| Jacques Derrida | |
| Region: | Western philosophy |
| Era: | 20th-century philosophy |
| Birth Name: | Jackie Élie Derrida |
| Birth Date: | 15 July 1930 |
| Birth Place: | El Biar, French Algeria |
| Death Place: | Paris, France |
| Children: | 3, including Pierre Alféri |
| Education: | École normale supérieure (BA, MA, Dr. cand.) Harvard University University of Paris (DrE) |
Jacques Derrida (; pronounced as /fr/; born Jackie Élie Derrida;[1] 15 July 1930 – 9 October 2004) was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.[2] [3] [4] He is one of the major figures associated with post-structuralism and postmodern philosophy[5] although he distanced himself from post-structuralism and disowned the word "postmodernity".[6]
During his career, Derrida published over 40 books, together with hundreds of essays and public presentations. He had a significant influence on the humanities and social sciences, including philosophy, literature, law,[7] [8] [9] anthropology,[10] historiography,[11] applied linguistics,[12] sociolinguistics,[13] psychoanalysis,[14] music, architecture, and political theory.
Into the 2000s, his work retained major academic influence throughout the United States,[15] continental Europe, South America and all other countries where continental philosophy has been predominant, particularly in debates around ontology, epistemology (especially concerning social sciences), ethics, aesthetics, hermeneutics, and the philosophy of language. In most of the Anglosphere, where analytic philosophy is dominant, Derrida's influence is most presently felt in literary studies due to his longstanding interest in language and his association with prominent literary critics from his time at Yale. He also influenced architecture (in the form of deconstructivism), music[16] (especially in the musical atmosphere of hauntology), art,[17] and art criticism.[18]
Particularly in his later writings, Derrida addressed ethical and political themes in his work. Some critics consider Speech and Phenomena (1967) to be his most important work. Others cite: Of Grammatology (1967) Writing and Difference (1967), and Margins of Philosophy (1972). These writings influenced various activists and political movements. He became a well-known and influential public figure, while his approach to philosophy and the notorious abstruseness of his work made him controversial.[19]
Derrida was born on 15 July 1930, in a summer home in El Biar (Algiers), Algeria,[1] to Haïm Aaron Prosper Charles (known as "Aimé") Derrida (1896–1970), who worked all his life for the wine and spirits company Tachet, including as a travelling salesman (his son reflected the job was "exhausting" and "humiliating", his father forced to be a "docile employee" to the extent of waking early to do the accounts at the dining-room table),[20] and Georgette Sultana Esther (1901–1991),[21] daughter of Moïse Safar.[22] His family was Sephardic Jewish, (originally from Toledo) and became French in 1870 when the Crémieux Decree granted full French citizenship to the Jews of Algeria.[23] [24] His parents named him "Jackie", "which they considered to be an American name", although he would later adopt a more "correct" version of his first name when he moved to Paris; some reports indicate that he was named Jackie after the American child actor Jackie Coogan, who had become well-known around the world via his role in the 1921 Charlie Chaplin film The Kid.[25] [26] [27] He was also given the middle name Élie after his paternal uncle Eugène Eliahou, at his circumcision; this name was not recorded on his birth certificate unlike those of his siblings, and he would later call it his "hidden name".[28]
Derrida was the third of five children. His elder brother Paul Moïse died at less than three months old, the year before Derrida was born, leading him to suspect throughout his life his role as a replacement for his deceased brother.[25] Derrida spent his youth in Algiers and in El-Biar.
On the first day of the school year in 1942, French administrators in Algeria—implementing antisemitism quotas set by the Vichy government—expelled Derrida from his lycée. He secretly skipped school for a year rather than attend the Jewish lycée formed by displaced teachers and students, and also took part in numerous football competitions (he dreamed of becoming a professional player). In this adolescent period, Derrida found in the works of philosophers and writers (such as Rousseau, Nietzsche, and Gide) an instrument of revolt against family and society. His reading also included Camus and Sartre.
In the late 1940s, he attended the, in Algiers; in 1949 he moved to Paris,[2] [19] attending the Lycée Louis-le-Grand, where his professor of philosophy was Étienne Borne.[29] At that time he prepared for his entrance exam to the prestigious École Normale Supérieure (ENS); after failing the exam on his first try, he passed it on the second, and was admitted in 1952.[19] On his first day at ENS, Derrida met Louis Althusser, with whom he became friends. A professor of his, Jan Czarnecki, was a progressive Protestant who would become a signer of the Manifesto of the 121.[30] After visiting the Husserl Archive in Leuven, Belgium (1953–1954), he completed his master's degree in philosophy () on Edmund Husserl (see below). He then passed the highly competitive agrégation exam in 1956. Derrida received a grant for studies at Harvard University, and he spent the 1956–57 academic year reading James Joyce's Ulysses at the Widener Library.[31]
During the Algerian War of Independence of 1954–1962, Derrida asked to teach soldiers' children in lieu of military service, teaching French and English from 1957 to 1959.Following the war, from 1960 to 1964, Derrida taught philosophy at the Sorbonne, where he was an assistant of Suzanne Bachelard (daughter of Gaston Bachelard), Georges Canguilhem, Paul Ricœur (who in these years coined the term hermeneutics of suspicion), and Jean Wahl.[32] His wife, Marguerite, gave birth to their first child, Pierre, in 1963. In 1964, on the recommendation of Louis Althusser and Jean Hyppolite, Derrida got a permanent teaching position at the ENS, which he kept until 1984. In 1965 Derrida began an association with the Tel Quel group of literary and philosophical theorists, which lasted for seven years.[33] Derrida's subsequent distance from the Tel Quel group, after 1971, was connected to his reservations about their embrace of Maoism and of the Chinese Cultural Revolution.[34]
With "Structure, Sign, and Play in the Discourse of the Human Sciences", his contribution to a 1966 colloquium on structuralism at Johns Hopkins University, his work began to gain international prominence. At the same colloquium Derrida would meet Jacques Lacan and Paul de Man, the latter an important interlocutor in the years to come.[35] A second son, Jean, was born in 1967. In the same year, Derrida published his first three books—Writing and Difference, Speech and Phenomena, and Of Grammatology.
