Eduardo Montes-Bradley Explained

Eduardo Montes-Bradley
Birth Date:9 July 1960
Birth Place:Córdoba, Argentina
Occupation:Documentarian
Years Active:1979–present
Notable Works:Julian Bond, Rita Dove, Evita
Relatives:Eduardo Bradley, Enrique Ferrarese

Eduardo Montes-Bradley (born July 1960) is a documentary filmmaker known for Evita,, and Harto The Borges. His most recent films are Black Fiddlers and [1] He’s currently working on The Italian Factor: The Piccirilli Story.[2]

Early and personal life

Montes-Bradley was born in Argentina to Nelson Montes-Bradley, co-founder of Discos Qualiton and Sara Kaplan. He moved to New York in 1979, and currently resides in Charlottesville.

Non-fiction

Fiction

Experimental

Music videos

Bibliography

Book: Habeas corpus: Peter Paul Weinschenk, alias Pablo Tabernero . 34th Mar del Plata International Film Festival, INCAA. . 2019 . Buenos Aires, Argentina . 144 : photographs ; 23 cm . Ideography, Biographical approach to Peter Paul Weinschenk, life and works of Pablo Tabernero, cinematographer of Prisioneros de la tierra directed by Mario Soffici.

Los dedos del huracán. Short story. Children Literature. Included on "De Ola en Ola 3" School Textbook for Third Grade. Group Macmillan. Editorial Estrada S.A., Buenos Aires, Argentina. Illustrated by Eugenia Nobati. p. 62–67[81]

Book: La resurreción de Ocantos . 2012 . Los Angeles, CA . 62 Hard Cover : illustrations ; 23 cm . 978-1449907402. Montes-Bradley . Eduardo . Bio-bibliographical essay on Carlos María Ocantos.[82] [83]

Book: Cortázar sin barba . . 2005 . . 394 Hard Cover : illustrations ; 23 cm . 84-8306-603-3. Biography of Julio Cortázar.[84] [85] 1st edition Editorial Sudamericana, Argentina 2004. 3rd edition, Pesódromo 21, 2014.[86] [87] [88]

Book: Água No Terceiro Milenio . Bianchi Editores Ediciones Pilar, Collección Señales de Vida. . 2000 . . 318; 21 cm . 9974-663-17-2. Bilingual Anthology of Short Stories. Selection of awarded works at the Literary Award "Agua no terceiro Milenio",[89] Brazil. Bilingual: Portuguese-Spanish. Pilar Editors, Brasília, 2000. Includes the short story "Das schwerste gewicht" previously published in "Ya se que todo es mentira" (1999), Editorial del Nuevo Extremo, Buenos Aires 1999.[90]

Book: 'Osvaldo Soriano': Un retrato . Grupo Editorial Norma . 2000 . . 171 Rustic . 9879334353. Sperling & Kupfer Editori, Milan, Italy, 2001, 164pp. Translated by Gina Maneri. Collection: Continente Desaparecido, directed by Gianni Minà .[91] [92] Based on the homonymous documentary by the author.[93] [94] [95]

Book: Ya se que todo es mentira . Editorial del Nuevo Extremo . 1999 . . 200 . 950-9681-85-7. (trad. I know It's All Lies). Some of the short stories included have been previously published in literary magazines. Foreword by Osvaldo Bayer. 199 pp. 23 cm.[96] Foreword by Osvaldo Bayer.

'Senxo', Selected Poems. Editorial Grupo Archivo de Comunicación, New York City, 1984. Foreword by Armando Tejada Gómez. Out of print.

Journalism

Montes-Bradley contributed to El País, Babelia,[97] Les cinemas de la Amerique Latine[98] by Association Rencontres Cinémas d'Amérique Latine de Toulouse France; La Jornada, México; the monthly review Latinoamérica e Tutto il Sud dell Mondo, Italy; and in Argentina to the literary magazine Esperando a Godot; the art-magazine Revista Lote, Venado Tuerto, Suplemento Radar published by Página/12, El Amante de cine, "Diario Perfil," "Revista Ñ" Clarin,[99] Critica de Argentina; and La Nación. Montes-Bradley was a frequent collaborator with the literary blog "Nación Apache."

