Elvis Presley on film and television explained

Elvis Presley was an American entertainer who achieved great initial success as a singer and stage performer. He publicly expressed an early career goal of following in the footsteps of his role models James Dean and Marlon Brando to become a top dramatic actor.[1] His manager Colonel Tom Parker's persistent lobbying of William Morris Agency president Abe Lastfogel for a Presley screen test paid off on March 26, 1956, when the singer auditioned at Paramount for a supporting role in The Rainmaker.[2] Although not chosen for the part, he signed a contract with Paramount producer Hal Wallis on April 25 that also allowed him to make films with other studios.[3]

His feature debut was in Love Me Tender in 1956 for 20th Century Fox, which was the biggest acting debut of all time,[4] with the commercial success of the soundtrack EP being a bellwether for the next three Presley films, Loving You, Jailhouse Rock, and King Creole. Elvis returned to acting after leaving the army in 1960, with G.I. Blues and a dramatic western Flaming Star. The popularity of his romantic musicals established a formula for the coming years, with Elvis films being credited as the start of the modern music video.

Over time, Presley became bitter that his hopes for dramatic roles were not coming to fruition,[5] stating that Clambake was his worst film. He began to complain about the deteriorating quality of the films and his belief that his manager's objectives were more monetary than anything else.[6] This resulted in a change to his acting career and a stop to the formula films in 1968, after which Presley starred in the western Charro!, and the drama Change of Habit.[7]

At the expiration of all studio contracts, he returned to live entertaining and soon became the biggest star in Las Vegas history and on tour in America.[8] The two concert documentaries in 1970 and Elvis on Tour in 1972 were the final theatrical releases for Presley.[9] Both were among the most successful concert documentaries of their day, with Elvis on Tour winning prestige with a Golden Globe award and starting off the career of Martin Scorsese.

Presley was the highest paid actor in Hollywood, but said that he didn't need money to be successful[10] and that no amount of money was necessary for him to take a good role.

It was expected for Presley to be paid his usual million dollar salary to star in A Star is Born. Although interested in the role, Presley was ultimately not hired as Parker believed Presley would not receive top billing, and attempted to negotiate a higher salary and percentage of the films gross profits.[11] The documentary film The New Gladiators remained unfinished at the time of his death.[12]

Over the years and with a reassessment of his acting career, roles in films like Charro! or Wild in the Country have led to Presley receiving praise as an actor.[13] [14] Many consider him to have been the best and most successful singer-actor in Hollywood history.[15]

Acting credits

Television

Year! scope="col"
TitleNotes
1956Stage Show6 episodes at the CBS studios in New York City, NY: January 28, February 4, 11, 18, March 17, 24; Tommy and Jimmy Dorsey's show, produced by Jackie Gleason as a lead-in for his show[16]
1956Texaco Star Theatre2 episodes: April 3 aboard the USS Hancock in San Diego, CA; June 5 NBC studios Los Angeles, CA[17]
1956Teenage Dance PartyJune 16; hosted by Wink Martindale, WHBQ-TV Memphis, TN (interview only)[18]
1956Hy Gardner CallingJuly 1 television interview, WRCA-TV, New York City, NY (interview only)[19]
1956July 1; NBC, New York City, NY
1956–573 episodes: September 9, October 28, 1956; January 6, 1957, CBS New York City, NY[20]
1960Taped March 26, in Miami, FL; aired on ABC May 12[21]
1968Elvis: The 1968 Comeback SpecialAlso known as One Night With You; June taping at NBC Los Angeles, CA; air date December 3[22]
1973Aloha from Hawaii Via SatelliteKui Lee Cancer Fund benefit concert at Honolulu's Neal S. Blaisdell Center broadcast by NBC world-wide January 14[23]
1977Elvis in ConcertThe last concert tour before Presley died; broadcast by CBS after his death; has never been re-broadcast or officially released on home video[24]

