Eduardo González Lanuza Explained

Eduardo González Lanuza (July 11, 1900 - July 17, 1984) was an Argentine poet born in Santander, Spain. One of his best known work is "Poem for Being Recorded in a Phonograph Disc" (1932). He also was part of the Ultraist movement and one of the founders of Prisma and Proa magazines as well as contributor in Martín Fierro magazine.^{[1] [2]}

Selected works

• Prisms (1924) (poetry)
• Coven (1927) (short stories)
• While the Clock Strikes Six O'Clock (1931) co-written with Armando Villar (theatre)
• Thirtysome Poems (1932) (poetry)
• Mr. Pulcinella's Walking Stick (1935) (theatre)
• The Cutthroating of the Innocent (1938) (poetry)
• Not Even the Flood (1939) (theatre)
• Handful of Songs (1940) (poetry)
• Passable Glass (1943) (poetry)
• Ode to Joy and Other Poems (1949) (poetry)
• Christmas and Passion Altarpieces (1953) (poetry)
• Sum and Go On (1960) (poetry)
• Christmas Mystery (1966) (theatre)
• Profession of Faith (1970) (poetry)
• Hai-Kais (1977) (poetry)
• The Pimpirigallo and Other Little Birds (1980) (poetry)
• Tunes for Songs (1981)

Notes and References

1. Web site: 13 October 2008 . 1 February 2009 . https://web.archive.org/web/20090201000949/http://mx.encarta.msn.com/encyclopedia_961536054/Eduardo_Gonz%C3%A1lez_Lanuza.html . "Eduardo González Lanuza," Enciclopedia Microsoft® Encarta® Online 2008 .
2. Web site: Request Rejected . 2024-11-01 . www.borges.pitt.edu.