| The Animals | |
| Background: | group_or_band |
| Origin: | Newcastle upon Tyne, England |
| Current Members: | Eric Burdon and the Animals: Eric Burdon Johnzo West Davey Allen Dustin Koester Justin Andres Ruben Salinas Evan Mackey Animals and Friends: John Steel Norman Helm Danny Handley Barney Williams |
| Past Members: | Hilton Valentine Alan Price Chas Chandler Mick Gallagher Dave Rowberry Barry Jenkins John Weider Vic Briggs Danny McCulloch Zoot Money Andy Summers |
The Animals (also billed as Animals & Friends and Eric Burdon and the Animals) are an English rock band formed in Newcastle upon Tyne in 1963. The Animals' original lineup consisted of deep-voiced frontman Eric Burdon, guitarist Hilton Valentine, bass guitarist Chas Chandler, keyboardist Alan Price, and drummer John Steel. Known for their gritty, bluesy sound, they balanced tough, rock-edged pop singles against rhythm-and-blues-orientated album material, and were part of the British Invasion of the US.
The Animals rose to prominence with their signature song and transatlantic number-one hit single "The House of the Rising Sun", and continued this success with hits such as "We Gotta Get Out of This Place", "It's My Life", "Don't Bring Me Down", "I'm Crying", "See See Rider" and "Don't Let Me Be Misunderstood". They underwent numerous personnel changes in the mid-1960s, and suffered from poor business management, leading the original incarnation to split up in 1966. Burdon then assembled a mostly new lineup of musicians under the name Eric Burdon and the Animals; the much-changed act moved to California and achieved commercial success as a psychedelic and progressive rock band with hits such as "San Franciscan Nights", "When I Was Young" and "Sky Pilot" before disbanding at the end of the decade.[1]
The original lineup of Burdon, Price, Chandler, Valentine and Steel reunited for a one-off benefit concert in Newcastle in 1968. They later launched brief comebacks in 1975 and 1983. Several partial regroupings of the original-era members have occurred since then under various names. Altogether, the band has had 10 top-20 hits in both the UK Singles Chart and the US Billboard Hot 100. The Animals' original lineup were inducted into the Rock and Roll Hall of Fame in 1994.
The Animals formed in Newcastle upon Tyne during 1962 and 1963 when Burdon joined the Alan Price Rhythm and Blues Combo. The original lineup was Burdon (vocals), Price (organ and keyboards), Hilton Valentine (guitar), John Steel (drums) and Bryan "Chas" Chandler (bass).[2]
Originally formed as the Alan Price Combo, they changed their name to the Animals. They were supposedly dubbed "animals" because of their wild stage act, and the name stuck.[3] In a 2013 interview, Burdon denied this, stating that the name was a tribute to a friend known as "Animal" Hogg.[4] In a 2021 interview, Steel affirmed that the name was given them by Graham Bond.[5] The Animals' success in their hometown and a connection with Yardbirds manager Giorgio Gomelsky motivated them to move to London in 1964 in the immediate wake of Beatlemania and the beat boom takeover of the popular music scene, just in time to play an important role in the British Invasion of the American music charts.
The Animals performed fiery versions of the staple rhythm-and-blues repertoire, covering songs by artists such as Jimmy Reed, John Lee Hooker, and Nina Simone. Signed to EMI's Columbia label, their first single was a rocking version of the standard "Baby Let Me Follow You Down" (retitled "Baby Let Me Take You Home").[6]
In June 1964, the transatlantic number-one hit "The House of the Rising Sun" was released. Burdon's vocals and the particular arrangement, featuring Price's haunting organ riffs, created perhaps the first folk-rock hit.[7] [8] Debates continue regarding the Animals' inspiration for the arrangement, which has been variously ascribed to prior versions by Bob Dylan, folk singer Dave Van Ronk, blues singer Josh White (who recorded it twice, in 1944 and 1949) and singer/pianist Nina Simone (who recorded it in 1962 for Nina at the Village Gate). The arrangement is said to owe much to the band's desire to become the most memorable of the many acts on tour in the UK.
The Animals' two-year chart career, with their songs produced by Mickie Most, featured intense, gritty pop-music covers such as Sam Cooke's "Bring It On Home to Me" and the Simone-popularised number "Don't Let Me Be Misunderstood". In contrast, their album tracks stayed with rhythm and blues, with John Lee Hooker's "Boom Boom" and Ray Charles' "I Believe to My Soul" as notable examples.