In 1980, he received his first honorary doctorate (from Columbia University) and was awarded his State doctorate (doctorat d'État) by submitting to the University of Paris ten of his previously published books in conjunction with a defense of his intellectual project under the title "French: L'inscription de la philosophie : Recherches sur l'interprétation de l'écriture" ("Inscription in Philosophy: Research on the Interpretation of Writing").[36] The text of Derrida's defense was based on an abandoned draft thesis he had prepared in 1957 under the direction of Jean Hyppolite at the ENS entitled "The Ideality of the Literary Object"[36] ("French: L'idéalité de l'objet littéraire");[37] his 1980 dissertation was subsequently published in English translation as "The Time of a Thesis: Punctuations". In 1983 Derrida collaborated with Ken McMullen on the film Ghost Dance. Derrida appears in the film as himself and also contributed to the script.
Derrida traveled widely and held a series of visiting and permanent positions. Derrida became full professor (French: directeur d'études) at the French: [[École des Hautes Études en Sciences Sociales]] in Paris from 1984 (he had been elected at the end of 1983).[36] With François Châtelet and others he in 1983 co-founded the French: [[Collège international de philosophie]] (CIPH; 'International college of philosophy'), an institution intended to provide a location for philosophical research which could not be carried out elsewhere in the academia. He was elected as its first president. In 1985 Sylviane Agacinski gave birth to Derrida's third child, Daniel.[38]
On 8 May 1985, Derrida was elected a Foreign Honorary Member of the American Academy of Arts and Sciences, to Class IV – Humanities, Section 3 -Criticism and Philology.[39]
In 1986 Derrida became Professor of the Humanities at the University of California, Irvine, where he taught until shortly before his death in 2004. His papers were filed in the university archives. After Derrida's death, his widow and sons said they wanted copies of UCI's archives shared with the Institute of Contemporary Publishing Archives in France. The university had sued in an attempt to get manuscripts and correspondence from Derrida's widow and children that it believed the philosopher had promised to UC Irvine's collection, although it dropped the suit in 2007.[40]
Derrida was a regular visiting professor at several other major American and European universities, including Johns Hopkins University, Yale University, New York University, Stony Brook University, The New School for Social Research, and European Graduate School.[41]
He was awarded honorary doctorates by the University of Cambridge (1992), Columbia University, The New School for Social Research, the University of Essex, Katholieke Universiteit Leuven, the University of Silesia, the University of Coimbra, the University of Athens, and many others around the world. In 2001, he received the Adorno-Preis from the University of Frankfurt.
Derrida's honorary degree at Cambridge was protested by leading philosophers in the analytic tradition. Philosophers including Quine, Marcus, and Armstrong wrote a letter to the university objecting that "Derrida's work does not meet accepted standards of clarity and rigour," and "Academic status based on what seems to us to be little more than semi-intelligible attacks upon the values of reason, truth, and scholarship is not, we submit, sufficient grounds for the awarding of an honorary degree in a distinguished university".[42]
Late in his life, Derrida participated in making two biographical documentaries, D'ailleurs, Derrida (Derrida's Elsewhere) by Safaa Fathy (1999),[43] and Derrida by Kirby Dick and Amy Ziering Kofman (2002).[44]
On 19 February 2003, with the 2003 invasion of Iraq impending, moderated a debate entitled "Pourquoi La Guerre Aujourd'hui?" between Derrida and Jean Baudrillard, co-hosted by Major's Institute for Advanced Studies in Psychoanalysis and Le Monde Diplomatique. The debate discussed the relation between terrorist attacks and the invasion.[45] [46]
In June 1957, he married the psychoanalyst Marguerite Aucouturier in Boston.
