| Azhagiya Pandipuram | |
| Director: | N. Rayan |
| Producer: | N. Kirubhakaran |
| Music: | Bharadwaj |
| Cinematography: | V. Akilan |
| Editing: | Suresh Urs |
| Studio: | Thaimann Production |
| Runtime: | 130 minutes |
| Country: | India |
| Language: | Tamil |
Azhagiya Pandipuram is a 2014 Indian Tamil-language comedy film directed by N. Rayan. The film stars Elango Nagarajah and Anjena Kirti with a supporting cast including Manobala, Fathima Babu, M. S. Bhaskar, Sriman, Subbu Panchu, Meera Krishnan, Devadarshini, and Yuvarani. The film, produced by N. Kirubakaran under the banner of Thaimann Production, had music by Bharadwaj, editing by Suresh Urs, and cinematography by V. Akilan. The film was released on 5 December 2014 to mixed reviews.[1] [2]
Madhavan (Elango Nagarajah), a young man, lives with his joint family: parents (Keeripulla (Manobala) and Fathima Babu), brother (Sriman) and sister-in-law (Yuvarani). His family has a feud with their opposite house family (M. S. Bhaskar, Subbu Panchu, Meera Krishnan and Devadarshini). Pambukutty's daughter Deepika (Anjena Kirti) was into a boarding school in Ooty for 10 years, where she completes her education and comes back to her native. Deepika's family decides to get her married off, while Keeripulla also wants his son to get married. Soon, Madhavan and Deepika fall in love with each other. What transpires next forms the rest of the story.
The soundtrack was composed by Bharadwaj.
| Azhagiya Pandipuram | |
| Type: | Soundtrack |
| Artist: | Bharadwaj |
| Released: | 2014 |
| Length: | 24:27 |
| Language: | Tamil |
| Producer: | Bharadwaj |
| Prev Title: | Aranmanai |
| Prev Year: | 2014 |
| Next Title: | Aayirathil Iruvar |
| Next Year: | 2017 |
The film was shot in the Theni, Karaikkudi and Kodaikanal areas in Tamil Nadu.[3]
Malini Mannath of The New Indian Express opined that "The film is like a stage play, at times like a low-end TV serial. There is no distinct characterisation, with the whole lot behaving in a juvenile manner. It’s a tirade of non-stop dialogues with no respite".[4]