| Diminutive Mysteries (Mostly Hemphill) | |
| Type: | Album |
| Artist: | Tim Berne |
| Border: | yes |
| Released: | 1993 |
| Recorded: | September 1992 |
| Venue: | Power Station, New York City |
| Genre: | Jazz |
| Length: | 65:37 |
| Label: | JMT JMT 514 003 |
| Producer: | Stefan F. Winter |
| Chronology: | Tim Berne |
| Prev Title: | I Can't Put My Finger on It |
| Prev Year: | 1991 |
| Next Title: | Nice View |
| Next Year: | 1994 |
Diminutive Mysteries (Mostly Hemphill) is an album by saxophonist Tim Berne which was recorded in 1992 and released on the JMT label.[1] [2] The album is a tribute to Berne's mentor Julius Hemphill. Alongside Berne's regular band is featured guest David Sanborn, in an outlier among his more mainstream R&B work.
The AllMusic review by Scott Yanow states: "This is certainly the most unusual David Sanborn recording to date. Avant-gardist Tim Berne (heard here on alto and baritone) and the popular R&B star Sanborn (mostly leaving his trademark alto behind to play sopranino) share a great respect for altoist Julius Hemphill and the St. Louis free jazz movement... they perform seven often-emotional Hemphill pieces plus Berne's "The Maze." Sanborn is to be congratulated for successfully stretching himself although this is very much Berne's date".[3]
The Guardians John Fordham wrote: "The pieces are raw-boned and clamouring but rigorously structured and spine-tinglingly harmonised. Sometimes they sound like skewed bebop and sometimes like stealthily building improv, and Sanborn's soul sound... loses none of its famous wail."
John Howard of Perfect Sound Forever called the album "A stunning tour de force... one of the finest jazz albums ever made," and commented: "the album ranges in mood from the sublimely beautiful 'Writhing Love Lines' to... 'The Maze,' 21 minutes of tangling and untangling structure."[4]
All compositions by Julius Hemphill except as indicated