Epoca (magazine) explained

Category:Current affairs magazine
Frequency:Weekly
Founded:1950
Firstdate:14 October 1950
Finaldate:1997
Country:Italy
Based:Milan
Language:Italian
Issn:0013-9718
Oclc:1718813

Epoca (Italian: Age) was an illustrated weekly current events magazine published between 1950 and 1997 in Milan, Italy. It was one of the leading magazines during its run.

History and profile

Epoca was first published on 14 October 1950.[1] [2] The magazine was modeled on Life[3] [4] and Paris Match.[5] Epoca was the first Italian publication which employed the illustrations like these and other popular magazines of the period such as Look.[6]

Epoca was part of Mondadori[2] [7] and was based in Milan. Its first editor was Alberto Mondadori who was succeeded in the post by Enzo Biagi in 1953.[5] During the period until 1960 when Enzo Biagi edited Epoca the magazine covered current affairs news, social attitudes as well as TV news.[5] The magazine also included frequent and detailed articles about Hollywood stars of the period[8] [9] and Italian movie stars such as Gina Lollobrigida.[10] The weekly had offices in New York City, Paris and Tokyo.[4] From June 1952 to the late 1958 the Cuban-Italian writer Alba de Céspedes wrote an agony column, called Dalla parte di lei, in the magazine.[11]

Then Epoca became part of Rizzoli Editori[4] and began to cover travel and nature news with photographs and scientific articles.[5] The magazine had a section called I bei posti (Italian: Beautiful Places) which featured the photographs of unknown places such as Bahamas, Marrakesh and Acapulco by Mario de Biasi, Alfredo Panucci and Giorgio Lotti.[3]

Epoca was closed down in 1997 due to low circulation.[5] [12]

Political stance

Epoca was established as a pro-American but also conservative magazine.[6] In the period between 1952 and 1953 the magazine supported the Italian government. During the 1960s the magazine had a moderate political stance, but was extremely anti-communist.[13] It was extremely conservative in the late 1960s and considered miniskirts as immoral dresses.[14]

Circulation

Epoca had a circulation of 150,000 copies in the period 1952–1953.[15] The magazine sold 420,000 copies in 1955.[16] Its circulation was 400,000 copies in 1963[17] and 305,000 copies in 1964.[13] In 1970 the circulation of Epoca was 350,000 copies.[18] The weekly had a circulation of 120,046 copies in 1984.[19]

See also

Notes and References

  1. Web site: 1940s/1950s/Early 1960s Italian People's Magazines. Listal. 5 December 2014. 27 October 2020. https://web.archive.org/web/20201027162611/https://www.listal.com/list/1940s1950searly-1960s-italian-peoples-magazines. dead.
  2. Web site: Magazines. Mondadori. 5 December 2014. 14 February 2012.
  3. Book: Angela Vettese. Bernhard Mendes Bürgi. Arte Povera. The Great Awakening. 2012. Hatje Cantz Verlag. 978-3-7757-3357-1. Italy in the Sixties: A Historical Glance. http://www.iuav.it/Ateneo1/chi-siamo/pubblicazi1/pubblicazi/immagini/Arte-Povera.pdf. https://web.archive.org/web/20171001074939/http://www.iuav.it/Ateneo1/chi-siamo/pubblicazi1/pubblicazi/immagini/Arte-Povera.pdf. Ostfildern. dead. 1 October 2017.
  4. Gabriella Ciampi de Claricini. Topical weeklies in Italy. International Communication Gazette. February 1965. 11. 1. 12–26. 10.1177/001654926501100102. 220894320.
  5. Book: Gino Moliterno. 289. Encyclopedia of Contemporary Italian Culture. https://books.google.com/books?id=WvGGAgAAQBAJ&pg=PA289. 2002. Epoca. Routledge. 978-1-134-75876-0. London; New York. Gino Moliterno.
  6. Book: Jessica L. Harris. Italian Women's Experiences with American Consumer Culture, 1945–1975. The Italian Mrs. Consumer. 2020. Palgrave Macmillan. Cham. 978-3-030-47825-4. 33, 43. 10.1007/978-3-030-47825-4 . 226585714.
  7. News: Time Inc in Joint Venture to Publish Italian Fortune. Associated Press. 7 November 1988. 17 February 2015.
  8. Book: Stephen Gundle. Stephen Gundle. Between Hollywood and Moscow: The Italian Communists and the Challenge of Mass Culture, 1943–1991. 2000. Duke University Press. 0-8223-2563-2. 47. Durham, NC; London.
  9. Stephen Gundle. Hollywood Glamour and Mass Consumption in Postwar Italy. Journal of Cold War Studies. Summer 2002. 4. 3. 95–118. 57562417. 10.1162/152039702320201085.
  10. Réka C. V. Buckley. National Body: Gina Lollobrigida and the cult of the star in the 1950s. Historical Journal of Film, Radio and Television. 2000. 20. 4. 527–547. 193186413. 10.1080/713669741.
  11. Penny Morris. From private to public: Alba de Céspedes' agony column in 1950s Italy. 2004. Modern Italy. 9. 1. 11–20. 10.1080/13532940410001677467. 145392553.
  12. Web site: Epoca. Behance. 5 December 2014.
  13. Laura Ciglioni. Italian Public Opinion in the Atomic Age: Mass-market Magazines Facing Nuclear Issues (1963–1967). Cold War History. 2017. 17. 3. 205–221. 157614168. 10.1080/14682745.2017.1291633.
  14. Cesare Amatulli. et. al.. Temporal dynamism in country of origin effect: The malleability of Italians' perceptions regarding the British sixties. International Marketing Review. 2019. 36. 6. 970. 2299/22819. 10.1108/IMR-08-2016-0165. 166900653. free.
  15. Mitchell V. Charnley. The Rise of the Weekly Magazine in Italy. 10.1177/107769905303000405. 191530801. Journalism Quarterly. September 1953. 30. 4. 477.
  16. Luisa Cigognetti. Lorenza Servetti. 'On her side': female images in Italian cinema and the popular press, 1945–1955. Historical Journal of Film, Radio and Television. 1996. 16. 4. 10.1080/01439689600260541. 556.
  17. Randolp S. Churchill. The Press. 19 April 2015. The Spectator. 17 January 1964.
  18. The Press: Women, Not Girls. 17 February 2015. Time. 18 January 1971.
  19. Web site: Maria Teresa Crisci. Relationships between numbers of readers per copy and the characteristics of magazines. 14 April 2015. The Print and Digital Research Forum. dead. 26 June 2015. https://web.archive.org/web/20150626201256/http://www.pdrf.net/wp-content/uploads/2013/03/196.pdf.

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