Ed McGowin explained

Ed McGowin
Birth Name:William Edward McGowin
Birth Date:June 2, 1938
Birth Place:Hattiesburg, Mississippi
Nationality:American
Field:Painting, Drawing, Sculpture
Training:University of Southern Mississippi, University of Alabama
Movement:Conceptual Art, Minimalism, Abstract Art

Ed McGowin (born 1938) is an American painter and sculptor based in New York City. Throughout his career, McGowin has produced works in a wide variety of media that have been installed and exhibited in galleries, museums and public spaces. He has taught at institutions such as the Corcoran School of the Arts and Design, the University of Southern Mississippi, and the State University of New York system.[1] The first major publication of his work, Name Change: One Artist – Twelve Personas – Thirty Five Years, was published by the Mobile Museum of Art in 2006 and distributed by the University Press of Mississippi.

Life

William Edward McGowin was born in Hattiesburg, Mississippi, in 1938. He received his B.A. at the University of Southern Mississippi and his M.A. from the University of Alabama. In 1962, McGowin moved to Washington D.C. where he served as an aid to Mississippi Democratic Rep. William M. Colmer and continued to make art.[2] That same year, McGowin established the McGowin-Bright Art School in Alexandria, Virginia, which served as both an art school and supply shop.[3] Shortly after, McGowin returned to the South to carry out a teaching fellowship and complete a master's degree in painting at University of Alabama. In 1976, McGowin moved to New York City where he continues to live and work.

McGowin is married to artist, curator and educator Claudia DeMonte.[4] He lives and works in both New York City and Miami Beach, Florida.[5] He has two children, Leah McGowin Thomas and Jill McGowin who both reside in San Antonio.

Work

Initially trained as a painter, McGowin quickly began experimenting across media. His paintings, sculptures, conceptual art projects, films, writings, and public art installations have a southern sensibility rooted in his early experiences in Mississippi and Alabama.[6] Consistent with his university training, McGowin's work began with an abstract focus. Within art history, his art from the mid-1960s became associated with a second generation of artists working within the archetypes of the Washington Color School.[7] McGowin also pioneered the used of vacuum-forming to create distinct abstract forms in a variety of new materials.

Giveaway (1969)

In 1969, McGowin, Douglas Davis and Gene Davis collectively hosted a Give Away on Thursday, May 22, 1969 from 9pm – 11pm in the Grand Ballroom at the Mayflower Hotel. At the event, fifty names were drawn with each winner receiving a copy of Gene Davis’s 1969 6'x6' painting “Popsicle”.[8]

Name Change (1970–1972)

From 1970 to 1972, McGowin changed his name twelve times and created art under each name before returning to his own.[2] Attempting to deviate from the linearity of art history and artist narratives, Name Change allowed McGowin “to be free to make carnival turnaround, to change his approach, and creative position, as he felt was right.” Name Changes:

Museum collections

McGowin's works are found in several important museum collections including: Whitney Museum of American Art,[9] Hirshhorn Museum and Sculpture Garden, The Phillips Collection, Solomon R. Guggenheim Museum, Rock and Roll Hall of Fame, Indianapolis Museum of Art, among others.[10] In 1998, McGowin donated his papers, which include professional correspondence, project files relating to outdoor sculpture commissions, sketchbooks, photographs and printed materials including exhibition catalogs, art periodicals, and clippings, to the Archives of American Art.

Permanent commissions

McGowin has designed permanent works using materials such as cast stone, bronze and terra cotta. His commissions include sculptures for University of Northern Iowa,[11] Pennsylvania Horticultural Society,[12] Dallas Area Rapid Transit,[13] Metropolitan Transportation Authority,[14] New Mexico Department of Transportation, City of Rockville, Maryland, among others.

