| The Godfather Part II | |
| Director: | Francis Ford Coppola |
| Producer: | Francis Ford Coppola |
| Music: | Nino Rota |
| Cinematography: | Gordon Willis |
| Distributor: | Paramount Pictures |
| Runtime: | 202 minutes[1] |
| Country: | United States |
| Budget: | $13 million[2] [3] |
| Gross: | $93 million |
The Godfather Part II is a 1974 American epic crime film. The film is produced and directed by Francis Ford Coppola, loosely based on the 1969 novel The Godfather by Mario Puzo, who co-wrote the screenplay with Coppola. It is both a sequel and a prequel to the 1972 film The Godfather, presenting parallel dramas: one picks up the 1958 story of Michael Corleone (Al Pacino), the new Don of the Corleone family, protecting the family business in the aftermath of an attempt on his life; the prequel covers the journey of his father, Vito Corleone (Robert De Niro), from his Sicilian childhood to the founding of his family enterprise in New York City. The ensemble cast also features Robert Duvall, Diane Keaton, Talia Shire, Morgana King, John Cazale, Marianna Hill, and Lee Strasberg.
Following the success of the first film, Paramount Pictures began developing a follow-up, with many of the cast and crew returning. Coppola, who was given more creative control, had wanted to make both a sequel and a prequel to The Godfather that would tell the story of the rise of Vito and the fall of Michael. Principal photography began in October 1973 and wrapped up in June 1974. The Godfather Part II premiered in New York City on December 12, 1974, and was released in the United States on December 20, 1974, receiving divisive reviews from critics; its reputation, however, improved rapidly, and it soon became the subject of critical re-appraisal. It grossed $48 million in the United States and Canada and up to $93 million worldwide on a $13 million budget. The film was nominated for eleven Academy Awards, and became the first sequel to win Best Picture. Its six Oscar wins also included Best Director for Coppola, Best Supporting Actor for De Niro and Best Adapted Screenplay for Coppola and Puzo. Pacino won Best Actor at the BAFTAs and was nominated at the Oscars.
Like its predecessor, Part II remains a highly influential film, especially in the gangster genre. It is considered to be one of the greatest films of all time, as well as a rare example of a sequel that rivals its predecessor.[4] In 1997, the American Film Institute ranked it as the 32nd-greatest film in American film history and it retained this position 10 years later.[5] It was selected for preservation in the U.S. National Film Registry of the Library of Congress in 1993, being deemed "culturally, historically, or aesthetically significant".[6] The Godfather Part III, the final installment in the trilogy, was released 16 years later in 1990.
The film interweaves events some time after The Godfather and the early life of Vito Corleone.
In 1901, in Corleone, Sicily, Mafia chieftain Don Ciccio kills the family of nine-year-old Vito Andolini after his father, Antonio, refuses to pay tribute to Ciccio. Vito escapes to New York City and is registered on arrival as "Vito Corleone". In 1917, Vito lives in Little Italy with his wife, Carmela, and their infant son, Sonny. He loses his job as a clerk in a grocery store due to the interference of Don Fanucci, a local Black Hand extortionist. His neighbor Peter Clemenza asks Vito to hide a bag of guns. As thanks, Clemenza enlists Vito's help in stealing a rug, which he gives to Carmela.
The Corleones have two more children: sons Fredo and Michael. Meanwhile, Vito, Clemenza, and new partner Salvatore Tessio earn money by stealing dresses and selling them door-to-door. This enterprise attracts the attention of Fanucci, who attempts to extort them by threatening to expose their fencing operation to the police. Vito tells his partners he can convince Fanucci to take less than the $600 he has demanded. They are skeptical but go along with the plan. Vito meets Fanucci in a restaurant during the festival of San Rocco and pays him $100, which he grudgingly accepts. Vito tracks him back to his apartment and shoots him in the din of the festival. In the ensuing years, Vito gains a reputation as a defender of the neighborhood's downtrodden.
