| Electronic Literature Organization | |
| Logo Alt: | The logo has letters E L O on a black background |
| Founder: | Scott Rettberg, Robert Coover, Jeff Ballowe |
| Leader Title: | President |
| Leader Name: | Caitlin Fisher |
| Leader Title2: | Vice President |
| Leader Name2: | Anastasia Salter |
| Leader Title3: | Secretary |
| Leader Name3: | Mark Sample |
| Leader Title4: | Managing Director of CELL |
| Leader Name4: | Davin Heckman |
| Website: | https://eliterature.org/ |
The Electronic Literature Organization (ELO) is a nonprofit organization "established in 1999 to promote and facilitate the writing, publishing, and reading of electronic literature".[1] It hosts annual conferences, awards annual prizes for works of and criticism of electronic literature, hosts online events and has published a series of collections of electronic literature.
The ELO was founded in 1999 in Chicago by Scott Rettberg, Robert Coover, and Jeff Ballowe. Rettberg took the role as CEO, and Ballowe was president. In a book chapter about this early phase, Rettberg describes the first three years as a "turbulent and exciting period".[2]
An article in the Los Angeles Times describes the first reading organised by the ELO in July 2000, "a recent evening at the home of Microsoft executive Richard Bangs", with "trays of light finger food and delicately chilled Chardonnay" with "guests from high-tech east side Seattle mingled with representatives of the old-guard arts establishment and half a dozen writers of new fiction who had come to read from their work".[3]
The new organization was able to ride the excitement of the tech industry during the dot-com bubble, but also suffered from the subsequent crash.
The ELO had early successes in obtaining funding from individuals in the technology industry and the Ford Foundation (which funded the Electronic Literature Symposium at UCLA in 2002) and the Rockefeller Foundation (which funded work on the Electronic Literature Directory). However, the dot com crash made funding dry up, and despite some local funding in Chicago, the organization had to transition from having full-time staff and an office to being hosted by universities. In 2001 the ELO moved to UCLA, supported by the English department. Marjorie Luesebrink became president, N. Katherine Hayles was faculty advisor, and Jessica Pressman was the managing director. The organization has since been hosted by universities, including the University of Maryland, College Park in 2006 where it was supported by the Maryland Institute for Technology in the Humanities (under the direction of Matthew Kirschenbaum), and MIT under the leadership of Nick Montfort. The ELO is currently hosted at York University, Toronto, Canada, under the leadership of Caitlin Fisher,[4] marking the first time this international organization has moved its headquarters outside of the United States.
Since the 2007 conference, the ELO has grown annually and by 2015 was gathering hundreds of people at each of its conferences.
Past presidents of the ELO include Jeff Ballowe, Scott Rettberg (as Executive Director), Marjorie Luesebrink, Matthew Kirschenbaum, Joseph Tabbi, Nick Montfort, Dene Grigar,[5] and Leonardo Flores.[6] [7] Caitlin Fisher became president in July 2022.[8] [9]
The ELO holds annual conferences that include both scholarly presentations and exhibitions and performances of electronic literature. The ELO website contains an archive of past conference websites.[10]
| 2002 | State of the Arts Symposium | Los Angeles, California | |
| 2007 | The Future of Electronic Literature | College Park, Maryland | |
| 2008 | Visionary Landscapes | Vancouver, Washington | |
| 2010 | ELO_AI: Archive & Innovate | Providence, Rhode Island | |
| 2012 | Electrifying Literature: Affordances and Constraints | Morgantown, West Virginia | |
| 2013 | Chercher le texte | Paris, France | |
| 2014 | Hold the Light | Milwaukee, Wisconsin | |
| 2015 | The End(s) of Electronic Literature | Bergen, Norway | |
| 2016 | Next Horizons | Victoria, BC | |
| 2017 | Electronic Literature: Affiliations, Comm, Translations | Porto, Portugal | |
| 2018 | Attention á la marche / Mind the gap![11] | Montreal, Canada | |
| 2019 | Peripheries[12] | Cork, Ireland | |
| 2020 | (un)continuity[13] | Orlando, Florida (virtual) | |
| 2021 | Platform (Post?) Pandemic[14] | Bergen, Norway; Aarhus, Denmark & virtual | |
| 2022 | Education and Electronic Literature[15] | Como, Italy | |
| 2023 | Overcoming Divides: Electronic Literature and Social Change[16] | Coimbra, Portugal |
The ELO has curated and edited four volumes of electronic literature.[23] [24] [25]
Volume 1 (October 2006). Mark Marino noted in the Digital Humanities Quarterly, "Amidst the collection, there are some works that transcend the collection itself and stand out as pillars of electronic writing. Such pieces have already garnered much critical attention. Most notable among these would be Judd Morrissey’s The Jew’s Daughter, Michael Joyce’s Twelve Blue, Stuart Moulthrop’s Reagan Library, Talan Memmott’s Lexia to Perplexia, and Kate Pulinge
Volume 2 (February 2011) Tim Wright explains that "the process of gathering, archiving and tagging the works to make them more easily available to a wider audience, also freezes (necessarily) what may have been otherwise ephemeral or in situ."[27]
Volume 3 (February 2016) Urszula Anna Pawlicka noted that ELC3 represents a "post" code range of literature.[28] This work also includes Qianxun Chen's Shan Shui, Porpentine's With Those We Love Alive, Borsuk's Between Page and Screen, Illya Szilak's Queerskins, Emily Short and Liza Daly's First Draft of the Revolution, Jeremy Height's 34 North 118 West, J.R. Carpenter's Along the Briny Beach, Mark Marino and Rob Wittig's Being@Spencer Pratt, Caitlin Fisher's Everyone at This Party is Dead, Anna Anthropy's Hunt for the Gay Planet, N. Katherine Hayle
Volume 4 (June 2022). ELC4 presents the largest and most diverse group yet of elit authors writing in Afrikaans, Ancient Chinese, Arabic, Catalan, Chinese, Danish, Dutch, English, French, German, Greek, Hungarian, Indonesian, isiXhosa, Italian, Japanese, Korean, Mezangelle, Norwegian, Polish, Portuguese, Romanian, Russian, Setswana, Simplified Chinese, Slovak, South African Sign Language, Spanish, Swedish, Turkish, Yoruba[30]
In 2001 the ELO announced the Electronic Literature Awards, with a $10,000 prize (funded by ZDNet) for the best work of fiction and the best work of poetry.[31] [32] 163 works were submitted, and each was reviewed by at least three people on the board, after which the highest scoring works were passed on to judges Larry McCaffery and Heather McHugh. Rettberg notes that the diversity of works submitted and shortlisted was "an eye-opener (..) in terms of what I might consider 'fiction' and 'poetry' to be in the e-lit context'.