Derrida was diagnosed with pancreatic cancer in 2002.He died during surgery in a hospital in Paris in the early hours of 9 October 2004.[47] [48] [49]
At the time of his death, Derrida had agreed to go for the summer to University of Heidelberg as holder of the Gadamer professorship,[50] whose invitation was expressed by the hermeneutic philosopher himself before his death. Peter Hommelhoff, Rector at Heidelberg by that time, would summarize Derrida's place as: "Beyond the boundaries of philosophy as an academic discipline he was a leading intellectual figure not only for the humanities but for the cultural perception of a whole age."[50]
See main article: Deconstruction. Derrida referred to himself as a historian.[51] He questioned assumptions of the Western philosophical tradition and also more broadly Western culture. By questioning the dominant discourses, and trying to modify them, he attempted to democratize the university scene and to politicize it.[52] Derrida called his challenge to the assumptions of Western culture "deconstruction". On some occasions, Derrida referred to deconstruction as a radicalization of a certain spirit of Marxism.[53] [54]
With his detailed readings of works from Plato to Rousseau to Heidegger, Derrida frequently argues that Western philosophy has uncritically allowed metaphorical depth models to govern its conception of language and consciousness. He sees these often unacknowledged assumptions as part of a "metaphysics of presence" to which philosophy has bound itself. This "logocentrism", Derrida argues, creates "marked" or hierarchized binary oppositions that have an effect on everything from the conception of speech's relation to writing to the understanding of racial difference. Deconstruction is an attempt to expose and undermine such "metaphysics".
Derrida approaches texts as constructed around binary oppositions which all speech has to articulate if it intends to make any sense whatsoever. This approach to text is, in a broad sense, influenced by the semiology of Ferdinand de Saussure.[55] [56] Saussure, considered to be one of the fathers of structuralism, posited that terms get their meaning in reciprocal determination with other terms inside language.[57]
Perhaps Derrida's most quoted and famous assertion,[55] which appears in an essay on Rousseau in his book Of Grammatology (1967),[58] is the statement that "there is no outside-text" (French: il n'y a pas de hors-texte).[58] Critics of Derrida have been often accused of having mistranslated the phrase in French to suggest he had written "French: Il n'y a rien en dehors du texte" ("There is nothing outside the text") and of having widely disseminated this translation to make it appear that Derrida is suggesting that nothing exists but words.[59] [60] [61] [62] Derrida once explained that this assertion "which for some has become a sort of slogan, in general so badly understood, of deconstruction ... means nothing else: there is nothing outside context. In this form, which says exactly the same thing, the formula would doubtless have been less shocking."[63] [64]
Derrida began his career examining the limits of phenomenology. His first lengthy academic manuscript, written as a dissertation for his French: diplôme d'études supérieures and submitted in 1954, concerned the work of Edmund Husserl.[65] Gary Banham has said that the dissertation is "in many respects the most ambitious of Derrida's interpretations with Husserl, not merely in terms of the number of works addressed but also in terms of the extraordinarily focused nature of its investigation."[66] In 1962 he published Edmund Husserl's Origin of Geometry: An Introduction, which contained his own translation of Husserl's essay. Many elements of Derrida's thought were already present in this work. In the interviews collected in Positions (1972), Derrida said:
Derrida first received major attention outside France with his lecture, "Structure, Sign, and Play in the Discourse of the Human Sciences," delivered at Johns Hopkins University in 1966 (and subsequently included in Writing and Difference). The conference at which this paper was delivered was concerned with structuralism, then at the peak of its influence in France, but only beginning to gain attention in the United States. Derrida differed from other participants by his lack of explicit commitment to structuralism, having already been critical of the movement. He praised the accomplishments of structuralism but also maintained reservations about its internal limitations;[67] this has led US academics to label his thought as a form of post-structuralism.[68] [69]
The effect of Derrida's paper was such that by the time the conference proceedings were published in 1970, the title of the collection had become The Structuralist Controversy. The conference was also where he met Paul de Man, who would be a close friend and source of great controversy, as well as where he first met the French psychoanalyst Jacques Lacan, with whose work Derrida had a mixed relationship.
In the early 1960s, Derrida began speaking and writing publicly, addressing the most topical debates at the time. One of these was the new and increasingly fashionable movement of structuralism, which was being widely favoured as the successor to the phenomenology approach, the latter having been started by Husserl sixty years earlier. Derrida's countercurrent take on the issue, at a prominent international conference, was so influential that it reframed the discussion from a celebration of the triumph of structuralism to a "phenomenology vs structuralism debate".