In 1922, Vito and his family travel to Sicily to establish an olive oil importing business. He and his business partner, Don Tommasino, visit Don Ciccio, ostensibly to ask for Ciccio's blessing in starting their business. Vito reveals himself to the elderly and feeble Ciccio then slices his stomach, avenging his family. Ciccio's guards shoot at Vito and Tommasino as they escape, injuring Tommasino.
In 1958, during his son's First Communion party at Lake Tahoe, Michael has a series of meetings in his role as the don of the Corleone crime family. Frank Pentangeli, a Corleone capo, is dismayed that Michael refuses to help defend his Bronx territory against the Rosato brothers, who work for Hyman Roth, a Jewish Mob boss and long-standing Corleone business partner. Senator Pat Geary, an anti-Italian xenophobe, demands a bribe to secure a casino gaming license for Michael. Michael refuses and counters that Geary should pay the license fee. That night, an assassination attempt at his home prompts Michael to depart suddenly after confiding in consigliere Tom Hagen that he suspects a traitor within the family.
Michael tells Pentangeli and Roth each that he suspects the other of planning the hit, and arranges a peace meeting between Pentangeli and the Rosatos. At the meeting the brothers attempt to strangle Pentangeli. A police officer coincidentally walks in forcing the brothers to flee. At a Carson City brothel run by Fredo, family enforcer Al Neri frames Geary for the death of a prostitute. Hagen, who like Geary is Irish-American, arrives later and reassures the bewildered senator that the crime will be covered up if he pledges friendship to the Corleone family.
A sickly Roth, Michael, and several of their partners travel to Havana to discuss their Cuban business prospects under the government of Fulgencio Batista. Roth is exuberant, but Michael has doubts about the government's response to the Cuban Revolution. At a later meeting, Roth becomes angry when Michael asks who ordered the Rosatos to kill Pentangeli. On New Year's Eve Fredo pretends not to know Roth's right-hand man Johnny Ola, but eventually slips, revealing himself to Michael as the traitor. Michael orders hits on Ola and Roth; his enforcer strangles Ola but is killed by Cuban soldiers as he tries to smother Roth. Batista resigns and flees Cuba due to rebel advances. During the ensuing chaos, Michael, Fredo, and Roth separately escape Cuba. Back home, Michael is told that his wife Kay has miscarried.
In Washington, D.C., a Senate committee on organized crime is investigating the Corleone family, but Geary defends them. Pentangeli agrees to testify against Michael and is placed under witness protection. On returning to Nevada, Fredo tells Michael that Ola offered him a position of responsibility and that he did not realize Roth was planning a hit. Michael disowns Fredo but orders that he should not be harmed while their mother is alive. Michael sends for Pentangeli's brother from Sicily, and Pentangeli, after seeing his brother in the hearing room, retracts his previous statement implicating Michael in organized crime; the hearing dissolves in an uproar. Kay reveals to Michael that she had an abortion, not a miscarriage, and that she intends to leave him and take their children. Outraged, Michael strikes Kay, banishes her from the family, and takes sole custody of the children.
Carmela dies some time later, and Michael hurries to wrap up loose ends. At the funeral, he embraces Fredo while giving a stern glance to Neri. Kay visits her children; as she is saying goodbye, Michael arrives and closes the door on her. Roth returns to the United States after being refused asylum and entry to Israel. Corleone caporegime Rocco Lampone assassinates him during an interview at the airport and is shot while fleeing. Hagen visits Pentangeli at the army barracks where he is being held and the two discuss how failed conspirators against a Roman emperor could save their families by committing suicide. Pentangeli is later found dead in his bathtub, having slit his wrists. Neri takes Fredo fishing on the lake and shoots him.
Michael reminisces about Vito's 50th birthday party on December 7, 1941, the same day Japan bombed Pearl Harbor. While the family waits to surprise Vito, Michael announces that he has dropped out of college and joined the Marines, angering Sonny and surprising Hagen. Fredo is the only member of the family who supports his decision. Vito arrives and everyone but Michael goes to welcome him.
In the present day, Michael sits alone at the family compound looking out over the lake.
