| Distant Light | |
| Type: | Studio |
| Artist: | The Hollies |
| Cover: | Hollies Distant Light LP.jpg |
| Released: | 8 October 1971 (UK) April 1972 (US) |
| Recorded: | 14 April–30 July 1971[1] |
| Studio: | AIR Studios, London |
| Length: | 44:14 |
| Label: | UK: Parlophone PAS 10005 US: Epic KE 30958 |
| Producer: | Ron Richards, The Hollies |
| Prev Title: | Confessions of the Mind |
| Prev Year: | 1970 |
| Next Title: | Romany |
| Next Year: | 1972 |
Distant Light is a 1971 album released by the Hollies, their 11th UK album and their last before brief departure of lead vocalist and founding member Allan Clarke (who was absent on the following album and returned for their 1974 self-titled album), and reputedly the first album to come out of AIR Studios. The album spawned two hit singles: the Allan Clarke penned "Long Cool Woman in a Black Dress", which peaked at number two in the US and number 32 in the UK; and Tony Hicks penned "Long Dark Road", which reached number 26 in the US. The US version of the album peaked at number 21 in the album charts. The summer scene on the cover is rendered as a winter scene on the next Hollies album Romany.
The album was the band's biggest experiment to date. The use of saxophones, girl choruses, and more complex compositions in the style of the Moody Blues ("You Know The Score"), was very unusual for the Hollies. The lyrics were more serious, containing, for example, anti-war messages ("You Know The Score" or "Promised Land") or dramatic stories ("What A Life I've Led", "Hold On"). Only a few songs were in the traditional Hollies style and sound ("Long Dark Road", "A Little Thing Like Love", "To Do with Love").
The recording featured guest appearances by pianist Gary Brooker (Procol Harum), guitarist Mick Abrahams (Jethro Tull) and saxophonist Jim Jewell. Vocals were sung by Madeline Bell, Doris Troy and Liza Strike. The LP was released on 8 October 1971 in a gatefold sleeve with a painted woodland and summer scene by Colin Elgie of Hipgnosis. The idea was conceived by Storm Thorgerson, famous for his work with Pink Floyd. There were many hidden messages and a good deal of symbolism and, years later, the artist admitted that there were so many that he couldn't remember some of them.[2] The inside cover art consisted of pictures of the band members taken at a house party at Tony Hicks' apartment.
The band performed the first three songs from the album ("What a Life I've Led" and "Look What We've Got" and "Long Cool Woman in a Black Dress") live on the television show "Meet the Hollies" on July 25, 1971. Later, they performed "Long Cool Woman in a Black Dress" and "A Little Thing Like Love" again on another TV show, "It's Lulu". The album was highly praised by critics, Record Mirror wrote: "You could use the word sensational about The Hollies' new album." and it became the biggest success they've had in America (including records with Graham Nash). However, in their native United Kingdom, the LP was only a modest success for the band. The album's biggest hit was the song "Long Cool Woman in a Black Dress", composed by Allan Clarke and Roger Cook (whose co-writer Roger Greenaway was also credited by verbal agreement between the two songwriters).[3] The single reached No. 2 in America, No. 1 in Canada and No. 32 in England. It was the Hollies' biggest American hit ever. The song "Long Dark Road" was also released as a single in America and reached No. 26 (and No. 24 in Canada).
All tracks composed by Tony Hicks and Kenny Lynch; except where indicated
Side one
Side two
with:
Album