Dimitri Hadzi should not be confused with Dimitrios Hatzis.
| Dimitri Hadzi | |
| Birth Date: | 21 March 1921 |
| Birth Place: | New York City, U.S. |
| Death Place: | Cambridge, Massachusetts, U.S. |
| Alma Mater: | Cooper Union |
| Known For: | Abstract monumental sculpture |
| Notable Works: | Elmo Centaur Twin Gates Propylaea River Legend |
| Style: | Abstract modernist |
| Spouse: | Martha Leeb (divorced) Cynthia Hoyle von Thüna (1985) |
| Awards: | 1957 Guggenheim Fellow 1962 Venice Biennale 1974 Rome Prize |
| Elected: | 1983 American Academy of Arts and Letters,1990 National Academy of Design, Associate member 1994 National Academy of Design, full Academician |
Dimitri Hadzi (March 21, 1921 – April 16, 2006)[1] was an American abstract sculptor who lived and worked in Rome, Italy for 25 years and later resided in Cambridge, Massachusetts, where he also taught at Harvard University for over a decade.
Hadzi was born to Greek-American immigrant parents in Greenwich Village, New York City on March 21, 1921.[2] As a child, he attended a Greek after-school program, where he learned language, mythology, history, and theater. He also won a prize for drawing. After graduating from Brooklyn Technical High School, he worked as a chemist, while continuing his studies in chemistry by night.
In 1942, he signed up for the Army Air Force, serving in the South Pacific region while continuing to draw in his spare time.[3] After his service, he returned to New York to study painting and sculpture at Cooper Union.
Hadzi taught studio arts at Harvard University, from 1975 to 1989.[4]
Hadzi married Martha Leeb, but later divorced. In June 1985, he married Cynthia von Thuna.[5] He died in 2006.
Some of Hadzi's public artworks have been removed since his death, as noted above. In addition to the named works, a 60feet high sculptural fountain designed by him was completely demolished and removed circa 2014, despite protests by his widow and other commentators.[11] The artwork was the centerpiece of Boston's Copley Place indoor shopping mall, and was composed of multiple abstract granite and travertine marble shapes, with a waterfall cascading down it into a shallow pool at the bottom, surrounded by marble benches., there was scant remaining evidence the fountain had ever existed, and the ownership, location, and status of its components were unknown to the general public.