoso pianist Charles-Valentin Alkan; and operatic composition with Daniel Auber and Ferdinand Hérold.[3] [4]

At the age of 19, Boulanger was awarded the Grand Prix de Rome in 1835 with his cantata "Achille".[5] In 1842, he began making a name as a composer of comic operas and as a conductor. Boulanger composed a dozen comic operas between 1842 and 1877. His chief work was the three-act opera Don Quixote, which premiered at the Théâtre Lyrique in 1869; the most performed of his works was the one-act Les Sabots de la marquise ("The Marquise's Clogs"), which premiered in 1854 at the Opéra-Comique. In 1871, he became professor of singing at the conservatory. In 1870, he was made a Chevalier of the Legion of Honor. In 1881, he was appointed to the Académie des Beaux-Arts. Within the cultural circles of Paris, Boulanger was an associate of Charles Gounod, Jules Massenet, Camille Saint-Saëns and William Bouwens.[6]

Boulanger met his wife Raissa Mychetsky (née Mychetskaya; 1856–1935), 41 years his junior, in Saint Petersburg. She was a Russian princess who descended from St. Mikhail Chernigovsky,[7] and Boulanger was her voice teacher.[8] They married in 1877 and moved to Paris where they had two children, the teacher and composer Nadia Boulanger;[9] and composer Lili Boulanger.[10] Like their father, Nadia and Lili both competed in the Prix de Rome, Nadia taking second place in 1908, and Lili earning the first place in 1913.

Principal works

Notes and References

  1. Book: Potter, Caroline. Nadia And Lili Boulanger. 24 April 2012. 2006. Ashgate Publishing, Ltd.. 978-0-7546-0472-3. 2.
  2. Book: Meyerbeer. Giacomo. Letellier. Robert Ignatius. The Diaries of Giacomo Meyerbeer: 1791–1839. 24 April 2012. 1999. Fairleigh Dickinson Univ Press. 978-0-8386-3789-0. 106.
  3. Book: Baker, Theodore. A biographical dictionary of musicians. 28 April 2012. Public domain. 1905. G. Schirmer. 655–.
  4. Book: Pauer, Ernst. A dictionary of pianists and composers for the pianoforte: with an appendix of manufacturers of the instrument. 28 April 2012. Public domain. 1895. Novello. 14–.
  5. Book: Dunbar, Julie C.. Women, Music, Culture: An Introduction. 24 April 2012. 17 December 2010. Taylor & Francis. 978-0-415-87562-2. 218.
  6. Web site: Lilli Boulanger. Pittsburgh Symphony Orchestra. 11 May 2012.
  7. Book: Campbell, Don G.. Master teacher, Nadia Boulanger. 28 April 2012. August 1984. Pastoral Press. 978-0-912405-03-2. 17.
  8. Book: Kuhlman, Erika A.. A to Z of Women in World History. 28 April 2012. 2002. Infobase Publishing. 978-0-8160-4334-7. 151–.
  9. Book: Spycket, Jérôme. Nadia Boulanger. 24 April 2012. 1992. Pendragon Press. 978-0-945193-38-8. 15.
  10. Book: Rosenstiel, Léonie. The life and works of Lili Boulanger. 24 April 2012. 1978. Fairleigh Dickinson University Press. 978-0-8386-1796-0. 12, 25.