David A. Taylor (born 1961) is an American author and filmmaker on topics in history and science.
Taylor's books include Ginseng, the Divine Root (Algonquin) and Soul of a People: The WPA Writers’ Project Uncovers Depression America (Wiley), which the Pittsburgh Post-Gazette ranked among the Best Books of 2009.
Taylor has written articles for The Washington Post, Smithsonian, Science, Microbe, National Geographic, and Washingtonian. He has written scripts for National Geographic Channel, PBS, Discovery and Smithsonian Channels.
Taylor's first book, Ginseng, the Divine Root, was published by Algonquin Books in June 2006. The Boston Globe called it "fantastic" and "one of those rare works that remind us what an endlessly surprising place the world is by revealing the drama concentrated in the past and present of one plant."[1] Library Journal dubbed it "a fascinating tour" from "a master storyteller," and Publishers Weekly called it "an intelligent, wide-ranging account."[2]
Taylor's second nonfiction book, Soul of a People: The WPA Writers’ Project Uncovers Depression America, published by Wiley & Sons in February 2009, was named an Amazon Book of the Month and a finalist in the Library of Virginia Literary Awards.[3] The Pittsburgh Post-Gazette ranked the book among the Best Books of 2009.[4] According to Southern Cultures, the book is "an accessible, straightforward glimpse into some of the most important American writers" of that period and shows "how these writers shaped the way Americans tell their histories."[5] NPR featured the book on All Things Considered,[6] and anthology editors Frank W. Thackeray and John E. Findling called Soul of a People "an entertaining and informative look" at the writers and the country at that time.[7]
Publishers Weekly called Taylor's 2012 collaboration with Mark Collins Jenkins, an illustrated National Geographic book about the War of 1812, "fascinating" and said the authors "seldom engage in cheerleading, offering instead a captivating story."[8]
Taylor's 2018 book, Cork Wars: Intrigue and Industry in World War II, published by Johns Hopkins University Press, as Grady Harp wrote in the San Francisco Review of Books, "reads like a thriller" and was timely.[9] Historian Douglas Brinkley called Cork Wars "a marvelous history," and "a vivid slice of life."[10] In the Washington Independent Review of Books Cathy Alter wrote, "Taylor has a knack for taking unsung heroes and elevating them to star status." Alter added that Soul of a People was "a humane and seminal accounting of our country, not unlike Studs Terkel's Working."[11]
In focusing the narrative on three families caught up in World War II by "a seemingly innocuous substance like cork," which became of strategic value in wartime, Taylor created an "absorbing account," wrote reviewer Brian Crim. The most compelling part, Crim wrote, involved "how families of outsiders--immigrants from Ireland, Italy, Spain, and Eastern Europe--demonstrated unbelievable resilience and ingenuity" in the face of hostility at home and abroad.[12]
Taylor writes articles for Discover,[13] Scientific American[14] and Smithsonian magazines,[15] and teaches in the M.A. in Science Writing program at Johns Hopkins University.[16]
In the 1990s, Taylor began writing for television and documentary films.[17] After writing for television series including Great Castles of Europe and the F.B.I. Files, he ventured into long-form documentary, serving as a creative consultant with Spark Media for the 2002 PBS documentary, Partners of the Heart, about racism and a pioneering partnership in medicine.[18]
Taylor was the lead writer and co-producer on the documentary film based on his book, Soul of a People: Writing America’s Story, which was broadcast on Smithsonian Channel in October 2009. Directed by Andrea Kalin and produced by Spark Media, the film garnered a Writers Guild of America Awards nomination for best documentary (non-current affairs),[19] [20] a TIVA gold award for best documentary scriptwriting,[21] and a Cine Best of DC award.
The view of the WPA experience of writers and artists during the Depression in Soul of a People provided a springboard for writers at the start of the 2020 COVID-19 shutdown to consider potential large-scale responses to the economic crisis. David Kipen in the Los Angeles Times called the film "a moving documentary," and quoted Taylor on the contrasts with the present: "We could try different models like start-ups with an eye for what might come out of this crisis. … But it would likely have more private and philanthropic partners." Taylor suggested the new version might create in newer mediums, like podcasts.[22]
Ryan Prior, writing for CNN Arts, noted the writers profiled in Soul of a People—Richard Wright, Zora Neale Hurston, Ralph Ellison and Saul Bellow—and the impact of the Federal Writers' Project on their later careers and on American culture. Prior noted the reaction given by Nelson Algren: "Had it not been for the Project, the suicide rate would have been much higher. It gave new life to people who had thought their lives were over."[23]
In the Chicago Tribune, Chris Borrelli pointed out that President Franklin Roosevelt had established the WPA with an executive order, and that by the late 1930s about 75,000 Chicagoans were working for the federal agency. He quotes Taylor on how that provided a talent incubator that catalyzed Chicago as a cultural driver even after the Depression ended. "Because of temperament perhaps, because unemployment had hit Chicago hard, because of the range of talent, and because those just out of college who needed jobs were thrown alongside veteran artists out of work, Chicago enormously benefited," Taylor said, those innovations fueled American culture for decades.[24]
Revisiting that history in another medium, Taylor in 2022 announced work on a podcast titled The People's Recorder, a collaboration with Spark Media.[25] In August 2022, the podcast received a grant from the National Endowment for the Humanities,[26] along with five state humanities grants. The People’s Recorder launched in February 2024 with a first season of ten episodes, hosted by writer-archivist Chris Haley.[27]
Taylor's short story collection, Success: Stories, received the 2008 Washington Writers Publishing House Award for Fiction. StorySouth wrote that the book's "fourteen superbly-crafted tales . . . explore the most vital crises of existence, when human emotions—desire and isolation, suspicion and jealousy—boil over, leaving in their wake exquisite failure and a conflict that blooms in complexity every time the reader revisits it."[28] Publishers Weekly wrote that Taylor's stories "uncover gentle irony in the commonly held notion of a successful life."[29] In Washington City Paper, Mark Athitakis wrote that Taylor's skills included "tight, convincing dialogue, and an eye for apt metaphors within the places his characters inhabit."[30]
Taylor's stories have appeared in literary journals including Gargoyle, Potomac Review, Jabberwock, Barrelhouse, and Rio Grande Review, and in the anthologies Stress City, This Is What America Looks Like, and Eclectica's Best Fiction.
Taylor was born in 1961 and grew up in Alexandria, VA. His father, William Taylor, was an army engineer felled by polio in his twenties in the early 1950s. He returned to work for the government after years of physical therapy. During David's early childhood, William Taylor worked at NASA on projects to track Soviet space plans, survey the Moon's surface, and helped to design the Lunar Roving Vehicle.[31]
David Taylor received a bachelor's degree in English cum laude from Davidson College. He is married and lives in Washington, DC.