| Caption: | Cust in the 1890s; photo by Cyril Flower |
| Birth Name: | Emmeline Mary Elizabeth Welby |
| Birth Date: | 5 August 1867 |
| Birth Place: | Denton, Lincolnshire |
| Spouse: | Harry Cust |
| Parents: | Sir William Earle Welby-Gregory Victoria Stuart-Wortley |
Emmeline 'Nina' Cust (1867–1955) was an English writer, editor, translator and sculptor.[1] She was a member of The Souls, an upper class circle that challenged the conventions and attitudes of their class in the late nineteenth and early twentieth centuries.[2]
Cust was born at Denton Hall to Victoria, Lady Welby, a philosophical writer and Sir William Earle Welby-Gregory, a politician and landowner.[3] Her maternal grandmother, Lady Emmeline Stuart-Wortley was a renowned Victorian poet and travel writer.
In 1893, Cust married another member of The Souls, Henry John Cockayne-Cust known as Harry. She supported her husband in much of his work, including correspondence for the Central Committee for National Patriotic Organisations.[4] Cust was devoted to her husband, despite a reputedly unhappy marriage that lasted until his death in 1917.[5] A detailed look at Nina and Harry, as individuals and as a married couple, can be found in 'Tangled Souls: Love & Scandal among the Victorian Aristocracy' by Jane Dismore (pub. The History Press, 2022).
Cust was a direct neighbour of sculptor Jacob Epstein when they both lived at Hyde Park Gate in London.
Cust wrote a biography of her mother, Victoria, Lady Welby's first thirty years, entitled 'Wanderers: episodes from the travels of Lady Emmeline Stuart-Wortley and her daughter Victoria, 1849-1855'.[6] [7] She also published accounts of her grandmother's travels.[8] Cust contributed shorter pieces to contemporary periodicals including the journal of the English Association.[9]
Virginia Woolf is known to have reviewed at least one of Cust's published books, probably 'Gentleman Errant'.[10]
Cust's translation of 'Semantics; studies in the science of meaning' by Michel Jules Alfred Bréal presented the text's first appearance in English.
Cust may have attended the Académie Julian in Paris, although it is unclear which art forms she trained in.[15] It is also possible that she studied sculpture in London.
Cust exhibited her sculpture at the Royal Academy in 1906 showing a bust of her niece and in 1927, part of a model of her husband. She exhibited both in the United Kingdom and abroad, with works shown in Manchester, Liverpool, Birmingham and Paris.
In 1884, Cust was the subject of a portrait bust by Alfred Gilbert.[16] Alexander Fisher produced an enamelled portrait of Cust in 1898.[17]
Cust's sculpture is represented in British collections including the following works,
| Title | Year | Medium | Gallery no. | Gallery | Location | |
|---|---|---|---|---|---|---|
| Adelbert Wellington Brownlow Cust (1844–1921), 3rd Earl Brownlow | 1908 | bronze | 436816 | National Trust, Belton House | Lincolnshire, England | |
| Adelbert Wellington Brownlow Cust (1844–1921), 3rd Earl Brownlow | 1908 | marble | 436814 | National Trust, Belton House | Lincolnshire, England | |
| Henry John Cockayne Cust (1861–1917) | c.1905 | plaster | 436783 | National Trust, Belton House | Lincolnshire, England | |
| Henry John Cockayne Cust (1861–1917) | 1905 | marble | 436777 | National Trust, Belton House | Lincolnshire, England | |
| Self-portrait | 1900–1955 | marble | 436834 | National Trust, Belton House | Lincolnshire, England | |
| The Hand of Katherine Hariet Kinloch (d.1952), Lady Brownlow | 1952 | marble | 436781 | National Trust, Belton House | Lincolnshire, England |