Film

Year! scope="col"
TitleStudioRoleNotes
1956Love Me Tender20th Century FoxClint RenoFirst feature film role. Caused a protest among fans at the film's premiere when they learn that Presley's character dies at the end of the film, triggering an alternate ending. Includes the song "Love Me Tender".[25]
1957Loving YouParamount PicturesJimmy Tompkins (Deke Rivers)[26]
1957Jailhouse RockMGMVince EverettAdded to the National Film Registry in 2004. Title song listed at #24 in AFI's 100 Years...100 Songs.[27] [28]
1958King CreoleParamount PicturesDanny Fisher Banned in Mexico after a riot ensued at the Las Americas cinema in Mexico City, where the movie had its premiere. Final film before military service. [29]
1960G.I. BluesParamount PicturesTulsa McLeanBanned in Mexico after a similar riot took place, also at the Las Americas cinema in Mexico City. All further Elvis films banned as a result, with the restriction being lifted in 1971. [30]
1960Flaming Star20th Century FoxPacer BurtonA single film still from the film was used by Andy Warhol in 26 of his silkscreen paintings, eight of which are known to have garnered US$375 million at auction and in private sales. The paintings include Triple Elvis and Eight Elvises.[31]
1961Wild in the Country20th Century FoxGlenn Tyler[32]
1961Blue HawaiiParamount PicturesChad Gates[33]
1962Follow That DreamMirisch CompanyToby Kwimper[34]
1962Kid GalahadMirisch CompanyWalter Gulick / Kid Galahad[35]
1962Girls! Girls! Girls!Paramount PicturesRoss Carpenter[36]
1963It Happened at the World's FairMGMMike EdwardsFilmed at the Seattle World's Fair[37]
1963Fun in AcapulcoParamount PicturesMike WindgrenFilmed in Acapulco by the 2nd unit crew with Elvis double (without Elvis who was persona non grata in Mexico) in November 1962, with filming resuming in Hollywood in January 1963 at Paramount Studios, with Elvis filming his scenes in studio in front of screen with scenes filmed at the Mexican location. The movie was not shown in Mexico, whose government only lifted its Presley ban in the summer of 1971, when Elvis: That's the Way It Is opened outside the US.[38]
1964Kissin' CousinsMGMJosh Morgan / Jodie TatumFeatured Presley in a dual role. Filmed after Viva Las Vegas [39]
1964Viva Las VegasMGMLucky JacksonFilmed before Kissin' Cousins[40]
1964RoustaboutParamount PicturesCharlie Rogers[41]
1965Girl HappyMGMRusty Wells[42]
1965Tickle MeAllied ArtistsLonnie Beale / Panhandle Kid[43]
1965Harum ScarumMGMJohnny Tyronne[44]
1966Frankie and JohnnyUnited ArtistsJohnny[45]
1966Paradise, Hawaiian StyleParamount PicturesRick Richards[46]
1966SpinoutMGMMike McCoy[47]
1967Easy Come, Easy GoParamount PicturesLt. (j.g.) Ted JacksonFilmed after Double Trouble[48]
1967Double TroubleMGMGuy LambertFilmed before Easy Come, Easy Go[49]
1967ClambakeUnited ArtistsScott Heyward[50]
1968Stay Away, JoeMGMJoe LightcloudFilmed after Speedway[51]
1968SpeedwayMGMSteve GraysonFilmed in part at Charlotte Motor Speedway in Concord, NC, with various NASCAR drivers of the day contributing. Filmed before Stay Away, Joe[52]
1968Live a Little, Love a LittleMGMGreg Nolan[53]
1969Charro!National GeneralJess Wade[54]
1969MGMWalter Hale[55]
1969Change of HabitUniversalDr. John CarpenterFinal feature film role.[56]
1970MGMHimselfConcert documentary
1972Elvis on TourMGMConcert documentary, co-winner Golden Globe for Best Documentary 1972[57]