Phenomenology, as envisioned by Husserl, is a method of philosophical inquiry that rejects the rationalist bias that has dominated Western thought since Plato in favor of a method of reflective attentiveness that discloses the individual's "lived experience"; for those with a more phenomenological bent, the goal was to understand experience by comprehending and describing its genesis, the process of its emergence from an origin or event. For the structuralists, this was a false problem, and the "depth" of experience could in fact only be an effect of structures which are not themselves experiential.[70]
In that context, in 1959, Derrida asked the question: Must not structure have a genesis, and must not the origin, the point of genesis, be already structured, in order to be the genesis of something?[71] In other words, every structural or "synchronic" phenomenon has a history, and the structure cannot be understood without understanding its genesis.[72] At the same time, in order that there be movement or potential, the origin cannot be some pure unity or simplicity, but must already be articulated—complex—such that from it a "diachronic" process can emerge. This original complexity must not be understood as an original positing, but more like a default of origin, which Derrida refers to as iterability, inscription, or textuality.[73] [74] It is this thought of originary complexity that sets Derrida's work in motion, and from which all of its terms are derived, including "deconstruction".[75]
Derrida's method consisted in demonstrating the forms and varieties of this originary complexity, and their multiple consequences in many fields. He achieved this by conducting thorough, careful, sensitive, and yet transformational readings of philosophical and literary texts, to determine what aspects of those texts run counter to their apparent systematicity (structural unity) or intended sense (authorial genesis). By demonstrating the aporias and ellipses of thought, Derrida hoped to show the infinitely subtle ways in which this originary complexity, which by definition cannot ever be completely known, works its structuring and destructuring effects.[76]
Derrida's interests crossed disciplinary boundaries, and his knowledge of a wide array of diverse material was reflected in the three collections of work published in 1967: Speech and Phenomena, Of Grammatology (initially submitted as a French: [[Doctorat de spécialité]] thesis under Maurice de Gandillac),[77] and Writing and Difference.[78]
On several occasions, Derrida has acknowledged his debt to Husserl and Heidegger, and stated that without them he would not have said a single word.[79] [80] Among the questions asked in these essays are "What is 'meaning', what are its historical relationships to what is purportedly identified under the rubric 'voice' as a value of presence, presence of the object, presence of meaning to consciousness, self-presence in so called living speech and in self-consciousness?"[78] In another essay in Writing and Difference entitled "Violence and Metaphysics: An Essay on the Thought of Emmanuel Levinas", the roots of another major theme in Derrida's thought emerge: the Other as opposed to the Same[81] "Deconstructive analysis deprives the present of its prestige and exposes it to something tout autre, "wholly other", beyond what is foreseeable from the present, beyond the horizon of the "same"."[82] Other than Rousseau, Husserl, Heidegger and Levinas, these three books discussed, and/or relied upon, the works of many philosophers and authors, including linguist Saussure,[83] Hegel,[84] Foucault,[85] Bataille, Descartes, anthropologist Lévi-Strauss,[86] [87] paleontologist Leroi-Gourhan,[88] psychoanalyst Freud,[89] and writers such as Jabès[90] and Artaud.[91]
This collection of three books published in 1967 elaborated Derrida's theoretical framework. Derrida attempts to approach the very heart of the Western intellectual tradition, characterizing this tradition as "a search for a transcendental being that serves as the origin or guarantor of meaning". The attempt to "ground the meaning relations constitutive of the world in an instance that itself lies outside all relationality" was referred to by Heidegger as logocentrism, and Derrida argues that the philosophical enterprise is essentially logocentric,[92] and that this is a paradigm inherited from Judaism and Hellenism. He in turn describes logocentrism as phallocratic, patriarchal and masculinist.[93] Derrida contributed to "the understanding of certain deeply hidden philosophical presuppositions and prejudices in Western culture",[94] arguing that the whole philosophical tradition rests on arbitrary dichotomous categories (such as sacred/profane, signifier/signified, mind/body), and that any text contains implicit hierarchies, "by which an order is imposed on reality and by which a subtle repression is exercised, as these hierarchies exclude, subordinate, and hide the various potential meanings." Derrida refers to his procedure for uncovering and unsettling these dichotomies as deconstruction of Western culture.[95]
In 1968, he published his influential essay "Plato's Pharmacy" in the French journal Tel Quel.[96] [97] This essay was later collected in Dissemination, one of three books published by Derrida in 1972, along with the essay collection Margins of Philosophy and the collection of interviews entitled Positions.
Starting in 1972, Derrida produced on average more than one book per year. Derrida continued to produce important works, such as Glas (1974) and (1980).
Derrida received increasing attention in the United States after 1972, where he was a regular visiting professor and lecturer at several major American universities. In the 1980s, during the American culture wars, conservatives started a dispute over Derrida's influence and legacy upon American intellectuals, and claimed that he influenced American literary critics and theorists more than academic philosophers.[98]
On 14 March 1987, Derrida presented at the CIPH conference entitled "Heidegger: Open Questions", a lecture which was published in October 1987 as Of Spirit: Heidegger and the Question. It follows the shifting role of Geist (spirit) through Heidegger's work, noting that, in 1927, "spirit" was one of the philosophical terms that Heidegger set his sights on dismantling.[99] With his Nazi political engagement in 1933, however, Heidegger came out as a champion of the "German Spirit", and only withdrew from an exalting interpretation of the term in 1953. Derrida asks, "What of this meantime?"[100] His book connects in a number of respects with his long engagement of Heidegger (such as "The Ends of Man" in Margins of Philosophy, his Paris seminar on philosophical nationality and nationalism in the mid-1980s, and the essays published in English as Geschlecht and Geschlecht II).[101] He considers "four guiding threads" of Heideggerian philosophy that form "the knot of this Geflecht [braid]": "the question of the question", "the essence of technology", "the discourse of animality", and "epochality" or "the hidden teleology or the narrative order."[102]
Of Spirit contributes to the long debate on Heidegger's Nazism and appeared at the same time as the French publication of a book by a previously unknown Chilean writer, Victor Farías, who charged that Heidegger's philosophy amounted to a wholehearted endorsement of the Nazi Sturmabteilung (SA) faction. Derrida responded to Farías in an interview, "Heidegger, the Philosopher's Hell" and a subsequent article, "Comment donner raison? How to Concede, with Reasons?" He called Farías a weak reader of Heidegger's thought, adding that much of the evidence Farías and his supporters touted as new had long been known within the philosophical community.[103]
Some have argued that Derrida's work took a political and ethical "turn" in the 1990s. Texts cited as evidence of such a turn include Force of Law (1990), as well as Specters of Marx (1994) and Politics of Friendship (1994). Some refer to The Gift of Death as evidence that he began more directly applying deconstruction to the relationship between ethics and religion. In this work, Derrida interprets passages from the Bible, particularly on Abraham and the Sacrifice of Isaac,[104] [105] and from Søren Kierkegaard's Fear and Trembling.
