The Design History Society is an arts history organisation founded in 1977[1] to promote and support the study and understanding of design history. The Society undertakes a range of charitable activities intended to encourage and support research and scholarship, to offer information and create networking opportunities, to foster student participation and public recognition of the subject, and to support regional links and events. The Society welcomes members from related disciplines such as anthropology, architecture and art history, business history, the history of science and technology, craft history, cultural studies, economic and social history, design and design management studies. An elected Executive Committee and Board of Trustees works to enable the activities of the Society, and to ensure that design history is appropriately represented in higher education and research bodies in the UK.
The Journal of Design History is published quarterly by Oxford University Press on behalf of the Design History Society (J Design Hist, web, print).[2] It is the leading journal in its field, and plays an active role in the development of design history, including the history of crafts and applied arts, as well as contributing to the broader fields of visual and material culture studies. The journal includes a regular book reviews section and lists books received, and from time to time publishes special issues.
The annual DHS Conference provides an international platform for interdisciplinary approaches to research and critical debate in design history. Hosted each year by a different partner institution, the conference aims to further global dialogues on design and its histories. See Past Conferences below.[3]
In 2018, the DHS launched a rolling calendar of events and activities convened by trustees working with relevant educational, professional and cultural partners. These events create opportunities for engagement beyond the annual conference, support teaching and learning at all levels of design historical education, and aim to reach audiences, both internationally and across the UK.
Design History Society members include all those interested in design: students, designers, lecturers, historians, researchers, craftspeople, manufacturers, archivists, curators, librarians and collectors. The Society offers membership rates for individuals and institutional members. A concessionary rate is also available for students, full and part-time, the unwaged and seniors. Membership under all categories is administered by Oxford University Press.
| Year[5] | Conference Title | Location | |
|---|---|---|---|
| 2019 | The Cost of Design | Northumbria University, Newcastle-upon-Tyne | |
| 2018 | Design and Displacement | Parsons School of Design, New York | |
| 2017 | Making and Unmaking the Environment | University of Oslo, Norway | |
| 2016 | Design and Time | Middlesex University, London | |
| 2015 | Design and the Spirit of Critical Utopianism | California College of the Arts, San Francisco | |
| 2014 | Design for War and Peace | Department for Continuing Education, University of Oxford | |
| 2013 | Towards Global Histories of Design: Postcolonial Perspectives | National Institute of Design, Ahmedabad, India | |
| 2012 | The Material Culture of Sport | University of Brighton | |
| 2011 | Design Activism and Social Change | Barcelona | |
| 2010 | Design and Craft: A History of Convergences and Divergence (co-organised by the ICDHS) | Brussels | |
| 2009 | Writing Design: Object, Process, Discourse, Translation | University of Hertfordshire | |
| 2008 | Networks of Design[6] | University College Falmouth | |
| 2007 | Design / Body / Sense | Kingston University London | |
| 2006 | Design and Evolution | Delft University of Technology, The Netherlands | |
| 2005 | Locating Design | London Metropolitan University | |
| 2004 | The Politics of Design | University of Ulster at Belfast, Northern Ireland | |
| 2003 | Sex Object: Desire & Design in a Gendered World | Norwich School of Art and Design | |
| 2002 | Situated Knowledges: Consumption, Production and Identity in a Global Context | University of Wales, Aberystwyth | |
| 2001 | Representing Design | Royal College of Art & Victoria and Albert Museum, London. | |
| 2000 | Making and Unmaking: Creative and Critical Practice in a Designed World[7] | University of Portsmouth | |
| 1999 | Home and Away | Nottingham Trent University | |
| 1998 | Design Innovation: Conception to Consumption | University of Huddersfield | |
| 1997 | The Ideal and the Real in Design | University of Brighton | |
| 1996 | History and Studio Practice (Co-organised with AAH and Dept of Visual Arts, Lancaster University) | Manchester Metropolitan University | |
| 1996 | Futures | Middlesex University | |
| 1995 | Objects Histories and Interpretations (co-organised with the AAH and V&A) | Victoria & Albert Museum, London | |
| 1994 | Design for Selling | Glasgow School of Art | |
| 1993 | Transportation and Movement | Southampton |