| Devata | |
| Director: | B. N. Reddy |
| Screenplay: | Samudrala Sr. |
| Story: | K. Ramnoth |
| Producer: | Moola Narayana Swamy B. N. Reddy |
| Starring: | V. Nagayya Kumari Mudigonda Lingamurthy C. H. Narayana Rao Tanguturi Suryakumari |
| Cinematography: | K. Ramnoth |
| Music: | V. Nagayya |
| Studio: | Vauhini Studios |
| Runtime: | 186 minutes |
| Country: | India |
| Language: | Telugu |
Devata is a 1941 Indian Telugu-language drama film directed by B. N. Reddy. The huge success of this film led to the making of more films with the same title in 1964 by B. Padmanabham and in 1982 by D. Ramanaidu.[1] The film was remade in Malayalam as Pavappettaval (1967).[2]
Venugopala Murthy returns to his native village from England after passing law school. His mother Mangamma and sister Seetha are very happy. Venu is attracted towards Lakshmi, daughter of Venkaiah, who works as servant in the family. He takes advantage of the sleeping Lakshmi and promises to marry her. He leaves to the city and stays with his uncle Balaramaiah. Venu marries his daughter Vimala. Mangamma and Seetha bring the pregnant Lakshmi to the city. Venu refuses to accept her and offers some money to Lakshmi. She leaves the house when her father arranges for the marriage. She take refuge with the Haridasu family and delivers a child. Meanwhile, Vimala elopes with Sukumar. Mangamma sends Venu to bring back Lakshmi. After several hardships, Lakshmi reunites with Venu.
There are about 14 songs in the film. The lyrics are written by Samudrala Sr. and music score is provided by V. Nagayya.[3]
Ananda Vikatan wrote, "Oh gods and goddesses! We wanted to portray you as heroes and heroines in our films. That's what we said when we produced talkies. No god/goddess objected to that. [T]hen we came down to Puranic characters – on to bhaktas, maharajahs, zamindars, millionaires and thence to the common man. But none had thought to make the servant maid the heroine of a film". B. Vijayakumar of The Hindu wrote, "Even if the story is simple and artistic, technical brilliance can bring unusual success for a film. B. N. Reddy’s black and white classic Telugu film Devata is a best example for this."[4]