In October 1964, the Animals visited New York for concert dates and an appearance on The Ed Sullivan Show. They were transported from the airport into Manhattan in a motorcade, chased by shrieking young female fans, consisting of Sunbeam Alpine Series IV top-down convertibles with fashion models riding along. The Animals sang "I'm Crying" and "The House of the Rising Sun" to a packed audience of hysterical fans screaming throughout both performances on Sullivan's show. In December, the MGM film Get Yourself a College Girl was released, featuring the Animals and the Dave Clark Five. The Animals sang the Chuck Berry song "Around and Around" in the film.[9]
By May 1965, the group was starting to feel internal pressures. Price left because of personal and musical differences, as well as his fear of flying while on tour. He went on to a successful career as a solo artist and with the Alan Price Set. Mick Gallagher filled in for Price on keyboards[10] for a short time until Dave Rowberry replaced Gallagher.[11] Rowberry was on hand for the hit songs "We Gotta Get Out of This Place" and "It's My Life".
The Animals assembled a big band to play at the fifth annual British Jazz and Blues Festival in Richmond. The Animals Big Band made their one public appearance on 5 August 1965. In addition to Burdon, Rowberry, Valentine, Chandler and Steel, the band featured a brass/horn section of Ian Carr, Kenny Wheeler and Greg Bowen on trumpet and Stan Robinson, Al Gay, Dick Morrissey and Paul Carroll on saxophone.
Many of the Animals' hits originated from Brill Building songwriters recruited by Mickie Most, but the group, and Burdon in particular, felt this to be too creatively restrictive. As 1965 ended, the group signed a new deal with their American label MGM Records for the US and Canada and switched to Decca Records for the rest of the world. They also ended their association with Most and began to work with MGM Records producer Tom Wilson, who allowed them more artistic freedom.[12] In early 1966, MGM collected the band's hits on The Best of The Animals, and it became their best-selling album in the US. In February 1966, Steel left and was replaced by Barry Jenkins. A leftover rendition of Goffin–King's "Don't Bring Me Down" was the group's last hit as the Animals. The next single, "See See Rider", was credited to Eric Burdon and the Animals. By September 1966, the original incarnation of the group had split up.[13] Their last batch of recordings was released on the album Animalism in November 1966.
Burdon began work on a solo album called Eric Is Here, which also featured his UK number-14 solo hit single "Help Me, Girl", which he heavily promoted on TV shows such as Ready Steady Go! and Top of the Pops in late 1966. Eric Is Here was Burdon's final release for Decca Records.
By this time, the Animals' business affairs "were in a total shambles" according to Chandler (who went on to manage Jimi Hendrix and produce Slade) and the group disbanded. Even by the standards of the day, when artists tended to be financially naïve, the Animals made very little money, eventually claiming mismanagement and theft on the part of their manager Michael Jeffery.[14]
A group with Burdon, Jenkins and new sidemen John Weider (guitar/violin/bass), Vic Briggs (guitar/piano) and Danny McCulloch (bass) was formed under the name Eric Burdon and Animals (or sometimes Eric Burdon and the New Animals) in December 1966, and changed direction. The new lineup pursued a fusion of progressive rock, psychedelic, soul and folk music that was far removed from their original blues-oriented sound.[15] The former heavy-drinking Geordie (who later said he could never get used to Newcastle "where the rain comes at you sideways") relocated to California and became a spokesman for the Love Generation.
Early performances by this group did not include any of the hits for which the original group had become known.[16] Some of the new Animals' hits included "San Franciscan Nights", "Monterey" (a tribute to the 1967 Monterey Pop Festival) and "Sky Pilot". Their sound was much heavier than that of the original group, with Burdon screaming more and louder on live versions of "Paint It Black" and "Hey Gyp". By 1968, they had developed a more experimental sound on songs such as "We Love You Lil" and the 19-minute "New York 1963–America 1968" from the album Every One of Us.
Zoot Money was added to the lineup in April 1968, initially as organist/pianist only, but upon McCulloch's departure, he also took on bass and occasional lead vocals.[17]
In July 1968, Andy Summers (later the guitarist for the Police) replaced Briggs. Both Money and Summers were formerly of British psychedelic outfit Dantalian's Chariot, and much of this new lineup's set was composed of Dantalian's Chariot songs, which caught Burdon's interest.[18] Because of Money's multi-instrumental load, in live settings, bass was played alternately by Weider and Summers.[19]
By December 1968, this incarnation of The Animals had dissolved, but their double album Love Is was released internationally, featuring the singles "Ring of Fire" and "River Deep – Mountain High".
