| Equal Interest | |
| Type: | Album |
| Artist: | Equal Interest: Joseph Jarman, Myra Melford and Leroy Jenkins |
| Cover: | Equal Interest.jpg |
| Released: | 1999 |
| Recorded: | August 2 & 3, 1999 |
| Studio: | Sear Sound, New York City |
| Genre: | Jazz |
| Length: | 59:13 |
| Label: | OmniTone 12001 |
| Producer: | Frank Tafuri, Equal Interest |
| Chronology: | Joseph Jarman |
| Prev Title: | Return of the Lost Tribe |
| Prev Year: | 1998 |
| Next Title: | Lifetime Vision Orchestra: Vision Festival 2002 |
| Next Year: | 2002 |
Equal Interest is an album by Equal Interest, a collaborative project by saxophonist Joseph Jarman, pianist Myra Melford and violinist Leroy Jenkins, which was recorded in 1999 and released on the OmniTone label.[1] [2] [3]
The three musicians first came together during an AACM concert, after which they participated in the recording of the album Out of the Mist. According to Jenkins, during a rehearsal, they discussed continuing as a trio, and Muhal Richard Abrams proposed the name Equal Interest.[4]
In his review for AllMusic, Michael G. Nastos states: "these three brilliant musicians come together in continually surprising ways. The depth of their collective spirituality is most impressive, but the music virtually bursts with passion and vibrancy ... Following up the prelude to this recording, Out of the Mist (Ocean), this trio has exploded into a most impressive improvising unit that will hopefully continue to bring us miracles like this highly recommended CD".
Writing for the Cleveland Scene, Aaron Steinberg commented: "this eponymous debut from Equal Interest keeps a surprisingly meditative mood throughout. Difficult free music gestures are skillfully submerged in airy themes and folkish melodies, unison passages, and regular pulses. And even when one of the three musicians takes a solo into outer space, the other two temper the sound with defiantly sweet and calming accompaniment."[5]
In a review for JazzTimes, Peter Margasak wrote: "Rarely has the phrase 'sum of its parts' applied so accurately to an all-star jazz gathering as it does to Equal Interest... On its eponymous debut the group doesn't merely pool its collective experience... but it brings a startlingly wide world of sounds to the table. While members of the AACM routinely trafficked nonchalantly in diverse styles, the range delivered by Equal Interest is stunning nonetheless, adding to the expected fusion of jazz, boogie woogie and blues with a complement of international sounds that never sounds like a lazy hodgepodge."[6]