Deborah Dancy Explained
Deborah Dancy |
Birth Place: | Bessemer, Alabama |
Nationality: | American |
Known For: | Painting, drawing, printmaking, photography, artist's books |
Training: | Illinois Wesleyan University, Bloomington, Ill. - BFA (1973); Illinois State University, Normal, Ill. - MS in Printmaking (1976), MFA in Painting (1979) |
Movement: | Contemporary art, abstract art |
Awards: | 1985 - YADDO Fellowship 1997 - John Simon Guggenheim Foundation Fellowship |
Deborah Dancy, also known as Deborah Muirhead[1] (born 1949),[2] is an American painter of large-scale abstractions in oil; she is also a printmaker and mixed media artist.[3] Her work is also known to encompass digital photography. In 1981, she began to teach at the University of Connecticut, Storrs, where she taught painting for thirty-five years until her retirement in 2017.[4] [5] She has received awards such as a John Simon Guggenheim Foundation Fellowship, Women’s Studio Workshop Studio Residency Grant, and a YADDO fellowship.
Early life and education
Dancy was born in 1949 in Bessemer, Alabama. She was born into an African American family who treasured their heritage and ancestry. Dancy received her BFA from Illinois Wesleyan University in 1973, as well as an MS in printmaking and MFA in painting from Illinois State University in 1976 and 1979, respectively.
Career
Her painting "Seed Travel" appeared in the Stamford Museum and Nature Center.[6] Dancy taught painting at the University of Connecticut, Storrs for thirty-five years before retiring in 2017.
Dancy’s works are in the permanent collections of numerous galleries and academic institutions, some of which include the Museum of Fine Arts Boston, the Birmingham Museum of Art in Alabama, and the Baltimore Museum of Art. Dancy was also nominated for a Connecticut Children's Book Award for Illustration for The Freedom Business as an illustrator and co-author.[7]
Deborah Dancy was the art director and the illustrator of The Freedom Business, a book by her friend, Marilyn Nelson.[8]
Public collections
- Allen Memorial Art Museum,[9] Oberlin College, Oberlin, Ohio
- Baltimore Museum of Art
- Birmingham Museum of Art, Birmingham, Ala.
- Cedar Rapids Museum of Art, Cedar Rapids, Iowa
- Columbia Museum of Art, Columbia, S.C.
- Davison Art Center,[10] Wesleyan University, Middletown, Conn.
- Detroit Institute of Arts[11]
- Figge Art Museum, Davenport, Iowa
- Fine Art Museum, Bardo Arts Center, Western Carolina University, Cullowhee, N.C.
- Fine Arts Museum,[12] Vanderbilt University, Nashville, Tenn.
- Grinnell College, Grinnell, Iowa
- Hunter Museum of American Art, Chattanooga, Tenn.
- Kemper Museum of Contemporary Art, Kansas City, Mo.
- Mead Art Museum, Amherst College, Amherst, Mass.
- Montgomery Museum of Fine Arts, Montgomery, Ala.
- Museum of Fine Arts, Boston
- Samek Art Gallery, Bucknell University, Lewisburg, Penn.
- Raclin Murphy Museum of Art, University of Notre Dame, Notre Dame, Ind.
- Spencer Museum of Art,[13] University of Kansas, Lawrence, Kans.
- United States Embassy, Yaoundé, Cameroon
Awards and honors
Bibliography
- Armstrong, Kathleen, et al. “Children's Literature Reviews: 2008 Poetry Notables.” Language Arts, vol. 86, no. 6, 2009, pp. 468–472. JSTOR
- “Book Design, Digital Imaging and Photography.” Clarellen, Clarellen and Cary Graphic Arts Press, New York, 2001[17]
- Danza, Emmie. “Deborah Dancy, Chasing the Light.” Gallery Artist Deborah Dancy Reviewed on The Drawing Center Column, "Annotations.", The Drawing Center, 27 June 2013
- Edwards, Jeff. “‘It’s a Constant Struggle to Keep the ‘Thingness’ at Bay’: An Interview with Deborah Dancy.” Artpulse, 2015[18]
- “Front Matter.” African American Review, vol. 41, no. 3, 2007 [19]
- “Flatfile Collection, Queen Bea.” Artspace New Haven. 2016[20]
- King, Leslie. “Gumbo Ya Ya : Anthology of Contemporary African-American Women Artists.” Hathi Trust Digital Library, Midmarch Arts Press, 1995[21]
- McNALLY, OWEN. “Painter Muirhead peers through a history, darkly.” Courant.com, Hartford Courant, 13 Sept. 2018
- Mercer, Valerie J., et al. “Examining Identities.” Bulletin of the Detroit Institute of Arts, vol. 86, no. 1/4, 2012, pp. 66–87. JSTOR, www.jstor.org/stable/43492326.