Numerous reasons have been cited for the breakup, the most famous of which involved an aborted Japanese tour. The tour had been scheduled for September 1968 but was delayed until November after difficulty obtaining visas.[19] Only a few dates into the tour, the promoters (whom the band did not know were yakuza) kidnapped the band's manager and threatened him at gunpoint to write an IOU for $25,000 to cover losses incurred by the tour's delay.[19] Correctly surmising that his captors could not read English, he added a note to the IOU that it was written under duress.[20] The yakuza released him, but warned that he and the band would have to leave Japan the next day or be killed. The Animals promptly fled the country, leaving all of their tour equipment behind.[19] Money and Summers each pursued solo careers, Weider signed up with Family and Burdon joined forces with a funk/r&b/rock group from Long Beach, California, called War.
The original Animals lineup of Burdon, Price, Valentine, Chandler and Steel reunited for a benefit concert in Newcastle in December 1968 and reformed in late 1975 to record again.[21] Burdon later said that nobody understood why they had agreed to this short reunion. They embarked on a brief tour in 1976 and shot videos for their new songs such as "Lonely Avenue" and "Please Send Me Someone to Love". They released an album in 1977 that was aptly titled Before We Were So Rudely Interrupted.[22] The album received critical praise. Burdon and Valentine also recorded some demos at that time that were never released. On 12 December 1982, Burdon performed with Price and a complete lineup, foreshadowing future events.
All five original band members reunited in 1983 for the album Ark and a world concert tour, supplemented by Zoot Money on keyboards, Nippy Noya on percussion, Steve Gregory on saxophone and Steve Grant on guitar. The first single, "The Night", reached number 48 on the Billboard Hot 100 chart. The band released a second single called "Love Is for All Time", which did not chart.
Songs performed on the Ark tour included some from the 1960s, but most were from the band's contemporary repertoire, such as "Heart Attack", "No More Elmore" (both released a year earlier by Burdon), "Oh Lucky Man" (from the 1973 soundtrack album to O Lucky Man! by Price), "It's Too Late", "Tango" and "Young Girls" (later released on Burdon's compilation album The Night). Their Wembley Arena concert on 31 December 1983 (supporting the Police) was released on the Rip it To Shreds live album in 1984 after the Animals had disbanded again. Their 29 November 1983 concert at the Royal Oak Theatre in Royal Oak, Michigan, was released on 27 February 2008 as Last Live Show. A film about the reunion tour was shot but never released.
Chandler died from an aneurysm in 1996, putting an end to any possibility of another reunion of the full original lineup.[23]
During the 1990s and 2000s, several groups have called themselves the Animals in part:
In 2008, an adjudicator determined that original Animals drummer John Steel owned "the Animals" name in the UK because of a trademark registration that Steel had filed. Eric Burdon had objected to the trademark registration, arguing that he personally embodied any goodwill associated with "the Animals" name. Burdon's argument was rejected, in part because he had billed himself as "Eric Burdon and the Animals" as early as 1967, thus separating the goodwill associated with his own name from that of the band. On 9 September 2013, Burdon's appeal was allowed, and he is now permitted to use the name "the Animals".[27]
The original Animals were inducted into the Rock and Roll Hall of Fame in 1994, although Burdon did not attend and the band did not perform.[28] In 2003, the band's version of "The House of the Rising Sun" ranked number 123 on Rolling Stone's 500 Greatest Songs of All Time list. Their 1965 hit single "We Gotta Get Out of This Place" was ranked number 233 on the same list. Both songs are included in the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll.[29]
On 15 March 2012, in a keynote speech to an audience at the South by Southwest music festival, Bruce Springsteen discussed the Animals' influence on his music at length, stating, "To me, the Animals were a revelation. They were the first records with full-blown class consciousness that I'd ever heard." Of "We Gotta Get Out of This Place" (written by two New York songwriters, Barry Mann and Cynthia Weil), Springsteen said: "That's every song I've ever written ... That's 'Born to Run,' 'Born in the U.S.A.,' everything I've done for the past 40 years including all the new ones. That struck me so deep. It was the first time I felt I heard something come across the radio that mirrored my home life, my childhood." Saying that his album Darkness on the Edge of Town was "filled with Animals", Springsteen played the opening riffs to "Don't Let Me Be Misunderstood" and his own "Badlands" back to back, then said, "Listen up, youngsters! This is how successful theft is accomplished!"[30]
Tony Banks, keyboardist of the English progressive rock band Genesis, drew influence from Alan Price, whom he regarded as "[t]he first person who made me aware of the organ in a rock context".[31]