However, scholars such as Leonard Lawlor, Robert Magliola, and Nicole Anderson have argued that the "turn" has been exaggerated.[106] Some, including Derrida himself, have argued that much of the philosophical work done in his "political turn" can be dated to earlier essays.[107]
Derrida develops an ethicist view respecting to hospitality, exploring the idea that two types of hospitalities exist, conditional and unconditional. Though this contributed to the works of many scholars, Derrida was seriously criticized for this.[108] [109] [110]
Derrida's contemporary readings of Emmanuel Levinas, Walter Benjamin, Carl Schmitt, Jan Patočka, on themes such as law, justice, responsibility, and friendship, had a significant impact on fields beyond philosophy. Derrida and Deconstruction influenced aesthetics, literary criticism, architecture, film theory, anthropology, sociology, historiography, law, psychoanalysis, theology, feminism, gay and lesbian studies and political theory. Jean-Luc Nancy, Richard Rorty, Geoffrey Hartman, Harold Bloom, Rosalind Krauss, Hélène Cixous, Julia Kristeva, Duncan Kennedy, Gary Peller, Drucilla Cornell, Alan Hunt, Hayden White, Mario Kopić, and Alun Munslow are some of the authors who have been influenced by deconstruction.
Derrida delivered a eulogy at Levinas' funeral, later published as Adieu à Emmanuel Lévinas, an appreciation and exploration of Levinas's moral philosophy. Derrida used Bracha L. Ettinger's interpretation of Lévinas' notion of femininity and transformed his own earlier reading of this subject respectively.[111]
Derrida continued to produce readings of literature, writing extensively on Maurice Blanchot, Paul Celan, and others.
In 1991 he published The Other Heading, in which he discussed the concept of identity (as in cultural identity, European identity, and national identity), in the name of which in Europe have been unleashed "the worst violences," "the crimes of xenophobia, racism, anti-Semitism, religious or nationalist fanaticism."[112]
At the 1997 Cerisy Conference, Derrida delivered a ten-hour address on the subject of "the autobiographical animal" entitled The Animal That Therefore I Am (More To Follow). Engaging with questions surrounding the ontology of nonhuman animals, the ethics of animal slaughter and the difference between humans and other animals, the address has been seen as initiating a late "animal turn" in Derrida's philosophy, although Derrida himself has said that his interest in animals is present in his earliest writings.[113]
Beginning with "The Deaths of Roland Barthes" in 1981, Derrida produced a series of texts on mourning and memory occasioned by the loss of his friends and colleagues, many of them new engagements with their work. Memoires for Paul de Man, a book-length lecture series presented first at Yale and then at Irvine as Derrida's Wellek Lecture, followed in 1986, with a revision in 1989 that included "Like the Sound of the Sea Deep Within a Shell: Paul de Man's War". Ultimately, fourteen essays were collected into The Work of Mourning (2001), which was expanded in the 2003 French edition, Chaque fois unique, la fin du monde (literally, "Unique each time, the end of the world"), to include essays dedicated to Gérard Granel and Maurice Blanchot.
In October 2002, at the theatrical opening of the film Derrida, he said that, in many ways, he felt more and more close to Guy Debord's work, and that this closeness appears in Derrida's texts. Derrida mentioned, in particular, "everything I say about the media, technology, the spectacle, and the 'criticism of the show', so to speak, and the markets – the becoming-a-spectacle of everything, and the exploitation of the spectacle."[114] Among the places in which Derrida mentions the Spectacle, is a 1997 interview about the notion of the intellectual.[115]
Derrida engaged with a variety of political issues, movements, and debates throughout his career. In 1968, he participated in the May 68 protests in France and met frequently with Maurice Blanchot.[116] However, he expressed concerns about the "cult of spontaneity" and anti-unionist euphoria that he observed.[117] He also registered his objections to the Vietnam War in a lecture he gave in the United States. Derrida signed a petition against age of consent laws in 1977,[118] and in 1981 he founded the French Jan Hus association to support dissident Czech intellectuals.[119]
In 1981, Derrida was arrested by the Czechoslovakian government for leading a conference without authorization and charged with drug trafficking, although he claimed the drugs were planted on him. He was released with the help of the Mitterrand government and Michel Foucault.[120] Derrida was an advocate for nuclear disarmament,[121] protested against apartheid in South Africa, and met with Palestinian intellectuals during a visit to Jerusalem in 1988. He also opposed capital punishment and was involved in the campaign to free Mumia Abu-Jamal.
Although Derrida was not associated with any political party until 1995, he supported the Socialist candidacy of Lionel Jospin, despite misgivings about such organizations.[122] In the 2002 French presidential election, he refused to vote in the run-off election between far-right candidate Jean-Marie Le Pen and center-right Jacques Chirac, citing a lack of acceptable choices.[123] Derrida opposed the 2003 invasion of Iraq and was engaged in rethinking politics and the political itself within and beyond philosophy. He focused on understanding the political implications of notions such as responsibility, reason of state, decision, sovereignty, and democracy. By 2000, he was theorizing "democracy to come" and thinking about the limitations of existing democracies.
