| Diamond Records | |
| Successor: | Polydor |
| Formation: | 1960 (approx) |
| Founder: | Ren da Silva |
| Founding Location: | British Hong Kong |
| Dissolved: | 1970 |
| Type: | Record label |
| Status: | Defunct |
| Purpose: | Music publishing |
| Region: | East Asia |
| Language: | English Chinese |
Diamond Records was a record label for Hong Kong and the far East. It featured a good amount of Hong Kong's most popular recording acts and attractions in its catalogue.
Diamond Records was an independent label which was established in or around 1960 by Portuguese merchant, Ren da Silva.[1] [2] In the early 1960s, they produced a run of albums that featured original Mandarin and English compositions. Also English songs were sung in Mandarin and Mandarin songs were sung in English. Two recording artists that were an example of this were Kong Ling and Mona Fong.[1] Both Ling and Fong had Hong Kong's leading pianist Celso Carrillo as arranger on their early Diamond albums.[3] [4] [5]
In the late 50s Diamond obtained a franchise from US Mercury and release many singles – mainly Patti Page The Diamonds and The Crew Cuts and together with US Decca issues on their Echo label they dominated the Hong Kong Charts and even more so when they obtained a Coral agreement and Teresa Brewer, The McGuire Sisters and later Buddy Holly and The Crickets also had huge success. ABC then allowed releases and Paul Anka became a real favourite of the Chinese teenagers and nearly all his singles at that time charted. Strange results from the HK Hit Parade of 1959 saw good sales for titles which hardly listed anywhere else – The Crew Cuts 'Be My Only Love' challenged the Diamonds Little Darlin' and Anka's Late Last Night was a huge success – not many singles were pressed by Diamond due to capacity problems so Airplay on Radio Hong Kong, Commercial Radio Hong Kong, Rediffusion and Radio Sai Wan (RAF Station Radio) were compiled for chart listings. Dot and Roulette pressings were added later and one Mercury release had little to do with the US but charted as the Yee Tin Tong Mandolin Band playing Caio Caio Bambina b/w Oh Marie. It was, for some time available on YouTube but has since disappeared. Although Ren Da Silva owned the company it was his daughter who was the leading light in the singles world and to her must go much of the credit for bringing US and UK music of the late 1950s to the young Chinese students of the time. This 1950s period has been largely neglected but those who were in Hong Kong with the British military will remember the breakthrough Miss Da Silva achieved. In the early 1960s, Diamond was the only record pressing in the area at the time. It handled Mercury Record Corporation product on a licensing agreement basis. Taking a trip to the U.S., managing director da Silva visited the Chicago Mercury headquarters in August 1961 to discuss expansion in the area for manufacturing plant and distribution facilities. He also was in the U.S. to meet with Willem Langenberg the head of Philips group to discuss the coordination of a three way arrangement that would involve Mercury, Philips and Diamond.[6]
In the mid-1960s the label started taking on guitar driven bands such as Philip Chan and the Astronotes, Danny Diaz and the Checkmates, Teddy Robin and the Playboys, and The Anders Nelsson group. Later on, other bands such as the Sam Hui fronted Lotus, The Mystics, The Zoundcrackers, D’Topnotes, The Downbeats, Joe Jr. and the Side Effects, Mod East, Sons of Han, and The Menace had recordings issued on the label.
Celso Carrillo, a pianist from the Philippines[7] was born on 9 January 1924.[8] [9] Along with Tony Carpio, Andy Hidalgo, and Nick Domingo, he was one of the many musicians from the Philippines that had made careers in Hong Kong.[10] He had worked as an arranger, backing musician on various recordings by artists on the Diamond label. For a period of time, he was Hong Kong's leading pianist[4] His band backed Kong Ling on her Hong Kong Presents ..... Off-Beat Cha Cha album. In addition to playing piano and handling the arrangements, he also played conga and cow bell on various tracks.[3] Another album for Diamond which he worked on, which was in the same vein as Kong Ling's was Mona Fong Meets Carding Cruz. The backing was by the Carding Cruz band and the arrangements were by Celso Carrillo.[5] [11] Filipino singer Carmen Soriano, credits him with him with giving her the inspiration and training to sing when she was lacking in confidence and repertoire while in Hong Kong. At the time he was the band leader at the club and told her to give it a try just for the novelty of it.[12] [13] The result was her singing for a few months at the Winner House club in Hong Kong.[14] Another singer that Carillo backed was Lita Mendoza.[15] He died on 26 December 1988.[9]
At one time he was also once president of the Philippine Musicians League.
In 1970, the label was acquired by Polydor.[16]
