| David M. Walsh | |
| Birth Date: | 1931 7, df=yes |
| Birth Place: | Cumberland, Maryland, U.S. |
| Occupation: | Cinematographer |
| Yearsactive: | 1955–2004 |
| Awards: | Primetime Emmy award |
David Martin Walsh[1] (born July 23, 1931) is an American cinematographer. He worked with film directors including Woody Allen, Herbert Ross, and Arthur Hiller.
Walsh started working in 1955 as an assistant animation cameraman at The Walt Disney Studios. During the 1960s, he worked as a camera operator on numerous big-budget features.[2]
Walsh won Primetime Emmy Award Outstanding Achievement in Cinematography for Entertainment Programming for a Special for Queen of the Stardust Ballroom in 1975.[3] [4]
Director of photography
| Year | Film | Director | Notes | |
|---|---|---|---|---|
| 1970 | Monte Walsh | William A. Fraker | ||
| I Walk the Line | John Frankenheimer | |||
| 1971 | Cactus in the Snow | A. Martin Zweiback | ||
| Evel Knievel | Marvin J. Chomsky | |||
| A Gunfight | Lamont Johnson | |||
| 1972 | Corky | Leonard Horn | ||
| Hot Summer Week | Thomas J. Schmidt | |||
| Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) | Woody Allen | First collaboration with Woody Allen | ||
| 1973 | Ace Eli and Rodger of the Skies | John Erman | First collaboration with John Erman | |
| Cleopatra Jones | Jack Starrett | |||
| Sleeper | Woody Allen | Second collaboration with Woody Allen | ||
| The Laughing Policeman | Stuart Rosenberg | |||
| 1974 | The Crazy World of Julius Vrooder | Arthur Hiller | First collaboration with Arthur Hiller | |
| 1975 | The Other Side of the Mountain | Larry Peerce | ||
| Whiffs | Ted Post | |||
| The Sunshine Boys | Herbert Ross | First collaboration with Herbert Ross | ||
| 1976 | W. C. Fields and Me | Arthur Hiller | Second collaboration with Arthur Hiller | |
| Murder by Death | Robert Moore | First collaboration with Robert Moore | ||
| Silver Streak | Arthur Hiller | Third collaboration with Arthur Hiller | ||
| 1977 | Scott Joplin | Jeremy Kagan | ||
| Rollercoaster | James Goldstone | |||
| The Goodbye Girl | Herbert Ross | Second collaboration with Herbert Ross | ||
| 1978 | House Calls | Howard Zieff | First collaboration with Howard Zieff | |
| Foul Play | Colin Higgins | |||
| California Suite | Herbert Ross | Third collaboration with Herbert Ross | ||
| 1979 | The In-Laws | Arthur Hiller | Fourth collaboration with Arthur Hiller | |
| Just You and Me, Kid | Leonard B. Stern | |||
| Chapter Two | Robert Moore | Second collaboration with Robert Moore | ||
| 1980 | Hero at Large | Martin Davidson | ||
| Private Benjamin | Howard Zieff | Second collaboration with Howard Zieff | ||
| Seems Like Old Times | Jay Sandrich | |||
| 1981 | Only When I Laugh | Glenn Jordan | ||
| 1982 | Making Love | Arthur Hiller | Fifth collaboration with Arthur Hiller | |
| I Ought to Be in Pictures | Herbert Ross | Fourth collaboration with Herbert Ross | ||
| 1983 | Max Dugan Returns | Fifth collaboration with Herbert Ross | ||
| Romantic Comedy | Arthur Hiller | Sixth collaboration with Arthur Hiller | ||
| 1984 | Unfaithfully Yours | Howard Zieff | Third collaboration with Howard Zieff | |
| Country | Richard Pearce | |||
| Teachers | Arthur Hiller | Seventh collaboration with Arthur Hiller | ||
| Johnny Dangerously | Amy Heckerling | |||
| 1985 | My Science Project | Jonathan R. Betuel | ||
| 1987 | Outrageous Fortune | Arthur Hiller | Eighth collaboration with Arthur Hiller | |
| Summer School | Carl Reiner | |||
| Fatal Beauty | Tom Holland | |||
| 1990 | Taking Care of Business | Arthur Hiller | Ninth collaboration with Arthur Hiller | |
| 1992 | Brain Donors | Dennis Dugan | ||
| 1996 | Carpool | Arthur Hiller | Tenth collaboration with Arthur Hiller |
Camera and electrical department
| Year | Film | Director | Role | Notes | |
|---|---|---|---|---|---|
| 1963 | Wives and Lovers | John Rich | Assistant camera operator | ||
| 1965 | The Hallelujah Trail | John Sturges | Assistant camera | ||
| 1966 | An Eye for an Eye | Michael D. Moore | Camera operator | ||
| 1967 | The President's Analyst | Theodore J. Flicker | |||
| 1968 | Bullitt | Peter Yates | |||
| 1969 | Paint Your Wagon | Joshua Logan | |||
| The Reivers | Mark Rydell | ||||
| 1990 | Stella | John Erman | Additional photographer | Second collaboration with John Erman | |
| 1991 | F/X2 | Richard Franklin | Director of photography: Los Angeles | ||
| What About Bob? | Frank Oz | Additional photographer | |||
| 1994 | Clifford | Paul Flaherty | Director of photography: Special photography unit |
| Year | Film | Director |
|---|---|---|
| 1989 | Private Debts | Nancy Cooperstein |
| Cranium Command |
| Year | Film | Director | Notes | |
|---|---|---|---|---|
| 1971 | Suddenly Single | Jud Taylor | ||
| 1973 | A Brand New Life | Sam O'Steen | ||
| 1974 | Tell Me Where It Hurts | Paul Bogart | ||
| Born Innocent | Donald Wrye | |||
| 1975 | Queen of the Stardust Ballroom | Sam O'Steen | ||
| My Father's House | Alex Segal | |||
| 1976 | Woman of the Year | Jud Taylor | ||
| Street Killing | Harvey Hart | |||
| 1977 | Never Con a Killer | Buzz Kulik | ||
| 1994 | Terror in the Night | Colin Bucksey | ||
| 2004 | Back When We Were Grownups | Ron Underwood |