See also: List of ''The Godfather'' characters.
Mario Puzo started writing a script for a sequel in December 1971, before The Godfather was even released; its initial title was The Death of Michael Corleone.[7] Francis Ford Coppola's idea for the sequel would be to "juxtapose the ascension of the family under Vito Corleone with the decline of the family under his son Michael... I had always wanted to write a screenplay that told the story of a father and a son at the same age. They were both in their thirties and I would integrate the two stories... In order not to merely make Godfather I over again, I gave Godfather II this double structure by extending the story in both the past and in the present".[8] Coppola met with Martin Scorsese about directing the film, but Paramount refused.[9] [10] [11] [12] Coppola also, in his director's commentary on The Godfather Part II, mentioned that the scenes depicting the Senate committee interrogation of Michael Corleone and Frank Pentangeli are based on the Joseph Valachi federal hearings and that Pentangeli is a Valachi-like figure.[13]
Production, however, nearly ended before it began when Pacino's lawyers told Coppola that he had grave misgivings with the script and was not coming. Coppola spent an entire night rewriting it before giving it to Pacino for his review. Pacino approved it and the production went forward.The film's original budget was $6 million but costs increased to over $11 million, with Varietys review claiming it was over $15 million.
Several actors from the first film did not return for the sequel. Marlon Brando initially agreed to return for the birthday flashback sequence, but the actor, feeling mistreated by the board at Paramount, failed to show up for the single day's shooting. Coppola then rewrote the scene that same day. Richard S. Castellano, who portrayed Peter Clemenza in the first film, also declined to return, as he and the producers could not reach an agreement on his demands that he be allowed to write the character's dialogue in the film, though this claim was disputed by Castellanos widow in a 1991 letter to People magazine.[14] The part in the plot originally intended for the latter-day Clemenza was then filled by the character of Frank Pentangeli, played by Michael V. Gazzo.
Coppola offered James Cagney a part in the film, but he refused.[15] James Caan agreed to reprise the role of Sonny in the birthday flashback sequence, demanding he be paid the same amount he received for the entire previous film for the single scene in Part II, which he received.[16] Among the actors depicting Senators in the hearing committee are film producer/director Roger Corman, writer/producer William Bowers, producer Phil Feldman, and actor Peter Donat.[17]
The Godfather Part II was shot between October 1, 1973, and June 19, 1974. The scenes that took place in Cuba were shot in Santo Domingo, Dominican Republic.[18] Charles Bluhdorn, whose Gulf+Western conglomerate owned Paramount, felt strongly about developing the Dominican Republic as a movie-making site. Forza d'Agrò was the Sicilian town featured in the film.[19]
Unlike with the first film, Coppola was given near-complete control over production. In his commentary, he said this resulted in a shoot that ran very smoothly despite multiple locations and two narratives running parallel within one film.[20] Coppola discusses his decision to make this the first major U.S. motion picture to use "Part II" in its title in the director's commentary on the DVD edition of the film released in 2002. Paramount was initially opposed because they believed the audience would not be interested in an addition to a story they had already seen. But the director prevailed, and the film's success began the common practice of numbered sequels.
Only three weeks prior to the release, film critics and journalists pronounced Part II a disaster. The cross-cutting between Vito and Michael's parallel stories were judged too frequent, not allowing enough time to leave a lasting impression on the audience. Coppola and the editors returned to the cutting room to change the film's narrative structure, but could not complete the work in time, leaving the final scenes poorly timed at the opening.[21]
It was the last major American motion picture to have release prints made with Technicolor's dye imbibition process until the late 1990s.
See main article: ''The Godfather Part II'' (soundtrack).
The Godfather Part II premiered in New York City on December 12, 1974, and was released in the United States on December 20, 1974.
