| Don't Crush That Dwarf, Hand Me the Pliers | |
| Type: | studio |
| Artist: | The Firesign Theatre |
| Cover: | FST Don't Crush That Dwarf album cover.jpg |
| Released: | July 22, 1970 |
| Recorded: | April and May 1970 |
| Genre: | Comedy |
| Length: | 46:28 |
| Label: | Columbia[1] |
| Producer: | The Firesign Theatre with Bill Driml |
| Prev Title: | How Can You Be in Two Places at Once When You're Not Anywhere at All |
| Prev Year: | 1969 |
| Next Title: | I Think We're All Bozos on This Bus |
| Next Year: | 1971 |
Don't Crush That Dwarf, Hand Me the Pliers is the Firesign Theatre's third comedy album, released by Columbia Records in July 1970. In 1983, The New Rolling Stone Record Guide called it "the greatest comedy album ever made". It was nominated for a Hugo Award for Best Dramatic Presentation in 1971 by the World Science Fiction Society. In 2005, the US Library of Congress added the album to the National Recording Registry and called the Firesign Theatre "the Beatles of comedy."
All tracks by The Firesign Theatre
This was The Firesign Theatre's first album wherein a single theme took up both sides of the album.
In Phil Austin's notes to the 1987 Mobile Fidelity re-release of this album he says "Dwarf is the story of the five ages of Man and in particular, the five ages of one George Leroy Tirebiter; a man named after a dog."[3]
The piece centers on the character of Tirebiter (played by David Ossman), a former child actor who spends his time watching himself on late-night television.
As his evening unfolds, the listener hears "excerpts" from fictional movies in Tirebiter's past. High School Madness stars 'Dave Casman' as Peorgie Tirebiter and 'Joe Bertman' as his sidekick, Mudhead—although an earlier portion of the recording intentionally blurs the distinction between fantasy and reality by identifying Tirebiter (not 'Casman') as having been the star of the "Peorgie and Mudhead" films, rather than a character in those films. High School Madness is a parody of the radio show The Aldrich Family, the Archie comic books, and 1940s and '50s American youth culture in general. In the movie, Peorgie and Mudhead investigate the theft of their high school, Morse Science High,[4] by their rivals, Communist Martyrs High School, on graduation day.
Parallel Hell is a war film set in Korea, where the soldiers (including Tirebiter) debate the seemingly endless war. These are interspersed with commercials and other staples of late-night television (including televangelists and a talk show) as Tirebiter randomly changes channels. The broadcasts contain many references to warfare and Cold War paranoia (product names such as Napalmolive), indicating that Tirebiter's world exists under martial law.[5]
Another satirical comment from the album is the slogan of The Howl of the Wolf Movie: "Presenting honest stories of working people as told by rich Hollywood stars".[2]
It has been said that the album's title was inspired by a photograph in Bob Dylan's album Blonde on Blonde, where Dylan is holding a small picture of a person and a pair of pliers.[6] It has also been said that the "dwarf" represents a burning "roach" (the final portion of a marijuana cigarette), to "crush" refers to stubbing out the "roach", and "the pliers" refers to a "roach-clip", a device for protecting the fingers while burning a "roach". Some marijuana smokers from that era, pre-vapes, agree.[7]
The credits on the back cover most likely include pseudonyms (e.g. "Mr. Procmer," presumably a misspelling of Phil Proctor's last name similar to the mention of "Casman" for Ossman and "Bertman" for Bergman on the album) but also include Anna-Lee Austin and Tiny Ossman, then the wives of Phil Austin and David Ossman. Anna-Lee Austin also is credited for the wake-up phone call and bird sound effects heard in the final dialogue segment.
The Firesign Theatre:
with:
This album was originally released simultaneously on LP, 8 Track, and Cassette.
It has been re-released on CD at least five times:
George Tirebiter's failed pizza-to-go order is the other half of Nick Danger's conversation from How Can You Be in Two Places at Once When You're Not Anywhere at All, and the album ends with George running outside to buy an ice cream cone from a passing ice cream truck, the chimes thereof opening the next album, I Think We're All Bozos on This Bus.[9]
There was a real dog named George Tirebiter.[3]
In 1946, a mongrel whose owner had died wandered onto the campus of the University of Southern California and was adopted by the students as an unofficial mascot. The dog acquired a reputation for chasing cars, hence the name. The dog became so famous that at one point he was kidnapped by rival students from UCLA, who shaved their school's letters into his fur. He was run over and killed by a car in 1950.
In his notes to the Mobile Fidelity release, Austin says that the five ages of George Leroy Tirebiter are:
In 1971, Dwarf was nominated for the Hugo Award for Best Dramatic Presentation.[11]
In 2005, Dwarf was added to the National Recording Registry, a list of sound recordings that "are culturally, historically, or aesthetically important, and/or inform or reflect life in the United States."[12]
The name "Firesign Theatre" was suggested by an astrologer-friend of the troupe who noted that all four members had been born under "fire signs." The cover art, by Robert Grossman, features caricatures of the members as their respective astrological animals: Austin as a ram (Aries), Proctor as a lion (Leo), and Bergman and Ossman as two Satyrs or Centaurs (Sagittarius). The Sagittarians are armed, respectively, with a bow and suction-cup arrow and a squirt gun, and the other members are seated on their backs. An eponymous pair of pliers sits on the ground beneath them. The original LP release came with a poster, featuring Polaroid snapshots of group members.