Crucial readings in his adolescence were Rousseau's Reveries of a Solitary Walker and Confessions, André Gide's journal, La porte étroite, Les nourritures terrestres and The Immoralist; and the works of Friedrich Nietzsche.[124] The phrase Families, I hate you! in particular, which inspired Derrida as an adolescent, is a famous verse from Gide's Les nourritures terrestres, book IV.[125] In a 1991 interview Derrida commented on a similar verse, also from book IV of the same Gide work: "I hated the homes, the families, all the places where man thinks he'll find rest" (Je haïssais les foyers, les familles, tous lieux où l'homme pense trouver un repos).[126]
Other influences upon Derrida are Martin Heidegger,[79] [80] Plato, Søren Kierkegaard, Alexandre Kojève, Maurice Blanchot, Antonin Artaud, Roland Barthes, Georges Bataille, Edmund Husserl, Emmanuel Lévinas, Ferdinand de Saussure, Sigmund Freud, Karl Marx, Claude Lévi-Strauss, James Joyce, Samuel Beckett, J. L. Austin[127] and Stéphane Mallarmé.[128]
His book, Adieu à Emmanuel Lévinas, reveals his mentorship by this philosopher and Talmudic scholar who practiced the phenomenological encounter with the Other in the form of the Face, which commanded human response.[129] The use of deconstruction to read Jewish texts – like the Talmud – is relatively rare but has recently been attempted.[130]
Derrida's philosophical friends, allies, students and the heirs of Derrida's thought include Paul de Man, Jean-François Lyotard, Michel Foucault, Louis Althusser, Emmanuel Levinas, Maurice Blanchot, Gilles Deleuze, Jean-Luc Nancy, Philippe Lacoue-Labarthe, Sarah Kofman, Hélène Cixous, Bernard Stiegler, Alexander García Düttmann, Joseph Cohen, Geoffrey Bennington, Jean-Luc Marion, Gayatri Chakravorty Spivak, Raphael Zagury-Orly, Jacques Ehrmann, Avital Ronell, Judith Butler, Béatrice Galinon-Mélénec, Ernesto Laclau, Samuel Weber, Catherine Malabou, and Claudette Sartiliot.
Jean-Luc Nancy and Philippe Lacoue-Labarthe were among Derrida's first students in France and went on to become well-known and important philosophers in their own right. Despite their considerable differences of subject, and often also of a method, they continued their close interaction with each other and with Derrida, from the early 1970s.
Derrida wrote on both of them, including a long book on Nancy: Le Toucher, Jean-Luc Nancy (On Touching—Jean-Luc Nancy, 2005).
See main article: Paul de Man.
Derrida's most prominent friendship in intellectual life was with Paul de Man, which began with their meeting at Johns Hopkins University and continued until de Man's death in 1983. De Man provided a somewhat different approach to deconstruction, and his readings of literary and philosophical texts were crucial in the training of a generation of readers.
Shortly after de Man's death, Derrida wrote the book Memoires: pour Paul de Man and in 1988 wrote an article in the journal Critical Inquiry called "Like the Sound of the Sea Deep Within a Shell: Paul de Man's War". The memoir became cause for controversy, because shortly before Derrida published his piece, it had been discovered by the Belgian literary critic Ortwin de Graef that long before his academic career in the US, de Man had written almost two hundred essays in a pro-Nazi newspaper during the German occupation of Belgium, including several that were explicitly antisemitic.
Critics of Derrida have argued that he minimizes the antisemitic character of de Man's writing. Some critics have found Derrida's treatment of this issue surprising, given that, for example, Derrida also spoke out against antisemitism and, in the 1960s, broke with the Heidegger disciple Jean Beaufret over Beaufret's instances of antisemitism, about which Derrida (and, after him, Maurice Blanchot) expressed shock.
Derrida's criticism of Foucault appears in the essay Cogito and the History of Madness (from Writing and Difference). It was first given as a lecture on 4 March 1963, at a conference at Wahl's Collège philosophique, which Foucault attended, and caused a rift between the two men that was never fully mended.[131]
In an appendix added to the 1972 edition of his History of Madness, Foucault disputed Derrida's interpretation of his work, and accused Derrida of practicing "a historically well-determined little pedagogy [...] which teaches the student that there is nothing outside the text [...]. A pedagogy which inversely gives to the voice of the masters that infinite sovereignty that allows it indefinitely to re-say the text."[132] According to historian Carlo Ginzburg, Foucault may have written The Order of Things (1966) and The Archaeology of Knowledge partly under the stimulus of Derrida's criticism.[133] Carlo Ginzburg briefly labeled Derrida's criticism in Cogito and the History of Madness, as "facile, nihilistic objections," without giving further argumentation.[133]
Geoffrey Bennington, Avital Ronell and Samuel Weber belong to a group of Derrida translators. Many of Derrida's translators are esteemed thinkers in their own right. Derrida often worked in a collaborative arrangement, allowing his prolific output to be translated into English in a timely fashion.