Coppola created The Godfather Saga expressly for American television in a 1975 release that combined The Godfather and The Godfather Part II with unused footage from those two films in a chronological telling that toned down the violent, sexual, and profane material for its NBC debut on November 18, 1977. In 1981, Paramount released the Godfather Epic VHS box set, which also told the story of the first two films in chronological order, again with additional scenes, but not redacted for broadcast sensibilities. Coppola returned to the film again in 1992 when he updated that release with footage from The Godfather Part III and more unreleased material. This home viewing release, under the title The Godfather Trilogy 1901–1980, had a total run time of 583 minutes (9 hours, 43 minutes), not including the set's bonus documentary by Jeff Werner on the making of the films, "The Godfather Family: A Look Inside".
The Godfather DVD Collection was released on October 9, 2001, in a package[22] that contained all three films—each with a commentary track by Coppola—and a bonus disc that featured a 73-minute documentary from 1991 entitled The Godfather Family: A Look Inside and other miscellany about the film: the additional scenes originally contained in The Godfather Saga; Francis Coppola's Notebook (a look inside a notebook the director kept with him at all times during the production of the film); rehearsal footage; a promotional featurette from 1971; and video segments on Gordon Willis's cinematography, Nino Rota's and Carmine Coppola's music, the director, the locations and Mario Puzo's screenplays. The DVD also held a Corleone family tree, a "Godfather" timeline, and footage of the Academy Award acceptance speeches.[23]
The restoration was confirmed by Francis Ford Coppola during a question-and-answer session for The Godfather Part III, when he said that he had just seen the new transfer and it was "terrific".
After a careful restoration by Robert A. Harris of Film Preserve, the first two Godfather films were released on DVD and Blu-ray on September 23, 2008, under the title The Godfather: The Coppola Restoration. The Blu-ray Disc box set (four discs) includes high-definition extra features on the restoration and film. They are included on Disc 5 of the DVD box set (five discs).
Other extras are ported over from Paramount's 2001 DVD release. There are slight differences between the repurposed extras on the DVD and Blu-ray Disc sets, with the HD box having more content.[24]
Paramount Pictures restored and remastered The Godfather, The Godfather Part II, and The Godfather Coda: The Death of Michael Corleone (a re-edited cut of the third film) for a limited theatrical run and home media release on Blu-ray and 4K Blu-ray to celebrate the 50th anniversary of the premiere of The Godfather. The disc editions were released on March 22, 2022.[25]
See main article: ''The Godfather II'' (video game). A video game based on the film was released for Windows, PlayStation 3 and Xbox 360 in April 2009 by Electronic Arts. It received mixed or average reviews and sold poorly, leading Electronic Arts to cancel plans for a game based on The Godfather Part III.[26]
Although The Godfather Part II did not surpass the original film commercially, it grossed $47.5 million in the United States and Canada. and was Paramount Pictures' highest-grossing film of 1974, and the seventh-highest-grossing picture in the United States. According to its international distributor, the film had grossed $45.3 million internationally by 1994,[27] for a worldwide total of $93 million.
