| Early Riser | |
| Type: | Studio album |
| Artist: | Taylor McFerrin |
| Border: | yes |
| Label: | Brainfeeder |
| Producer: | Taylor McFerrin |
| Next Title: | Love's Last Chance |
| Next Year: | 2019 |
Early Riser is the debut studio album by American musician Taylor McFerrin. It was released on June 2, 2014 through Brainfeeder. Produced by McFerrin himself, it features contributions from Bobby McFerrin, César Camargo Mariano, Emily King, Jason Fraticelli, Marcus Gilmore, Nai Palm, Robert Glasper, Ryat and Thundercat.
Early Riser was met with generally favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 78 based on ten reviews.
Rory Foster of The Line of Best Fit wrote: "the album was not created lightly, and by no means deserves to be skimmed, but there's a diversity and thirst within this album that stands to keep Early Riser remembered for some time, and will no doubt lead McFerrin to achieve the same". AllMusic's Andy Kellman wrote: "while Early Riser was pieced and patched together, it flows as a gleaming focused set that combines left-field electronics, alternative R&B, and futuristic jazz". Del F. Cowie of Exclaim! wrote: "it's possible to detect elements of jazz, '70s soul, hip-hop and electronica in McFerrin's heliocentric mix, but through his intentional blurring of the boundaries, he underlines his mastery of and ultimate disregard for genre categorie". John Paul of PopMatters wrote: "with McFerrin and this latest crop of open, creative minds exploring the hallowed halls of jazz, there seems to be hope the form can and will continue to exist and evolve with society, remaining a relevant and integral art form on the musical and cultural landscape". Renato Pagnani of Pitchfork found that the album is "built for slow weekend mornings spent in bed with a loved one more than brisk, early-morning runs". In a mixed review, Lanre Bakare of The Guardian stated: "McFerrin seeks to take some of those flights of fancy and turn them into something that’s compatible with modern hip-hop and neo-soul".