In 2001, These Waves of Girls by Caitlin Fisher won the fiction prize and windsound by John Cayley won the poetry prize. The excitement of the era can be felt in an interview by the cable television channel TechTV with Fisher after the awards gala in New York.[33]
After a pause due to a lack of funding, the ELO Awards were rekindled in 2014, and since then an annual award has been given to the best literary work and the best work of scholarship on electronic literature.[34] Each award comes with a $1000 stipend.
This award honors the year’s best work of electronic literature, of any form or genre.
| 2014 | Jason Edward Lewis, Vital to the General Public Welfare | |
| 2015 | Samantha Gorman and Danny Cannizzaro, Pry | |
| 2016 | Scott Rettberg and Roderick Coover, Hearts and Minds: The Interrogations Project | |
| 2017 | Alan Bigelow, How To Rob a Bank | |
| 2018 | Will Luers, Hazel Smith, and Roger Dean, Novelling | |
| 2019 | Ip Yuk-Yiu, False Words 流/言 | |
| 2020 | Karen Ann Donnachie and Andy Simionato, The Library of Nonhuman Books | |
| 2021 | Leise Hook, The Vine and the Fish | |
| 2022 | David Jhave Johnston, ReRites[35] Honorable Mention: "Al Barrah" by Reham Hosny. | |
| 2023 | Everest Pipkin, Anonymous Animal. Runner-up: "The (m)Otherhood of Meep (the bat translator)" by Alinta KrauthHonorable Mention: "The Decameron 2.0" by The Decameron Collective | |
| 2024 | Halim Madi, Borderline. Runner-up: "Seeing" by Margot MachadoHonorable Mentions: "Exocolony" by Lee Tusman; "Unboxing: Mrs. Wobbles and the Tangerine House" by the Marino family; "VideoDreams" by Fernando Montes Vera |
This award honors the best work of criticism of electronic literature of any length.
| 2014 | and, Evolution |
| 2015 | Sandy Baldwin, The Internet Unconscious: On the Subject of Electronic Literature |
| 2016 | Jeremy Douglass, Jessica Pressman, and Mark Marino, Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope |
| 2017 | David Jhave Johnston, Aesthetic Animism: Digital Poetry’s Ontological Implications |
| 2018 | Joseph Tabbi, Bloomsbury Handbook of Electronic Literature |
| 2019 | Scott Rettberg, Electronic Literature |
| 2020 | Mark Marino, Critical Code Studies |
| 2021 | Jessica Pressman, Bookishness |
| 2022 | Lai-Tze Fan (editor) “Critical Making, Critical Design,” Issue 01 of The Digital Review |
| 2023 | Lyle Skains, Neverending Stories: The Popular Emergence of Digital Fiction. Runner up: Opera aperta: Italian Electronic Literature from the 1960s to the Present" by Emanuela Patti. Honorable mention: “Girl Online” by Joanna Walsh |
| 2024 | Hannes Bajohr, "Artificial and Post-Artificial Texts: On Machine Learning and the Reading Expectations Towards Literary and Non-Literary Writing." Runner up: "Machine Mimesis: Electronic Literature at the Intersection of Human and Computer Imitation," by Malthe Stavning Erslev. Honorable mentions: Alessandro Ludovico, Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century; Simone Murray: “The Short Story in the Age of the Internet.” |
This award honors a visionary artist and/or scholar who has brought excellence to the field of electronic literature and has inspired others to help create and build the field.
| 2016 | Marjorie C. Luesebrink | |
| 2017 | John Cayley | |
| 2018 | N. Katherine Hayles | |
| 2019 | Mez Breeze | |
| 2020 | Judy Malloy | |
| 2021 | Kate Pullinger | |
| 2022 | Alan Sondheim | |
| 2023 | Stephanie Strickland | |
| 2024 | Dene Grigar |
This award "honors an independent spirit: a writer, artist, researcher, programmer, designer, performer, or hybrid creator who does not adhere to a conventional path but creates their own and in so doing makes a singular contribution to the field of electronic literature."
| 2021 | Talan Memmott | |
| 2023 | Deena Larsen | |
| 2024 | Allison Parrish |