See also

Bibliography

External links

Notes and References

  1. Guralnick (1994), pp. 155–156, 443, 323.
  2. Guralnick (1994), pp. 144, 241.
  3. Guralnick (1994), p. 262; Guralnick and Jorgensen 1999, pp. 67, 127.
  4. Web site: Byrne . Kerry . 2022-11-14 . On this day in history, November 15, 1956, Elvis makes big-screen debut in 'Love Me Tender' . 2024-05-10 . Fox News . en-US.
  5. Guralnick 1999, p. 212.
  6. Guralnick 1999, p. 212; Neibaur (2014) pp. 217, 219.
  7. Web site: Grove . David . 2024-02-03 . Reexamining Elvis's Last (and Worst-Reviewed) Movie before He Died . 2024-08-06 . MovieWeb . en.
  8. Web site: Elvis Presley | International Hotel, Las Vegas | July 31, 1969 .
  9. Guralnick, Jorgensen (1999), pp. 271, 305, 321.
  10. Web site: McKee . Emma . 2024-05-01 . Elvis Said No Amount of Money Could've Made Him Feel Good About His Film Career . 2024-05-10 . Showbiz Cheat Sheet . en-US.
  11. Web site: 2021-12-18 . Why Elvis Presley Didn't Wind Up in 'A Star Is Born' . 2024-05-10 . Ultimate Classic Rock . en.
  12. Web site: Review Elvis Presley: Gladiators DVD Elvis Reviews . 2024-08-06 . www.elvis.com.au.
  13. Web site: Holland . Tom O'Brien . 2024-01-06 . Elvis Presley: Top 10 Movies Ranked Worst to Best . 2024-05-10 . GoldDerby . en-US.
  14. https://www.tvguide.co.uk/schedule/7f1d1abd-4b22-5d6c-be4e-d20b7fb2147a/charro
  15. Web site: 2022-06-03 . How Elvis Became a Movie Star—By Playing Himself . 2024-05-10 . Biography . en-US.
  16. Guralnick, Jorgensen (1999), pp. 61–62, 65, 67; Guralnick (1994), pp. 236, 244–246, 249–252, 257.
  17. Guralnick, Jorgensen (1999), pp. 67, 73.
  18. Guralnick, Jorgensen (1999), p. 75.
  19. Guralnick, Jorgensen (1999), p. 77.
  20. Guralnick, Jorgensen (1999), pp. 83, 89, 95.
  21. Guralnick, Jorgensen (1999), pp. 151, 154.
  22. Guralnick, Jorgensen (1999), pp. 242–248, 251.
  23. Guralnick, Jorgensen (1999), pp. 319–321.
  24. Guralnick, Jorgensen 1999 p. 375.
  25. Guralnick (1994), p. 311; Marsh (1982), p. 241.; Web site: Love Me Tender. AFI Catalog of Featured Films. AFI. August 14, 2015. live. https://web.archive.org/web/20150728022343/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=51905. July 28, 2015.
  26. Guralnick, Jorgensen (1999) p. 96; Guralnick (1994), pp. 344, 370; Marsh (1982), p. 241.
  27. Web site: AFI's 100 Years...100 Songs . . 2016-08-13.
  28. Web site: Librarian of Congress Adds 25 Films to National Film Registry. Library of Congress. United States Government. September 30, 2015. December 28, 2004. live. https://web.archive.org/web/20150929020548/http://www.loc.gov/today/pr/2004/04-215.html. September 29, 2015.
    Knowles (2013), pp. 97–108; Guralnick (1994), pp. 409–410; Marsh (1982), p. 241.
  29. In a 1992 interview King Creole co-star Jan Shepard told historian Peter Guralnick that Elvis told her in 1965, "Honey, that was my favorite picture."Guralnick 1999, p. 209; Guralnick (1994), p. 442; Marsh (1982), p. 241.
  30. Guralnick (1999), p. 28; Marsh (1982), p. 241; Web site: G.I. Blues. AFI Catalog of Featured Films. AFI. August 14, 2015. live. https://web.archive.org/web/20150919051034/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=53152. September 19, 2015.
  31. Neibaur (2014) p. 64; Guralnick (1999), p. 78; Marsh (1982), p. 241.
  32. Guralnick (1999), p. 84; Marsh (1982), p. 241.
  33. Lisanti (2012), p. 60; Marsh (1982), p. 241.
  34. Marsh (1982), p. 241; Web site: Follow That Dream. AFI Catalog of Featured Films. AFI. August 14, 2015. live. https://web.archive.org/web/20150924002408/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=23042. September 24, 2015.
  35. Marsh (1982), p. 241; Web site: Kid Galahad. AFI Catalog of Featured Films. AFI. August 14, 2015. live. https://web.archive.org/web/20150920060947/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=23241. September 20, 2015.
  36. Marsh (1982), p. 241.
  37. Neibaur (2014) pp. 120, 123; Marsh (1982), p. 241.
  38. Guralnick (1999), p. 141; Marsh (1982), p. 241.
  39. Guralnick (1999), pp. 155–159; Marsh (1982), p. 241.
  40. Guralnick (1999), pp. 152–153; Marsh (1982), p. 241.
  41. Rose (1996), p. 270; Marsh (1982), p. 241.
  42. Lisanti (2012), p. 203; Marsh (1982), p. 241.
  43. Templeton, Craig (2002), p. 91; Marsh (1982), p. 241.
  44. Neibaur (2014) p. 184 ; Marsh (1982), p. 241.
  45. Neibaur (2014) p. 187; Marsh (1982), p. 241.
  46. Lisanti (2000) pp. 135–137 ; Marsh (1982), p. 241.
  47. Neibaur (2014) p. 207; Marsh (1982), p. 241.
  48. Neibaur (2014) p. 200; Marsh (1982), p. 241.
  49. Neibaur (2014) pp. 213–214 ; Marsh (1982), p. 241.
  50. Neibaur (2014) pp. 219–220; Marsh (1982), p. 241.
  51. Gulick (2006), pp. 143–144; Marsh (1982), p. 241.
  52. Neibaur (2014) p. 229; Marsh (1982), p. 241.
  53. Guralnick, Jorgensen (1999) pp. 239–240; Marsh (1982), p. 241; Web site: Live a Little, Love a Little. AFI Catalog of Featured Films. AFI. August 14, 2015. live. https://web.archive.org/web/20150925035730/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=22907. September 25, 2015.
  54. Neibaur (2014) p. 242; Marsh (1982), p. 241.
  55. Ellroy, Penzler (2011), p. 63; Marsh (1982), p. 241; Web site: The Trouble with Girls. AFI Catalog of Featured Films. AFI. August 14, 2015. live. https://web.archive.org/web/20150924074858/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=23818. September 24, 2015.
  56. Neibaur (2014) p. 253; (Guralnick (1999), pp. 338–339; Marsh (1982), p. 241.
  57. Marsh (1982), p. 241; Guralnick, Jorgensen (1999), pp. 315, 321.