| Electronic Sonata for Souls Loved by Nature | |
| Type: | Album |
| Artist: | George Russell |
| Cover: | GRussellElSonata68cover.JPG |
| Border: | yes |
| Released: | 1969 / 1980 |
| Recorded: | April 28, 1969 (1968 Version) June 9 & 10 1980 (1980 Version) |
| Genre: | Avant-garde jazz |
| Length: | 51:49 (1968 Version) 48:13 (1980 Version) |
| Label: | Flying Dutchman Records Strata-East Records Soul Note |
| Prev Title: | George Russell Sextet at Beethoven Hall |
| Prev Year: | 1965 |
| Next Title: | Trip to Prillarguri |
| Next Year: | 1970 |
Electronic Sonata for Souls Loved by Nature is a composed work, originally in fourteen movements—or events as they are denoted by the composer—written by jazz arranger George Russell. The composition is "... meant to suggest that man, in the face of encroaching technology, must confront technology and attempt to humanize it, using it to enrich his collective soul…not only his purse… to explore inner, as well as outer space"[1] . It was originally written in 1968, using new compositional techniques associated at the time with contemporary music.[2]
The music is structured around a panstylistic tape of "fragments of many different styles of, avantgarde jazz music, ragas, blues, rock, serial music etc. treated electronically, ... a palate upon which non-electronical musical statements of a panstylistic nature could be projected". Musicologist and jazz critic Max Harrison writes, "it is no mere coincidence that one is reminded of Stockhausen's Telemusik of 1966".[3] The tape had been recorded at EMS (Elektronmusikstudion) in Stockholm and consisted of a collage of sound fragments obtained from various types of music and from various places in the world. He mixed music that was seemingly incompatible both in terms of sound and context. A kind of world music with styles that rub up against each other.
The work was commissioned by Sveriges Radio and first performed with a sextet in a concert at the Henie Onstad Kunstsenter, outside Oslo, on April 28, 1969. The concert was recorded and released on the Flying Dutchman label with the year of composition, 1968, in the title. This 1969 recording featured Russell with Jan Garbarek, Manfred Schoof, Terje Rypdal, Jon Christensen, and Red Mitchell and was subsequently re-released on Strata-East Records on LP in 1976, and again on the Italian Soul Note label in 1985 (LP and CD).[4]
Russell has revisited the piece twice on record. For a performance of the work in 1970 he added one more event to a total of fifteen. This time he rearranged and recorded the composition with a large orchestra in Stockholm. It was recorded on October 6, 1970.[5] The 1970-recording was released on the Sonet label as part of the album "The Essence of George Russell" in 1971, and rereleased in 1983 on the Black Lion label. In 1980 George Russell rerecorded the sextet version with Jean-François Jenny-Clark, Victor Comer, Keith Copeland, Robert Moore and Lew Soloff. This time the original 1968 in the title was evidently interpreted as the performance year, and the title of the 1980-recording was extended with its recording year. It was released on Soul Note as an LP in 1980 and CD in 1985.[6]
1969 version
1970 version
1980 version
Recorded live at the Sonja Henie/Niels Onstad Kunstsenter Oslo, April 28, 1969
alto saxophone
soprano and tenor saxophone, flute
bass trombone
vibraphone, xylophone
piano
guitar
bass
drums
congas
piano, conductor
trumpet, flugelhorn
tenor saxophone
electric guitar
bass
drumsRecorded in Stockholm, October 6, 1970
guitar
Recorded June 9 & 10, 1980 at Barigozzi Studio, Milan