Having started as a student of de Man, Gayatri Spivak took on the translation of Of Grammatology early in her career and has since revised it into a second edition. Barbara Johnson's translation of Derrida's Dissemination was published by The Athlone Press in 1981. Alan Bass was responsible for several early translations; Bennington and Peggy Kamuf have continued to produce translations of his work for nearly twenty years. In recent years, a number of translations have appeared by Michael Naas (also a Derrida scholar) and Pascale-Anne Brault.
Bennington, Brault, Kamuf, Naas, Elizabeth Rottenberg, and David Wills are currently engaged in translating Derrida's previously unpublished seminars, which span from 1959 to 2003.[134] Volumes I and II of The Beast and the Sovereign (presenting Derrida's seminars from 12 December 2001 to 27 March 2002 and from 11 December 2002 to 26 March 2003), as well as The Death Penalty, Volume I (covering 8 December 1999 to 22 March 2000), have appeared in English translation. Further volumes currently projected for the series include Heidegger: The Question of Being and History (1964–1965), Death Penalty, Volume II (2000–2001), Perjury and Pardon, Volume I (1997–1998), and Perjury and Pardon, Volume II (1998–1999).[135]
With Bennington, Derrida undertook the challenge published as Jacques Derrida, an arrangement in which Bennington attempted to provide a systematic explication of Derrida's work (called the "Derridabase") using the top two-thirds of every page, while Derrida was given the finished copy of every Bennington chapter and the bottom third of every page in which to show how deconstruction exceeded Bennington's account (this was called the "Circumfession"). Derrida seems to have viewed Bennington in particular as a kind of rabbinical explicator, noting at the end of the "Applied Derrida" conference, held at the University of Luton in 1995 that: "everything has been said and, as usual, Geoff Bennington has said everything before I have even opened my mouth. I have the challenge of trying to be unpredictable after him, which is impossible... so I'll try to pretend to be unpredictable after Geoff. Once again."[136]
Derrida was familiar with the work of Marshall McLuhan, and since his early 1967 writings (Of Grammatology, Speech and Phenomena), he speaks of language as a "medium,"[137] of phonetic writing as "the medium of the great metaphysical, scientific, technical, and economic adventure of the West."[138]
He expressed his disagreement with McLuhan in regard to what Derrida called McLuhan's ideology about the end of writing.[139] In a 1982 interview, he said:
And in his 1972 essay Signature Event Context he said:
Derrida had a direct impact on the theories and practices of influential architects Peter Eisenman and Bernard Tschumi towards the end of the twentieth century. Derrida impacted a project that was theorized by Eisenman in Chora L Works: Jacques Derrida and Peter Eisenman.[140] This design was architecturally conceived by Tschumi for the Parc de la Villette in Paris, which included a sieve, or harp-like structure that Derrida envisaged as a physical metaphor for the receptacle-like properties of the khôra. Moreover, Derrida's commentaries on Plato's notion of khôra (χώρα) as set in the Timaeus (48e4) received later reflections in the philosophical works and architectural writings of the philosopher-architect Nader El-Bizri within the domain of phenomenology.
Derrida used "χώρα" to name a radical otherness that "gives place" for being. El-Bizri built on this by more narrowly taking khôra to name the radical happening of an ontological difference between being and beings.[141] El-Bizri's reflections on "khôra" are taken as a basis for tackling the meditations on dwelling and on being and space in Heidegger's thought and the critical conceptions of space and place as they evolved in architectural theory (and its strands in phenomenological thinking),[142] and in history of philosophy and science, with a focus on geometry and optics.[143] This also describes El-Bizri's take on "econtology" as an extension of Heidegger's consideration of the question of being (Seinsfrage) by way of the fourfold (Das Geviert) of earth-sky-mortals-divinities (Erde und Himmel, Sterblichen und Göttlichen); and as also impacted by his own meditations on Derrida's take on "χώρα". Ecology is hence co-entangled with ontology, whereby the worldly existential analytics are grounded in earthiness, and environmentalism is orientated by ontological thinking[144] [145] [146] Derrida argued that the subjectile is like Plato's khôra, Greek for space, receptacle or site. Plato proposes that khôra rests between the sensible and the intelligible, through which everything passes but in which nothing is retained. For example, an image needs to be held by something, just as a mirror will hold a reflection. For Derrida, khôra defies attempts at naming or the either/or logic, which he "deconstructed".
In a paper entitled Ghostwriting,[147] Gayatri Chakravorty Spivak—the translator of Derrida's De la grammatologie (Of Grammatology) into English—criticised Derrida's understanding of Marx.[148] Commenting on Derrida's Specters of Marx, Terry Eagleton wrote "The portentousness is ingrained in the very letter of this book, as one theatrically inflected rhetorical question tumbles hard on the heels of another in a tiresomely mannered syntax which lays itself wide open to parody."[149]
Though Derrida addressed the American Philosophical Association on at least one occasion in 1988,[150] and was highly regarded by some contemporary philosophers like Richard Rorty, Alexander Nehamas,[151] and Stanley Cavell, his work has been regarded by other analytic philosophers, such as John Searle and Willard Van Orman Quine,[152] as pseudophilosophy or sophistry.
