El Monstruo resucitado explained

El Monstruo Resucitado
Director:Chano Urueta
Producer:Sergio Kogan
Abel Salazar
Starring:Miroslava
Carlos Navarro
José María Linares-Rivas
Fernando Wagner
Alberto Mariscal
Stefan Berne
Music:Raúl Lavista
Cinematography:Víctor Herrera
Editing:Jorge Bustos
Studio:Internacional Cinematográfica
Distributor:Azteca Films Inc.
Runtime:85 minutes
Country:Mexico
Language:Spanish

El Monstruo Resucitado (lit. The Revived Monster) is a 1953 Mexican horror film directed by Chano Urueta and starring Miroslava, Carlos Navarro and José María Linares-Rivas.[1]

Plot

A reporter, Nora (Miroslava), investigates the mysterious advertisement placed by Dr. Ling (Linares-Rivas), a plastic surgeon. Ling turns out to be a misshapen creature who, rejected by his peers, has become a mad scientist. He falls in love with Nora, but fearing she will betray him, he resuscitates Ariel (Navarro), a young man who committed suicide, by transplanting a new brain into him, and orders him to capture Nora so that he can kill her. However, Nora and Ariel fall in love, and Ariel rebels against his master.

Cast

Production

The film was one in a string of films in Mexican cinema that attempted to imitate famous films produced by Universal Studios. El Monstruo Resucitado itself was partially inspired by Universal's Frankenstein, and was one of several films in Mexican cinema that were based on Universal's 1931 film.[2] [3] Another film, Fernando Méndez's 1956 film Ladrón de Cadáveres, was also partially based on Universal Studios' Frankenstein. Other Mexican films based on the Universal horror films included El vampiro, which was based on Universal's Dracula, and was also directed by Méndez. This film brought about the Golden Age of horror and fantasy films in Mexican cinema. El Monstruo resucitado was one of the many films that were spawned by the critical and financial success of Ladrón de Cadáveres and El vampiro.[4] [5]

Reception

The film received mixed to positive reviews upon its release. It has been considered by some to be one of the best horror films in Mexican cinema,[3] with some critics praising its atmosphere[6] Glenn Erickson of DVD Talk.com gave the film a positive review stating that the "camera direction kept pace with the 'theatrical delirium' of the performances by evoking the expressionist angles and lighting of Universal films". Erickson also praised the film's cinematography, atmosphere, art direction, and designs.[7]

Notes and References

  1. Book: Cotter. Robert Michael. The Mexican Masked Wrestler and Monster Filmography. 2015. McFarland. 978-1-476-60419-0. 29.
  2. Book: Susan Tyler Hitchcock. Frankenstein: A Cultural History. registration. 2007. W.W. Norton. 978-0-393-06144-4. 238.
  3. Book: Colin Odell. Michelle Le Blanc. Horror Films. 2007. Kamera Books. 978-1-84243-218-1.
  4. Book: Steven Jay Schneider. Tony Williams. Horror International. 1 January 2005. Wayne State University Press. 0-8143-3101-7. 38.
  5. Book: Victoria Ruétalo. Dolores Tierney. Latsploitation, Exploitation Cinemas, and Latin America. 7 May 2009. Routledge. 978-1-135-84877-4. 94.
  6. Book: Rovin. Jeff. Encyclopiedia of Monsters. 1989. Facts On File, Inc.. New York. 15.
  7. Web site: Erickson. Glenn. DVD Savant Review: Monster (El monstruo resucitado). DVD Talk.com. Glenn Erickson. 25 September 2014.