Photography

Montes-Bradley was recognized by the National Council on Public History with the "Outstanding Public History Project Award" as part of the exhibit "The Mere Distinction of Colour" produced by James Madison's Montpelier.[100] His photo-work appeared in The Atlantic,[101] The Washington Post,[102] La Nacion,[103] The Independent,[104] Deutsche Welle,[105] Diario Clarin[106] other newspapers[107] and magazines[108] as well as "Escenas de la memoria. La Casa Argentina en la voz de sus antiguos residentes",[109] [110] and "Aventura Turnberry Jewish Center 20th Anniversary".[111] His work is partially preserved at the Claude Moore Health Sciences Library, the University of Virginia.[112]

Awards and honors

Appearances in other media

Notes

  1. Roca, Pilar Las vidas paralelas de Montes-Bradley Grupo Archivo de Comunicación. New York, 2010. University of Virginia Libraries; University of Virginia Library; UVa Library https://www.worldcat.org/oclc/768997232
  2. Abos, Alvaro Xul Solar: Pintor del misterio. Sudamericana, 2004. p. 289
  3. Lindner, Franco Cooke: El heredero maldito de Perón: la biografía. Editorial Sudamericana, 2006
  4. Arnold, Jorge Revista de critica literaria latinoamericana.. Latinoamericana Editores.
  5. Nagy-Zekmi, Silvia Moros en la costa: Orientalismo en America Latina. Iberoamericana.p. 192.
  6. Sebreli, Juan JoseEl tiempo de una vida: Autobiografía. Editorial Sudamericana, 2005
  7. "Reviews on Latin American and Chinese Art by Eduardo Montes-Bradley" Art and Wealth https://web.archive.org/web/20110728132443/http://www.arts-wealth.com/comment/articles.php?comments_id=7
  8. Bustos, Graciela Audiovisuales de combate: Acerca del Videoactivismo Contemporáneo. Published by Centro Cult. de España, Bs.As., 2006. p. 83
  9. Kriger, Clara / Spadaccini, Silvana Páginas de cine. Archivo General de la Nación, República Argentina, 2003. p. 103
  10. Tiempo de hoy. Published by Ediciones Tiempo, S.A., Spain, 2005. p. 84
  11. Mazzeo, Miguel / Ramb, Ana María Osvaldo Bayer: Miradas sobre su obra. C.C.C., ED. del Inst. Movilizador de Fondos Coo., 2003. p. 96
  12. Neifert, Agustin, Del papel al celuloide: Escritores argentinos en el cine. La Crujía Ediciones, 2003. pp. 48, 49, 54.
  13. Di Benedetto, Antonio and Lebenglik, Fabian El Pentágono: Novela en forma de cuentos. Adriana Hidalgo Editores, 2005. p. 13
  14. Aguilar, Gonzalo Moisés Otros mundos: Ensayo sobre el nuevo cine argentino. Santiago Arcos Editor, 2006. pp. 228, 130, 231.
  15. Fernandez Naval, F.X. Respirar por el idioma: (los Gallegos y Julio Cortázar). Contributor Emilia Veiga Torre. Editorial Corregidor, 2007. pp. 14, 38, 192
  16. Versants. By Collegium Romanicum. Published by L'age d'homme, 2001. 262, 266.
  17. Nelson Bayardo and José Pedro Rilla Carlos Gardel: A la luz de la historia. Editorial Aguilar, 2000. p. 117
  18. María Gabriela Barbara, Cittadini. Vindicaciones del infinito.Fundación Internacional Jorge Luis Borges, 2003. p. 38
  19. Neifert, Agustín. Del papel al celuloide Edition: illustrated. La Crujía Ediciones, 2003
  20. Mesa Gancedo, Daniel Avatares del personaje artificial en la novela Argentina de los 90. America Latina Hy, 30, 2002, Ediciones Universidad de Salamanca. p. 168.
  21. Neyret, Juan Pablo. Para textos bastan y sobran. La conformación del espacio paratextual en Triste, solitario y final, de Osvaldo Soriano. Universidad Nacional de Mar del Plata.
  22. Sainz Borgo, Karina. "Julio Cortázar: franquista en Buenos Aires, marxista en Estados Unidos y burgués en Cuba" http://vozpopuli.com/ocio-y-cultura/38715-julio-cortazar-franquista-en-buenos-aires-marxista-en-estados-unidos-y-burgues-en-cuba#contenedorComentarios
  23. Montes-Bradley, Eduardo. "Notes On Myself" https://web.archive.org/web/20080331105749/http://www.embentertainment.com/frontend/index.php?p=verlink&id=184
  24. Les cinemas de la Amerique Latine
  25. Alexander Street Press
  26. Greenacord http://www.greenaccord.org/portale/article.asp?id=225
  27. Thomas Osgood Bradley Foundation TOBF
  28. Mar del Plata Film Festival http://www.mardelplatafilmfest.com/24/programacion/ficha.php?p=225&pelicula=La%20Raulito,%20golpes%20bajos%20/%20La%20Raulito,%20Low%20Blows&director=Emiliano%20Serra

Notes and References

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