Some analytic philosophers have in fact claimed, since at least the 1980s, that Derrida's work is "not philosophy". One of the main arguments they gave was alleging that Derrida's influence had not been on US philosophy departments but on literature and other humanities disciplines.[98]
In his 1989 Contingency, Irony, and Solidarity, Richard Rorty argues that Derrida (especially in his book, , one section of which is an experiment in fiction) purposefully uses words that cannot be defined (e.g., différance), and uses previously definable words in contexts diverse enough to make understanding impossible, so that the reader will never be able to contextualize Derrida's literary self. Rorty, however, argues that this intentional obfuscation is philosophically grounded. In garbling his message Derrida is attempting to escape the naïve, positive metaphysical projects of his predecessors.[153]
Roger Scruton wrote in 2004, "He's difficult to summarise because it's nonsense. He argues that the meaning of a sign is never revealed in the sign but deferred indefinitely and that a sign only means something by virtue of its difference from something else. For Derrida, there is no such thing as meaning – it always eludes us and therefore anything goes."[154]
On Derrida's scholarship and writing style, Noam Chomsky wrote "I found the scholarship appalling, based on pathetic misreading; and the argument, such as it was, failed to come close to the kinds of standards I've been familiar with since virtually childhood. Well, maybe I missed something: could be, but suspicions remain, as noted."[155]
Paul R. Gross and Norman Levitt also criticized his work for misusing scientific terms and concepts in (1994).[156]
Three quarrels (or disputes) in particular went out of academic circles and received international mass media coverage: the 1972–88 quarrel with John Searle, the analytic philosophers' pressures on Cambridge University not to award Derrida an honorary degree, and a dispute with Richard Wolin and the NYRB.
See main article: Searle–Derrida debate.
In 1992 some academics at Cambridge University, mostly not from the philosophy faculty, proposed that Derrida be awarded an honorary doctorate. This was opposed by, among others, the university's Professor of Philosophy Hugh Mellor. Eighteen other philosophers from US, Austrian, Australian, French, Polish, Italian, German, Dutch, Swiss, Spanish, and British institutions, including Barry Smith, Willard Van Orman Quine, David Armstrong, Ruth Barcan Marcus, and René Thom, then sent a letter to Cambridge claiming that Derrida's work "does not meet accepted standards of clarity and rigour" and describing Derrida's philosophy as being composed of "tricks and gimmicks similar to those of the Dadaists". The letter concluded that:
In the end the protesters were outnumbered—336 votes to 204—when Cambridge put the motion to a formal ballot;[157] though almost all of those who proposed Derrida and who voted in favour were not from the philosophy faculty.[158] Hugh Mellor continued to find the award undeserved, explaining: "He is a mediocre, unoriginal philosopher — he is not even interestingly bad".[159]
Derrida suggested in an interview that part of the reason for the attacks on his work was that it questioned and modified "the rules of the dominant discourse, it tries to politicize and democratize education and the university scene". To answer a question about the "exceptional violence", the compulsive "ferocity", and the "exaggeration" of the "attacks", he would say that these critics organize and practice in his case "a sort of obsessive personality cult that philosophers should know how to question and above all to moderate".[160]
Richard Wolin has argued since 1991 that Derrida's work, as well as that of Derrida's major inspirations (e.g., Bataille, Blanchot, Levinas, Heidegger, Nietzsche), leads to a corrosive nihilism. For example, Wolin argues that the "deconstructive gesture of overturning and reinscription ends up by threatening to efface many of the essential differences between Nazism and non-Nazism".[161]
In 1991, when Wolin published a Derrida interview on Heidegger in the first edition of The Heidegger Controversy, Derrida argued that the interview was an intentionally malicious mistranslation, which was "demonstrably execrable" and "weak, simplistic, and compulsively aggressive". As French law requires the consent of an author to translations and this consent was not given, Derrida insisted that the interview not appear in any subsequent editions or reprints. Columbia University Press subsequently refused to offer reprints or new editions. Later editions of The Heidegger Controversy by MIT Press also omitted the Derrida interview. The matter achieved public exposure owing to a friendly review of Wolin's book by the Heideggerian scholar Thomas Sheehan that appeared in The New York Review of Books, in which Sheehan characterised Derrida's protests as an imposition of censorship. It was followed by an exchange of letters.[162] Derrida in turn responded to Sheehan and Wolin, in "The Work of Intellectuals and the Press (The Bad Example: How the New York Review of Books and Company do Business)", which was published in the book Points....[163]
Twenty-four academics, belonging to different schools and groups – often in disagreement with each other and with deconstruction – signed a letter addressed to The New York Review of Books, in which they expressed their indignation for the magazine's behaviour as well as that of Sheenan and Wolin.[164]
Critical obituaries of Derrida were published in The New York Times,[48] The Economist,[165] and The Independent.[166] The magazine The Nation responded to the New York Times obituary saying that "even though American papers had scorned and trivialized Derrida before, the tone seemed particularly caustic".[167] [168] A second obituary by deconstruction scholar and Derrida's friend Mark C. Taylor was published by the Times a few days after the first one.[169]
See main article: Jacques Derrida bibliography.
Between these two papers is staked Derrida's philosophical ground, if not indeed his step beyond or outside philosophy.
And note that this complexity of the origin is thus not only spatial but temporal, which is why différance is a matter not only of difference, but of delay or deferral. One way in which this question is raised in relation to Husserl is thus the question of the possibility of a phenomenology of history, which Derrida raises in Edmund Husserl's Origin of Geometry: An Introduction (1962).