| Deftones | |
| Type: | studio |
| Artist: | Deftones |
| Cover: | Deftones-selftitled albumcover.jpg |
| Recorded: | March–October 2002 |
| Length: | 47:09 |
| Label: | Maverick |
| Producer: | Terry Date |
| Prev Title: | White Pony |
| Prev Year: | 2000 |
| Next Title: | B-Sides & Rarities |
| Next Year: | 2005 |
Deftones is the fourth studio album by the American alternative metal band Deftones, released on May 20, 2003, by Maverick Records. The album features a strong change in musical direction from the band's previous albums, ranging from some of their heavier compositions to moody trip hop and shoegaze influences. It was also the band's last release to be produced by Terry Date until Ohms in 2020.
Originally titled Lovers, the album was instead given an eponymous title because singer Chino Moreno considered Lovers too obvious in relation to the context of its material (the former title song "Lovers" did appear as a b-side on the UK "Hexagram" single). Terry Date was frustrated by the very slow pace of the band working in the studio.
Deftones is an eclectic album, with songs spanning many different ideas in diverse genres. It has a much different feel than prior efforts, due in small part to Frank Delgado leaving his turntables behind and instead focusing on playing keyboards and synthesizers for a majority of the songs. Most of the album's songs make extensive use of the band's low G# tuning, resulting in some of the heaviest songs in the band's catalog. On the other hand, the track "Lucky You" is a dark, soft, trip hop-influenced piece featuring DJ Crook from Moreno's side project Team Sleep and vocalist Rey Osburn of Tinfed. A grand piano and toy piano were featured in the mournful "Anniversary of an Uninteresting Event."
In addition to trip hop influences, significant shoegaze elements have been noted on the album, especially in regards to the song "Minerva".[1] [2] [3]
Deftones produced two singles, "Minerva" and "Hexagram." Music videos were shot for both singles as well as the track "Bloody Cape", which was also intended to be a single, but was released in limited editions for promotional purposes only.[4] The latter's video was only available on the band's official website for one day, but was later released on the DVD portion of the band's B-Sides & Rarities. As the lead single, "Minerva" featured a melodic, commercially viable sound and gained strong rotation on mainstream rock video programming. In contrast, the heavier, more abrasive sound of "Hexagram" landed it on metal-themed shows such as Uranium and Headbangers Ball.
"Battle-Axe" was featured in the video game Ghost Recon Advanced Warfighter 2, while "Minerva" was featured in , NHL 2004, House of Wax, and also as downloadable content for the Rock Band series.
Deftones received an aggregate rating of 74 on Metacritic, which indicated generally positive reviews.[5] However, the album was not as well received as its predecessor White Pony, and, at the time of its release, it received some reviews ranging from marginal to negative from critics. Upon its release, Stephen Thomas Erlewine of AllMusic described the album as a disappointment compared to the rest of the band's catalogue.
Q praised the album, giving it 4.5 out of 5 stars, stating, "In a genre considered creatively bankrupt, this is genuinely new metal". Rolling Stone stated, "This is metal that crushes, then soothes; collapses, then soars... Deftones just blow open the possibilities".
In 2016, Jonathan Dick of NPR Music retrospectively noted the album's "trip-hop nuances" and included the album as an example of Deftones' varied catalogue, stating that "Deftones' catalogue reads like a case study in how a band can translate influences into a sound that's definitively their own."[6] The track "Minerva" was placed at spot number 12 in Consequence of Sounds article "The Top 20 Deftones Song," with Jon Hadusek claiming that "[in] a way, Deftones brought shoegaze to the alternative metal mainstream with 'Minerva', a crushingly heavy, textured jam indebted to Siamese Dream-era Smashing Pumpkins and Hum [...]" Hadusek further stated that the track was "far-and-away the best track" of the self-titled album and that the track "hints at the dreamier directions" that Deftones would continue to explore.[1]
The A.V. Club gave the album a moderate score but criticized the band for returning to their heavy style, instead of the more soft and artistic style of its predecessor, White Pony.[7]
Spin also gave the album a marginal score, but complained about the album's notable darkness, saying, "On their fourth album, Deftones are sad as hell, and they're not gonna take it anymore; this is less an 11-song album than a single long-form mope".
Pitchfork reacted negatively to the album, describing the album as pretentious and as a bizarre departure from their previous work, claiming "Deftones sounds more like a band in the throws of a mid-life crisis than a group of musicians that could be called the 'Radiohead of Metal'. This is music on the fence-post of popular pining and dulled experimentation, an anachronistic addition to an otherwise respectable discography, and it will be remembered as such."[8]
Playlouder gave the album a negative review, criticizing the album's droning melodic songwriting structures, proclaiming: "it's why this album almost completely fails to deliver on that promise. When Chino's not screaming, he's generally busy turning 'Deftones' into 'Tonedef', improvising a series of randomly-pitched moans which seem never to have shared so much as a rehearsal room with their generic metal backing, let alone a chord sequence."
During a 2020 interview with Metal Injection, frontman Chino Moreno expressed his dissatisfaction of the album for both personal and musical reasons.[9]
Deftones debuted at No. 2 on the Billboard 200, behind Staind's 14 Shades of Grey, one spot higher than its predecessor. The album also debuted at No. 1 on the Canadian Albums Chart, selling 10,700 copies in its first week of release in Canada.[10] The album sold 167,000 copies in its first week of release in America, outselling the previous album. Despite the strong initial sales; the album quickly failed to match overall sales of White Pony outside of its first month; with the band's label describing it as a commercial disappointment.[11] [12] The album was certified gold by the RIAA on July 7, 2003.[13] To date, it was the highest-charting debut for any album by the band, Deftones would manage to sell over 492,000 copies in the U.S. by 2005.[14]
Deftones
Additional personnel
Production
| Year | Single | Peak position | ||
|---|---|---|---|---|
| US Alt. [16] | US Main. [17] | UK [18] | ||
| 2003 | "Minerva" | 9 | 16 | 15 |
| "Hexagram" | — | — | 68 | |