| De Stijl | |
| Type: | studio |
| Artist: | The White Stripes |
| Cover: | The White Stripes - De Stijl.jpg |
| Recorded: | 1999–2000 |
| Studio: | Third Man Studios, Detroit, Michigan |
| Genre: | |
| Label: | Sympathy for the Record Industry |
| Producer: | Jack White |
| Prev Title: | The White Stripes |
| Prev Year: | 1999 |
| Next Title: | White Blood Cells |
| Next Year: | 2001 |
De Stijl is the second studio album by the American rock duo the White Stripes, released on June 20, 2000, by the Sympathy for the Record Industry. Produced by the band's guitarist and lead vocalist Jack White, the album was recorded on an 8-track analog tape in his living room following the covert divorce of members Jack and Meg White, who nevertheless continued working together. The album takes its name from the art movement of the same name, and features their early blues-inspired sound.
De Stijl received positive reviews from critics, and earned a gold certification from the British Phonographic Industry. The album became a cult classic after appearing on Billboards Independent Albums chart in 2002, and was included on NME
The White Stripes band members Jack and Meg White divorced in 2000,[1] however Meg insisted that they continue working together.[2] De Stijl was recorded by the duo in Jack's living room, exclusively using an 8-track analog tape.[3] [4]
On February 5, 2008, Canadian media reported that former Radio-Canada host Dominique Payette filed a lawsuit against the White Stripes for using a nine-second clip of her interview with a little girl at the beginning of "Jumble, Jumble". She demanded $70,000 in damages and the removal of the album from store shelves. The dispute was settled out of court.[5]
De Stijl takes its name from the De Stijl ("the style" in English) art movement, which included the painter Mondrian.[6] [7] Jack had been an admirer of the style for some time, especially of furniture designer Gerrit Rietveld,[8] who designed the Rietveld Schröder House which the band had visited. De Stijl was dedicated to both Rietveld and Blind Willie McTell.[9]
De Stijl features the band's early blues-inspired sound, which was prominent on their self-titled debut album.[10] Tom Breihan of Stereogum said the album showcased delta blues, hard and psychedelic rock influences, and Lizzy Goodman of NPR similarly noted its "camp" blues sound.[11] [12]
The cover art of De Stijl sets Jack and Meg against an abstract background of rectangles and lines in red, black and white.[13] It utilizes common elements from the aesthetics of its namesake, and had an impact on the band's image, presentation, and visual style.[14]
De Stijl was released on June 20, 2000, through the Sympathy for the Record Industry label. A re-issued vinyl LP version of the record was pressed at United Record Pressing in Nashville, Tennessee and mastered all-analog from the original master tapes.[15] The album was re-issued again for its 20th anniversary.[16] [17]
De Stijl earned positive reviews from critics, who noted its simplicity, and fusion of blues and "scuzzy garage rock". It was a sleeper hit, earning a following after the White Stripes began to grow popular outside of Detroit.[18] [19] NME included it on their "500 Greatest Albums of All Time" list in 2013.[20]
Heather Phares of AllMusic said that "As distinctive as it is diverse, De Stijl blends the Stripes' arty leanings with enough rock muscle to back up the band's ambitions." William Bowers of Pitchfork wrote that the album "contained thunderous, honky-soulful, lacerating pop at various stages of evolution".[21] Jenny Eliscu of Rolling Stone called it "feisty and clever" and praised the drumming, guitar and vocal performances, stating that "like everything about the White Stripes, it [''De Stijl''] proves that you don't need bombast to make a blues explosion."[22] Ann Powers of the New York Times described the album as "what many hip rock fans consider real music."[23]
De Stijl later appeared at number 38 on Billboard's Independent Albums chart in 2002, and is now considered a cult classic.[24] The song "Why Can't You Be Nicer to Me?" appeared on The Simpsons in 2010, used in the episode "Judge Me Tender" from its twenty-first season. The song "Apple Blossom" was featured in the 2015 Quentin Tarantino film The Hateful Eight.[25]
All songs written by Jack White except where noted.[26] All music is composed by Jack and Meg White.
| Chart (2004–05) | Peak position | |
|---|---|---|
| UK Albums (Official Charts Company)[27] | 137 | |
| US Independent Albums (Billboard)[28] | 38 |