| Caro diario | |
| Director: | Nanni Moretti |
| Producer: | Angelo Barbagallo Nanni Moretti |
| Starring: | Nanni Moretti Renato Carpentieri Antonio Neiwiller |
| Music: | Nicola Piovani |
| Cinematography: | Giuseppe Lanci |
| Editing: | Mirco Garrone |
| Studio: | Sacher Film Banfilm La Sept Cinéma |
| Distributor: | Lucky Red (Italy) BAC Films (France) |
| Runtime: | 100 minutes |
| Country: | Italy France |
| Language: | Italian |
| Gross: | L8.3 billion (Italy)[1] |
Caro diario is a 1993 Italian-French semi-autobiographical comedy film written, directed and co-produced by Nanni Moretti, who also stars as himself. The film is structured in three anthological episodes, presented as the chapters of Moretti's open diary, in which he describes his thoughts about various slice of life situations.
The film was selected to compete for the Palme d'Or at the 1994 Cannes Film Festival, where Moretti won the Best Director Award.
Putting the hot Roman summer to good use, Nanni Moretti dedicates himself to his favorite hobby, riding his Vespa through the streets of the half-deserted city. Here, Moretti lets the landscape inspire his thoughts: he laments the banalization of politics in contemporary Italian cinema, comments on the gentrification of the quarters of Rome, mocks the overzealous critical reception of movies like , and confesses his love for dance caused by the movie Flashdance – later meeting its star Jennifer Beals. Finally, he visits the place in Ostia where Pier Paolo Pasolini was killed, to pay his respects.
Having to work on an idea for a new movie, Moretti decides to leave Rome for a while for the more peaceful Aeolian Islands. In Lipari he's the guest of his friend Gerardo, an austere scholar who moved there eleven years earlier to better study James Joyce's Ulysses without being distracted by modern commodities such as television, which he despises. However, both are unable to find the tranquility they're searching for since the number of tourists has suddenly increased.
They move to Salina, where they are guests of two couples friends of Gerardo, both incapable of managing their hyperactive children, a feature that seems rampant on the entire island. Meanwhile, Gerardo begins watching television and gradually becomes completely addicted to it, and especially to soap operas. They move again, this time to Stromboli, where they are constantly bothered by a megalomaniac mayor who tries to involve them in the oddest projects.
They finally move to Alicudi, frugal and isolated, lacking water and electricity. Here Moretti seems to have found the right place to focus on his project, but soon Gerardo runs away in despair to catch the last ferry, unable to live without his favorite soap operas, while disavowing his ideals and proclaiming undying love for cheap entertainment.
Moretti clarifies to the audience that the following chapter will be based on a true story happened to him some years earlier; one day, he begins to suffer from persistent itching and insomnia. He visits many doctors and specialists, but they all dismiss him with different diagnosis, prescribing a lot of costly drugs and prohibiting him to eat most of his favorite food. Seeing no improvements, Moretti unsuccessfully tries alternative cures like reflexology and acupuncture.
After almost a year, a doctor notices his developing cough during a visit and suggests him an X-ray. That reveals a mass on his lung, which after a biopsy is discovered to be a still-curable Hodgkin's lymphoma. Moretti successfully goes through chemotherapy and has the lymphoma cured. Sometime later, he reads the definition of Hodgkin's lymphoma in a basic medical encyclopedia, finding out that its most common symptoms are exactly itching and insomnia. Surrounded by the dozens of useless drugs he bought, Moretti laments the incapability of most doctors of listening to their patients, before making a bitter toast "to health" with a glass of water.
Source:[1]
The film grossed L8.3 billion in Italy[1] It also grossed $3.1 million in France.[2]
| Award | Date of ceremony | Category | Recipient(s) | Result | |
|---|---|---|---|---|---|
| Belgian Syndicate of Cinema Critics | 9 January 1995 | Grand Prix | Nanni Moretti | [6] [7] | |
| Cannes Film Festival | 23 May 1994 | Best Director | [8] | ||
| Palme d'Or | Caro diario | ||||
| César Awards | 25 February 1995 | Best Foreign Film | [9] | ||
| Chicago International Film Festival | 23 October 1994 | Gold Hugo | [10] | ||
| Cinéfest Sudbury International Film Festival | 27 September 1994 | Best International Film | [11] | ||
| David di Donatello Awards | 18 June 1994 | Best Film | [12] [13] | ||
| Best Director | Nanni Moretti | ||||
| Best Producer | Angelo Barbagallo and Nanni Moretti | ||||
| Best Actor | Nanni Moretti | ||||
| Best Screenplay | |||||
| Best Cinematography | Giuseppe Lanci | ||||
| Best Editing | Mirco Garrone | ||||
| Best Score | Nicola Piovani | ||||
| Best Sound | Franco Borni | ||||
| European Film Awards | 27 November 1994 | FIPRESCI Prize | Caro diario | [14] | |
| Golden Ciak Awards | 30 June 1994 | Best Film | [15] | ||
| Best Director | Nanni Moretti | ||||
| Best Screenplay | |||||
| Best Cinematography | Nicola Piovani | ||||
| Best Editing | Mirco Garrone | ||||
| Best Sound | Nicola Piovani | ||||
| Italian Golden Globes | 6 July 1994 | Best Film | Caro diario | [16] [17] | |
| Best Actor | Nanni Moretti | ||||
| Best Original Score | Nicola Piovani | ||||
| Nastro d'Argento Awards | 19 March 1994 | Best Director | Nanni Moretti | [18] [19] | |
| Best Producer | Angelo Barbagallo and Nanni Moretti | ||||
| Best Actor | Nanni Moretti | ||||
| Best Original Story | |||||
| Best Score | Nicola Piovani | ||||
| National Society of Film Critics Awards | 3 January 1996 | Best Foreign Language Film | Caro diario | ||
| Sant Jordi Awards | 24 May 1995 | Best Foreign Film | [20] | ||
| Stockholm Film Festival | 20 November 1994 | Bronze Horse Award |