Der Ararat Explained
| Publisher: | Goltzverlag |
| Founded: | 1918 |
| Finaldate: | 1921 |
| Country: | Germany |
| Based: | Munich |
| Language: | German |
Der Ararat was a Dadaist magazine published in Munich between 1918 and 1921. Its subtitle was Glossen, Skizzen und Notizen zur Neuen Kunst (German: Glosses, sketches and notes on new art).[1]
History and profile
Der Ararat was started in 1918. Its owner was Hans Goltz. The magazine was published by Goltzverlag based in Munich.[1] It focused on politics until December 1919 and then, featured articles on new art.[2]
Der Ararat covered discussions and reviews of Dadaist art. Konstantin Umansky, a Soviet art critic, published articles in Der Ararat one of which was about Vladimir Tatlin’s art.[3] [4] The magazine folded in 1921.[5]
Some issues of Der Ararat were archived by the University of Iowa.[5]
Notes and References
- Web site: Der Ararat. de. kunsthaus.ch. 3 October 2023.
- Metaphysical Masterpieces 1916–1920: Morandi, Sironi, and Carrà. Italian Modern Art. July 2020. 4. Carlotta Castellani.
- "Chiriko wird Akademikprofessor": Expectations, Misunderstandings, and Appropriations of Pittura Metafisica Among the 1920s European Avant-Garde. Italian Modern Art. July 2020. Maria Elena Versari. 4.
- Katharina Hoins. Johannes Baader’s Postwar Plasto-Dio-Dada-Drama and German War Exhibitions during World War I. Dada/Surrealism. 21. July 2017. 10.17077/0084-9537.1336. 12. free.
- Web site: Der Ararat. sdrc.lib.uiowa.edu. 3 October 2023.
