| Dorita Hannah | |
| Occupation: | Architect Adjunct professor Visual artist |
| Alma Mater: | University of Auckland New York University |
| Awards: | Costume Designer of the Year 1994, Set Designer of the Year 1996 |
| Significant Projects: | PhoneHome 2018, Fluid States 2015, Flood 2015, Now/Next: Performance Space at the Crossroads 2011 |
Dorita Hannah is a New Zealand architect, independent academic, visual artist and designer. She has had an architectural practice, taught at various institutions in New Zealand and internationally, and has published articles and book chapters including Event-Space: Theatre Architecture and the Historical Avant-Garde (2018).
Hannah trained in architecture, receiving her BArch (hons) at the University of Auckland in 1984.[1] She received two postgraduate degrees at New York University: a Master of Arts with Distinction in Performance Studies in 2000, and a PhD with Distinction from the Tisch School of the Arts in 2008.[2]
Hannah had an architectural practice with Felicity Wallace called Hannah Wallace Architects.[3] They designed the Watershed Theatre (1991-1996)[4] on Auckland's waterfront. This happened twice: the first completed in 1991 was demolished, and was located where the New Zealand Maritime Museum currently is; the second was completed in 1993.
Since 1986, Hannah has taught architecture, design and visual arts, undertaking academic research at Victoria University of Wellington and Massey University in New Zealand, and has held a positions at international universities in Australia, Serbia, the Netherlands, China, USA, and Finland.[5] [6] She is a "self-professed nomadic professor" whose work embraces diversity and the marginalised.[7]
Hannah's practice and research focus on performance space and spatial performativity, spanning the spatial, visual, performing and culinary arts.[8] She specialises in theatre architecture and performance space, and her designs "incorporate scenography, interior, exhibition and installation design".[9]
Hannah is author of the 2018 book, , described by scholar Jan Smitheram as "exceptionally engaging, and [offering] thoughtful speculations about the negotiation of theatre and architecture." Her book is based on her PhD in Performance Studies of the same name.
Hannah won Theatre Aotearoa's Chapman Tripp Theatre Award for Costume Designer of the Year in 1994 (for the play Nga tangata toa – the warrior people) and Set Designer of the Year in 1996 (for the play, The Visit).[15] She was also nominated for the same awards in 1995 for costume design and set design, and in 1996 for costume design.
Hannah was the Theatre Design Consultant for the Blyth Performing Arts Centre, designed by Stevens Lawson Architects, which received the New Zealand Architecture Medal in 2015.[16] [17]
In 2023 and 2017, Hannah was a finalist for the A+W•NZ Dulux Awards, based on a career devoted to supporting and promoting diversity in architecture. Several of her works have been chosen to be exhibited at the Prague Quadrennial (PQ), and she has also participated at PQ as core creative team member, international juror and international commissioner.