- Mobilio, Albert. “The Bookness of Not-Books: Modern and Contemporary Artists' Books,” The Paris Review, 22 Jun 2017[22]
- Nelson, Marilyn. “The Freedom Business (Ca. 1790).” Venture Smith and the Business of Slavery and Freedom, edited by James Brewer Stewart. by James O. Horton, University of Massachusetts Press, 2010, pp. 257–258. JSTOR, www.jstor.org/stable/j.ctt5vk4gq.16.[23]
- Perosino, Bruno. “Marking 35 Years: The Work of Deborah Dancy.” The William Benton Museum of Art, 18 Jul 2017[24]
- Raynor, Vivian. “Spirit in the Wood/Paint.” The New York Times, Sunday, 26 Feb 1989
- Raynor, Vivian, “Stamford Museum.” The New York Times, Sunday: 2 May 1989
- Robert, Kiener. “In Works with a Visceral, Spontaneous Feel, Deborah Dancy Explores the Amorphous Zone between Abstraction and Representation.” New England Home Magazine,
- Robin Kahn. ROBIN KAHN, 1 Jan 1970.
- Rosoff, Patricia. “Small Vistas, The 10-Year Show at 100 Pearl.” Hartford Advocate, 15 Jul 2004.
- Zimmer, William. “ART; A Glimpse of Contemporary Taste.” The New York Times, The New York Times, 25 Feb 1996.
- Zimmer, William. “Connecticut Biennial.” The New York Times, 14 Apr 1991.[25]
Notes and References
- Web site: Deborah Dancy. 2016. N'Namdi Contemporary Miami.
- Web site: Sarah - Deborah Muirhead. Birmingham Museum of Art. July 13, 2022 .
- Web site: Untitled. December 23, 2018. Museum of Fine Arts Boston.
- Mercer. Valerie J.. etal. Examining Identities. Bulletin of the Detroit Institute of Arts. 86. 1. 66–87. 43492326. 2012. 10.1086/DIA43492326. 222812759.
- Web site: Marking 35 Years: The Work of Deborah Dancy | The William Benton Museum of Art. Perosino. Bruno. July 18, 2017.
- News: In Stamford Exhibit, Art Imitates Life. Raynor. Vivian. May 21, 1989. The New York Times.
- Lindsay . Nina . The Freedom Business . School Library Journal . 54 . 10 . October 2008 . 173 .
- Web site: A conversation with Marilyn Nelson.
- Web site: Document. Allen Memorial Art Museum. March 27, 2019. March 27, 2019. https://web.archive.org/web/20190327011252/http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/769. dead.
- Web site: DAC Collection Object Information: Nameless - Deborah Muirhead . Wesleyan University - Davison Art Center . March 27, 2019 . March 27, 2019 . https://web.archive.org/web/20190327123041/http://dac-collection.wesleyan.edu/Obj10094?sid=63331&x=32987066&sort=7 . dead .
- Web site: Document, 2002. Detroit Institute of Arts.
- Web site: American Art. Fine Arts Gallery - Vanderbilt University - College of Arts and Sciences.
- Web site: Welcome to the Spencer Collection. Spencer Museum of Art.
- Web site: Deborah Dancy. Women's Studio Workshop. en-US.
- Web site: Present and Former Creative and Performing Artist and Writer Fellows . American Antiquarian Society. January 15, 2013 .
- Web site: Deborah Dancy. John Simon Guggenheim Memorial Foundation.
- Web site: Clarellen - Digital Book Design and Publishing. www.clarellen.com. 2019-04-01.
- Web site: Archived copy . April 1, 2019 . April 1, 2019 . https://web.archive.org/web/20190401223304/https://art.uconn.edu/wp-content/uploads/sites/1528/2016/02/DEBORAH-DANCY.pdf . dead .
- 3042351. Front Matter. African American Review. 30. 2. 161–164. 1996.
- Web site: Deborah Dancy. Artspace New Haven. en-US. 2019-04-01. April 1, 2019. https://web.archive.org/web/20190401205930/https://artspacenewhaven.org/flatfiles/deborah-dancy/. dead.
- jstor. Art Journal. 54. 3. 102–107. 777610. Morgan. Ann Lee. 1995.
- Web site: The Bookness of Not-Books. Mobilio. Albert. 2017-06-22. The Paris Review. en. 2019-04-01.
- Book: the freedom business.
- Web site: Marking 35 Years: The Work of Deborah Dancy The William Benton Museum of Art. Perosino. Bruno. 2017-07-18. en-US. 2019-04-01.
- Book: Connecticut Biennial. December 19, 2013. 9781135638825. Heller. Jules. Heller. Nancy G.. Routledge .