Dusk to Dawn explained

Dusk to Dawn
Director:King Vidor
Producer:King Vidor
Starring:Florence Vidor
Cinematography:George Barnes
Distributor:Associated Exhibitors
Runtime:60 minutes
Country:United States
Language:Silent (English intertitles)

Dusk to Dawn is a 1922 American silent drama film directed by King Vidor. It is unknown whether any recording of the film survives; it may be a lost film.[1] [2]

Plot

An Indian maid and American girl (both played by Florence Vidor) share a single soul which shifts between them each day when they are awake.[3]

Cast

Production

Dusk to Dawn would mark the final professional collaboration between King Vidor and Florence Vidor. By the early 1920s, Florence Vidor had emerged as a major film star in her own right and wished to pursue her career independently of her spouse. The couple divorced in 1926, and shortly thereafter Florence married violinist Jascha Heifetz [4]

Theme

Based on a novel The Shuttle Soul by Katherine Hill, the story dramatizes the far Eastern concepts of “migrating souls” advanced by Theopism popular in the United States during the 1920s. Vidor may have identified with Theophist methods of faith healing that were compatible with his Christian Science principles, encouraging positive thinking over medical interventions.[5]

References

Notes and References

  1. Web site: Progressive Silent Film List: Dusk to Dawn . April 9, 2009. Silent Era.
  2. Web site: Dusk to Dawn . January 9, 2014 . American Silent Feature Film Survival Database.
  3. The Shadow Stage . Photoplay . 22 . 6 . 67 . Photoplay Publishing Company . Chicago . Nov 1922 . December 9, 2013 .
  4. Baxter 1976, p. 14-15, p. 18, marriage to Boardman
  5. Durgnat and Simmon 1988 p. 30, p. 38