| Dog Sees God: Confessions of a Teenage Blockhead | |
| Characters: | CB CB's Sister Van Matt Beethoven Tricia York Marcy Van's Sister |
| Premiere: | August 2004 |
| Place: | SoHo Playhouse as part of FringeNYC |
| Orig Lang: | English |
| Subject: | Imagining characters from the comic strip Peanuts as teenagers |
| Genre: | Drama, satire |
Dog Sees God: Confessions of a Teenage Blockhead is a 2004 American play written by Bert V. Royal.
An "unauthorized continuation," the play reimagines characters from the popular comic strip Peanuts as degenerate teenagers. Drug use, child sexual abuse, suicide, eating disorders, teen violence, rebellion, sexual relations and identity are among the issues covered in this homage at the works of Charles M. Schulz.
CB and CB's sister have a funeral for their dog, who recently contracted rabies and was put down after killing "a little yellow bird" and nearly biting CB. The funeral ends in failure as they argue over who should say a prayer for him. After the funeral, CB approaches Van and asks him what happens to humans when they die. He answers that they get reincarnated. When CB asks Matt the same question, Beethoven walks by and Matt calls him a fag.
At lunch, Marcy and Tricia tell their friends about an upcoming party at Marcy's house. Later on, CB goes to Beethoven's practice room to listen to his piano playing, but ends up monologuing over his dead dog. An irritated Beethoven tells CB about how he cannot go through his day without someone bullying him in some sort, including CB himself. CB claims that he never meant any harm, but Beethoven counters that people "messing around" with him is just a front for harassment and violence. CB makes a truce with Beethoven and invites him to the party to re-establish their friendship. They share a kiss.
Beethoven arrives at the party to everyone's surprise. Matt insults Beethoven again, but CB comes to Beethoven's defense and kisses him, this time in front of everyone. After abruptly leaving the party with CB, Beethoven demands an explanation for what happened. CB explains he revealed his feelings not out of obligation to Beethoven, but because he truly wanted to do so. The morning after, Matt, Tricia, and Marcy all wake up together, half-naked and wondering what happened between them the night before. CB goes to visit Van's sister, who was institutionalized for setting the Little Red-Haired Girl's hair on fire. CB tells her the whole story, also revealing to her that he and Beethoven had sex after the party.
A few days later, Matt, Tricia, Marcy, and Van eat lunch together and are all stunned at what happened at the party. Matt vows to make Beethoven pay for "fucking with [his] best friend's head." Meanwhile, CB and Beethoven argue over whether or not they should be in a relationship. CB leaves disappointed but hopeful for the future between them. Matt then enters and threatens Beethoven to stay away from CB. Beethoven refuses, calls him by his old nickname, Pig-Pen, and implies he knows Matt's "secret": that Matt has repressed homosexual feelings for CB. This angers Matt, who slams the piano top over Beethoven's hands, breaking them. During class later on, CB's friends take turns sharing fond memories of Beethoven, who had committed suicide (Matt, meanwhile, was suspended from school for a week). However, knowing they all bullied Beethoven, CB berates them for pretending that they actually cared about him.
CB receives a letter from his pen pal. In the letter, he tells CB that he must keep strong, even in rough times. It also mentions a boy "who plays piano just like [CB's] friend" that moved in near the pen pal, that "he's had a tough life, but things are better for him, now," and that he found a dog who likes to sing along to the piano (like CB's dog did, alluding that Beethoven is now caring for CB's dog in the afterlife). The letter is signed "CS", an allusion to Peanuts creator Charles M. Schulz.
Dog Sees God is advertised as a parody, and includes language indicating that the production has not been authorized or approved by United Features Syndicate or the estate of Charles M. Schulz.
Dog Sees God was first presented as a reading on May 3, 2004, at the Barrow Street Theatre. It was directed by Anthony Barrile and produced by Sorrel Tomlinson. The cast was as follows:
Dog Sees God had its world premiere at the 2004 New York International Fringe Festival.[1] It was presented at the SoHo Playhouse. It was directed by Susan W. Lovell and produced by Sorrel Tomilinson/File 14 Productions. The cast was as follows:
The production was extended for two weeks and Daniel Franzese assumed the role of Van.
Dog Sees God had another reading on May 9, 2005, at the Westside Theater. It was directed by Trip Cullman and produced by DeDe Harris and Sorrel Tomlinson. The cast was as follows:
Dog Sees God received its off-Broadway premiere by Martian Entertainment and Dede Harris at the Century Center for the Performing Arts, opening on December 15, 2005. Presented by Bert V. Royal, the play was directed by the Trip Cullman; the set design was by David Korins; the costume design was by Jenny Mannis; the lighting design was by Brian MacDevitt; the sound design was by Darron L. West; the general manager was Roy Gabay; the production stage manager was Lori Ann Zepp; the assistant stage manager was Tammy Scozzafava; and the production manager was Randall Etheredge.
The cast was as follows.
When Dushku (of Buffy the Vampire Slayer fame) quit in February 2006 along with several other members of the cast, attempts were made to tie their leaving to a lawsuit between the producers.[2] Charges of abuse against one of the producers were later dismissed as "plainly devoid of merit and undertaken as a vindictive campaign to harass".[3] [4]
The Los Angeles premiere of the play was presented by the Havok Theatre Company and ran from June 7 - July 20, 2008 at the Hudson Backstage Theatre. It was directed by Nick DeGruccio.
The Los Angeles cast was as follows.
Christine Lakin won an LA Weekly Theatre Award for Best Female Comedy Performance.
The U.K. premiere production took place at the Taurus Bar on Manchester's famous Canal Street in March 2008, thanks to author Bert V Royal helping them secure the UK rights, which at that time did not exist (after this production the U.K. rights were set up). The show was a sell out and quickly transferred to the larger venue The Lowry in January 2009. The production gained rave reviews and now looks set to move in to return in 2012. The play was produced by Award Nominated Vertigo Theatre Productions and directed by Craig Hepworth.
The U.K. cast was as follows:
For The Lowry production, Greg Kelly and Abby Simmons were replaced with Mike Gates and Louise Allen due to scheduling conflicts.
The Canadian premiere production took place at Six Degrees in Toronto, Ontario, in March 2009, produced by Michael Rubinoff and Lindsay Rosen. The show was directed by Lezlie Wade, with set and costume design by Jessica Poirier-Chang and lighting by Renee Brode. The Toronto Star gave it a -out-of-4-stars review, saying 'What seems to be a comedic deconstruction of the famous Peanuts cartoon characters turns out to be one of the most interesting and moving plays I've seen this year, with some absolutely stunning performances. Director Lezlie Wade manages the transition skilfully and, by the end, there were totally unexpected tears rolling down my face."[5]
The Canadian cast was as follows:
In 2004, it was one of the breakout hits at the New York International Fringe Festival, winning the Excellence Award for Best Overall Production, as well as Theatermania's Play Award of 2004, the GLAAD Media Award for Best Off-Off-Broadway production, Broadway.com's 2006 Audience Award for Favorite Off-Broadway Production and the 2006 HX Award for Best Play.
On July 24, 2014, it was announced on the official Facebook page that a sequel to the play was in the works. This sequel focuses on Matt, and will be titled The Gospel According to Matt: Confessions of a Teenage Dirtbag.[6]