Dragon Tears should not be confused with Tears of the Dragon.
| Dragon Tears | |
| Author: | Dean Koontz |
| Cover Artist: | Don Brautigam |
| Country: | United States |
| Language: | English |
| Genre: | Thriller, Horror novel |
| Publisher: | Putnam |
| Release Date: | 1993 |
| Media Type: | |
| Pages: | 377 |
| Isbn: | 0-399-13773-4 |
| Congress: | CPB Box no. 2369 vol. 4 |
| Oclc: | 29061094 |
Dragon Tears is a 1993 paranormal/horror novel by the best selling author Dean Koontz.
The opening line sets the tone: "Tuesday was a fine California day, full of sunshine and promise, until Harry Lyon had to shoot someone at lunch." The book covers the events of several seemingly unassociated people and how that one day gets worse and worse, culminating in a hopeless situation. With real monsters and magic to deal with, all are physically and mentally taxed to their limits.
Harry Lyon is a cop who embraces tradition and order. His partner, Connie Gulliver, is Harry's exact opposite. Harry does not like the messiness of her desk, her lack of social polish or her sometimes casual attitude towards the law. Connie often urges him to surrender to the chaos of life that is the 1990s. "Look, Harry, it's the Age of Chaos," she tells him. "Get with the times."
When Harry and Connie have to take out a hopped-up gunman in a restaurant, the chase and shootout swiftly degenerate into a surreal nightmare that seems to justify Connie's view of the modern world. Shortly after, Harry encounters a filthy, rag-clad denizen of the streets, who says ominously, "Ticktock, ticktock. You'll be dead in sixteen hours." Struggling to regain the orderly life he cherishes, Harry is trapped in an undertow of terror and violence. For reasons he does not understand, someone is after him, Connie Gulliver and the people he loves.
Kirkus Reviews referred to Dragon Tears "an electrifying terrorfest" and Koontz's "silkiest writing yet", noting that the author "hooks us at once [...] and never lets go".[1] Publishers Weekly similarly highlighted how "Koontz romps playfully and skillfully through this grown-up enchantment, dealing out such motifs as a talking dog and taking potshots at recognizable pop culture". They concluded that the novel is "as irresistible (and nutritionally valuable) as a stack of brownies".[2]
Despite such praise, Kirkus Reviews mentioned that "Koontz gets a bit preachy about social decay—but his action never flags in this vise-tight tale".
Publishers Weekly also noted that "the prose may occasionally strike a false note".
Booklist also reviewed the novel.[3]