Exhibitions

Selected solo exhibitions

Selected group exhibitions

Notes and References

  1. Web site: Ed McGowin ‹ Jean Albano Gallery.
  2. News: Meet the man behind a mysterious sculpture . 2012-11-25 . John Kelly . . Washington, D.C. . 0190-8286 . 1330888409.
  3. Book: Jet . 1964-08-27 . Johnson Publishing Company . en.
  4. Denny Lee (June 10, 2001). "Neighborhood Report: Soho; Godard Night and Day Is Too Much for Some Artists". New York Times. Retrieved June 16, 2014.
  5. Patti Carr Black (2007). The Mississippi Story. Univ. Press of Mississippi. p. 113.
  6. McGowin, Ed. Ed McGowin: Name Change: One Artist, Twelve Personas, Thirty-Five Years: Alva Isaiah Fost, Lawrence Steven Orlean, Irby Benjamin Roy, Nathan Ellis Mcduff, Euri Ignatius Everpure, Isaac Noel Anderson, Nicholas Gregory Nazianzen, Thorton Modestus Dossett, Ingram Andrew Young, Melvill Douglas O'connor, Edward Everett Updike, William Edward Mcgowin. Mobile, AL: Mobile Museum of Art, 2006. .
  7. Web site: Hard-edged, Bright Color: Generations of Color – Smithsonian Libraries / Unbound.
  8. Gene Davis papers, 1920-2000, bulk 1942-1990. Archives of American Art, Smithsonian Institution.
  9. Web site: Ed McGowin.
  10. Web site: Ed McGowin | Smithsonian American Art Museum.
  11. https://insideuni.uni.edu/newsroom/artists-to-present-lecture-on-new-sculpture-at-center-for-multicultural-education
  12. Raver, Anne. "'Wondrous Bugs' and Fantasy Landscapes at Flower Shows." The New York Times, 02 Feb. 1997.
  13. Web site: Hampton Station .
  14. Web site: MDID - Bayside Arch, MTA Commission, Bayside, NY .
  15. Ed McGowin papers, 1962-1998. Archives of American Art, Smithsonian Institution.
  16. Research material on Martha Jackson, 1953-1984. Archives of American Art, Smithsonian Institution.
  17. McGowin, Ed. Ed Mcgowin's True Stories: [catalogue of the Exhibition] September 13-October 26, 1975, Corcoran Gallery of Art. Washington: Corcoran Gallery of Art, 1975. Print.
  18. Gracie Mansion Gallery records, 1972-1991Series 2: Exhibition Loans, 1982-1991. Archives of American Art, Smithsonian Institution.
  19. Web site: Annual Exhibition 1966: Contemporary Sculpture and Prints.
  20. Web site: 1968 Annual Exhibition: Contemporary American Sculpture.
  21. Atkinson, Tracy. A Plastic Presence: [exhibition] Jewish Museum, November 19, 1969 Through January 4, 1970 ; Milwaukee Art Center, January 30 Through Mar. 8, 1970 ; San Francisco Museum of Art, April 24 Through March 8, 1970. Milwaukee, Wis: Milwaukee Art Center, 1970. Print.
  22. Warrum, Richard L. Painting and Sculpture Today: 1974. Indianapolis, Ind: Contemporary Art Soc, 1974. Print.
  23. Web site: Gulf Coast, East Coast, West Coast.
  24. Lewis, Jo Ann. “Fairing Well in Chicago.” The Washington Post, WP Company, 18 May 1982, www.washingtonpost.com/archive/lifestyle/1982/05/18/fairing-well-in-chicago/45c500ba-1ba0-4807-9e74-2d7ece6cbb8b/.
  25. Sokolowski, Thomas W, and Grey Art Gallery & Study Center. Precious: an American Cottage Industry of the Eighties : [exhibition] Grey Art Gallery And Study Center, New York University, March 19-May 4, 1985. New York, N.Y.: The Gallery, 1985.
  26. Web site: International and National Projects Fall 2006: Charles Atlas, SunTek Chung, E.V. Day, Amy Granat, Kayrock and Wolfy, Philip Maysles, ed McGowin, and Hope Sandrow | MoMA.
  27. The Mississippi Story: by Patti Carr. Black and Robin C. Dietrick, Mississippi Museum of Art, Jackson (Miss.), MI, 2007, pp. 113.

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