| Erin Gee | |
| Birth Name: | Erin Marie Gee |
| Nationality: | Canadian |
| Education: | University of Regina, Concordia University |
| Known For: | composition, new media art, interactive art |
| Notable Works: | Swarming Emotional Pianos, Project H.E.A.R.T. |
| Website: | https://www.eringee.net/ |
Erin Gee (born 1983) is a Canadian artist based in Montreal, Quebec. She is known for new media artworks and electroacoustic music composition and her art is inspired by technology and emotions, for example creating music and moving machinery inspired by recordings of heart rate and anxiety.[1] [2] [3] Her works have been shown and performed internationally. Gee taught Communications as an assistant professor at Concordia University[4] In 2018 she was an invited research associate at the University of Maine, USA in the department of chemical and biomedical engineering at University of Maine.[5] In 2019 she began doctoral studies in music (composition and sound creation) at Université de Montréal under the direction of Dr Nicolas Bernier.
Gee's art includes works for performance, interactive installation, multichannel audio, robotics, video, print media, and interactive sculpture.
As part of her work, Gee has become a self-taught robotics specialist, measuring "actors’ sweat production, heart rate, blood flow and breathing — all indicators of heightened emotions — to create the data for a computer program that transfers the data into musical notes and triggers a performance from her tubular bell-outfitted robots."[6] This informs her work titled Swarming Emotional Pianos, which includes a video of two actors responding to vocal commands of fear, anger, joy. This work was created in collaboration with Vaughan Macefield, an Australian neurophysiologist and presented on December 13, 2014 as part of the Innovations en Concert series in Montreal, QC.[7] The work titled Orpheux Larynx was created in collaboration with Stelarc as a vocal performance for three choral robots and human soprano singer.
Gee also made a foray into video-game-as-art with Project H.E.A.R.T. ("Holographic Empathy Attack Robots Team"), a collaboration with Alex M. Lee.[8] The game is presented as an installation of a desktop computer with an oculus headset and a biosensor connected to the user's hand would measure changes in their skin conductance and heart rate as they played the video game.[9] The game hedges on challenging the user to use their focus and empathy to motivate in-game soldiers as opposed to the typical kill-to-win dynamic of first-person shooter video games.[10]
Gee collaborated with Sofian Audry to create a 3D printed sound object with a human voice murmuring the words of a neural network that's trained by Emily Brontë, a deceased author. The work was further inspired by ASMR and its effects on the body.[11] [12] [13] The work debuted with hexagram collective from Montreal, at Ars Electronica in 2018.[14]
Gee graduated from the University of Regina with a Bachelor of Music Education degree in 2006 and a Bachelor of Fine Arts in 2009. She graduated from Concordia University in 2014 with a Master of Fine Arts degree.
| Year | Title | Gallery / Event | Location | Notes | |
|---|---|---|---|---|---|
| 2016 | Vocales Digitales | Hamilton Artists' Inc | Hamilton, ON | Solo exhibition | |
| 2015 | Larynx Series | Dunlop Art Gallery | Regina, SK | ||
| 2015 | What Can a Vocaloid Do? | Trinity Square Video | Toronto, ON | ||
| 2015 | Flesh of the World | Musée d’art Contemporain de Montreal (MACM) | Montreal, QC | ||
| 2014 | Swarming Emotional Pianos v1.0 | Innovations en Concert at Eastern Bloc | Montreal, QC | ||
| 2014 | 7 Nights of Unspeakable Truth | Epcor Centre for the Performing Arts +15 | Calgary, AB | ||
| 2014 | Erin Gee and Kelly Andres | Cirque du Soleil Headquarters | Montreal, QC | ||
| 2013 | Et si les robots mangaient les pommes | Maison des Arts de Laval | Laval, QC | ||
| 2013 | Practice Practice | Toronto Nuit Blanche | Toronto, ON | ||
| 2013 | Seven Nights of Unspeakable Truth | Espace[IM]Média Festival | Sherbrooke, QC | ||
| 2012 | Interactions | Leonard and Bina Ellen Gallery | Montreal, QC | ||
| 2012 | Digital Interdisciplinations | Tin Sheds Gallery | Sydney, Australia | ||
| 2012 | Larynx | Nuit Blanche, Art Souterrain | Montreal, QC | ||
| 2012 | Voice of Echo | Gallerywest | Toronto, ON | ||
| 2011 | Uncanny Sound | TACTIC | Cork, Ireland | ||
| 2011 | Orpheux Larynx | Powerhouse Museum | Sydney, Australia | ||
| 2011 | Live/Afterlives | La Centrale | Montreal, QC | ||
| 2011 | Gen@Next | Art Gallery of Regina | Regina, SK | ||
| 2010 | Post-Human//Future Tense | Arcade Gallery | Columbia College, Chicago | ||
| 2010 | Lucide | Neutral Ground Art Gallery | Regina, SK | ||
| 2010 | Combine | Harbourfront Centre | Toronto, ON | ||
| 2009 | uCuE presents Strictement Multivoie: hear and there, then and now | Oscar Peterson Concert Hall | Montreal, QC | ||
| 2009 | Mind the Gap! | Dunlop Art Gallery | Regina, SK | ||
| 2009 | SoundLAB VI | FILE Electric Language International Festival | São Paulo, Brazil | ||
| 2009 | Trivial Pursuits: Mass Distraction | Interaccess | Toronto, ON |