| Edward Colver | |
| Birth Name: | Edward Curtiss Colver |
| Birth Date: | 17 June 1949 |
| Birth Place: | Pomona, California, U.S.[1] |
| Years Active: | 1978–present[2] |
| Occupation: | Photographer |
| Spouse: | Karin Swinney |
Edward Curtiss Colver (born June 17, 1949) is an American photographer, best known for his early punk photographs.[3] [4]
Colver not only created a visual document of the birth of the hardcore punk in suburban Southern California from late 1978 to mid-1984, but also he greatly helped in defining the photography style and graphic identity of the American hardcore punk movement.
He was actually in the right place at the right time, and with the right attitude, but he was not merely a witness in the eye of the storm, he was indeed a living part of that big picture, and in this regard, his early work is an authentic self-portrait of the Southern California hardcore punk scene in its golden years.
His work was featured extensively in the book (2001), written by Steven Blush, and in its documentary film version, American Hardcore (2006), directed by Paul Rachman.
A third-generation Southern Californian born on June 17, 1949, in Pomona, California, Colver was named after an ancestor who arrived in the United States from Cornwall, England, in 1635.[5] Edward's father, Charles Colver, was a forest ranger for 43 years. Upon his retirement, Charles was presented with the Theodore Roosevelt Conservation Award by President George H. W. Bush at the White House. The tallest peak southwest of Mount San Antonio aka Mount Baldy, was named Colver Peak after Charles.
Essentially a self-taught photographer, Colver had a brief formal training during night classes at University of California, Los Angeles, where he studied beginning photography with Eileen Cowin. Largely influenced by Dada and Surrealism, Colver was most impressed in his early years by the art of Southern Californian native Edward Kienholz. In the late 1960s, Edward's perspective on life and art was changed by his exposure to composers such as Edgard Varèse, Karlheinz Stockhausen, Krzysztof Penderecki and John Cage.
Three months after he began taking photographs, Colver had his first photograph published: an image of performance artist Johanna Went, featured in BAM magazine. Since then he has shot photographs for dozens of record labels including EMI, Capitol and Geffen. His pictures have been featured on more than 500 album covers and include some of the most recognizable and iconic covers of the punk era.
| Year | Album title | Artist | Contribution |
|---|---|---|---|
| 1980 | Group Sex | Circle Jerks | front, back cover and inner sleeve photos[6] |
| 1981 | "Louie Louie" (single) | Black Flag | front and back cover photos[7] |
| 1981 | Damaged | Black Flag | front cover photo |
| 1981 | Danger Zone (EP) | China White | front cover photo |
| 1981 | Let Them Eat Jellybeans! | various artists | back cover photo[8] |
| 1981 | Reagan's In | Wasted Youth | back cover and insert sheet photos[9] |
| 1981 | T.S.O.L. (EP) | T.S.O.L. | front cover photo |
| 1981 | Dance with Me | T.S.O.L. | some inner sleeve photos[10] |
| 1981 | Welcome to Reality (EP) | Adolescents | front cover photo[11] |
| 1982 | How Could Hell Be Any Worse? | Bad Religion | front cover and some insert sheet photos[12] |
| 1983 | Mommy's Little Monster | Social Distortion | back cover photo[13] |
| 1983 | L'amour | Lewis | front cover photo[14] |
| 2019 | Submit to the Blade | The Balboas | back cover photo |