Initial critical reception of The Godfather Part II was divisive,[28] with some dismissing the work and others declaring it superior to the first film.[29] [30] While its cinematography and acting were immediately acclaimed, many criticized it as overly slow-paced and convoluted.[31] Vincent Canby of The New York Times viewed the film as "stitched together from leftover parts. It talks. It moves in fits and starts but it has no mind of its own... The plot defies any rational synopsis."[32] Stanley Kauffmann of The New Republic cited what he called "gaps and distentions" in the story.[33] William Pechter of Commentary, while admiring the movie, regretted what he saw as its archness and self-importance, calling it an "overly deliberate and self-conscious attempt to make a film that's unmistakably a serious work of art," and professing to "know of no one except movie critics who likes Part II as much as part one."[34]
A mildly positive Roger Ebert awarded three out of four[35] and wrote that the flashbacks "give Coppola the greatest difficulty in maintaining his pace and narrative force. The story of Michael, told chronologically and without the other material, would have had really substantial impact, but Coppola prevents our complete involvement by breaking the tension." Though praising Pacino's performance and lauding Coppola as "a master of mood, atmosphere, and period", Ebert considered the chronological shifts of its narrative "a structural weakness from which the film never recovers". Gene Siskel gave the film three-and-a-half out of four, writing that it was at times "as beautiful, as harrowing, and as exciting as the original. In fact, The Godfather, Part II may be the second best gangster movie ever made. But it's not the same. Sequels can never be the same. It's like being forced to go to a funeral the second time—the tears just don't flow as easily."[36]
The film quickly became the subject of a critical re-evaluation.[37] Whether considered separately or with its predecessor as one work, The Godfather Part II is now widely regarded as one of the greatest films in world cinema. Many critics compare it favorably with the originalalthough it is rarely ranked higher on lists of "greatest" films. On Rotten Tomatoes, it holds a 96% approval rating based on 126 reviews, with an average rating of 9.7/10. The consensus reads, "Drawing on strong performances by Al Pacino and Robert De Niro, Francis Ford Coppola's continuation of Mario Puzo's Mafia saga set new standards for sequels that have yet to be matched or broken."[38] Metacritic, which uses a weighted average, assigned the film a score of 90 out of 100 based on 18 critics, indicating "universal acclaim".[39]
Ebert retrospectively awarded it a full four stars in a second review and inducted the film into his Great Movies section, noting he "would not change a word" of his original review but praising the work as "grippingly written, directed with confidence and artistry, photographed by Gordon Willis... in rich, warm tones."[40] Michael Sragow's conclusion in his 2002 essay, selected for the National Film Registry web site, is that "[a]lthough The Godfather and The Godfather Part II depict an American family's moral defeat, as a mammoth, pioneering work of art it remains a national creative triumph."[41] In his 2014 review of the film, Peter Bradshaw of The Guardian wrote "Francis Coppola's breathtakingly ambitious prequel-sequel to his first Godfather movie is as gripping as ever. It is even better than the first film, and has the greatest single final scene in Hollywood history, a real coup de cinéma."[42]
The Godfather Part II was featured on Sight & Sounds Director's list of the ten greatest films of all time in 1992 (ranked at No. 9)[43] and 2002 (where it was ranked at No. 2. The critics ranked it at No. 4)[44] [45] [46] On the 2012 list by the same magazine the film was ranked at No. 31 by critics and at No. 30 by directors.[47] [48] [49] In 2006, Writers Guild of America ranked the film's screenplay (Written by Mario Puzo and Francis Ford Coppla) the 10th greatest ever.[50] It ranked No. 7 on Entertainment Weeklys list of the "100 Greatest Movies of All Time", and #1 on TV Guides 1999 list of the "50 Greatest Movies of All Time on TV and Video".[51] The Village Voice ranked The Godfather Part II at No. 31 in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics.[52] In January 2002, the film (along with The Godfather) made the list of the "Top 100 Essential Films of All Time" by the National Society of Film Critics.[53] [54]
In 2017, it ranked No. 12 on Empire magazine's reader's poll of The 100 Greatest Movies.[55] In an earlier poll held by the same magazine in 2008, it was voted 19th on the list of 'The 500 Greatest Movies of All Time'.[56] In 2015, it was tenth in the BBC's list of the 100 greatest American films.[57]
Many believe Pacino's performance in The Godfather Part II is his finest acting work. It is now regarded as one of the greatest performances in film history. In 2006, Premiere issued its list of "The 100 Greatest Performances of all Time", putting Pacino's performance at #20.[58] Later in 2009, Total Film issued "The 150 Greatest Performances of All Time", ranking Pacino's performance fourth place.[59]
The Japanese filmmaker Akira Kurosawa cited this movie as one of his 100 favorite films.[60]
This film is the first sequel to win the Academy Award for Best Picture.[61] The Godfather and The Godfather Part II remain the only original/sequel combination both to win Best Picture.[62] Along with The Lord of the Rings, The Godfather Trilogy shares the distinction that all of its installments were nominated for Best Picture; additionally, The Godfather Part II and are so far the only sequels to win Best Picture. Al Pacino became the fourth actor to be Oscar-nominated twice for playing the same character.