Das hohe Lied, WAB 74 explained

Das hohe Lied
Key:A-flat major
Catalogue:WAB 74
Text:Heinrich von der Mattig
Language:German
Dedication:Wiener Akademisches Gesangverein
Vocal: double choir, 2 tenor and baritone soloists
Instrumental:

    (The song of the heights), WAB 74, is a song for double men's choir and three soloists, which Anton Bruckner composed in 1876 on a text by Heinrich von der Mattig.

    History

    Bruckner composed Das hohe Lied on a text of Heinrich von der Mattig on 31 December 1876 as homage to the (Academic singing association of Vienna).[1] is a German name of the Song of Songs, which is possibly an intentional allusion.

    During the rehearsals, the choir found the work difficult to perform because of the use of humming voices. Therefore, conductor Richard Heuberger asked Bruckner to revise the work. When revising the work in 1879, Bruckner added an accompaniment of strings and brass instruments. On 10 December 1879 a new rehearsal occurred under Bruckner's baton, but was not followed by a public performance. The first public performance occurred posthumously in 1902 in a transcription by Hans Wagner.

    The original manuscript is stored in the archive of the .[1] [2] Wagner's transcription was issued by Doblinger, Vienna in 1902. The original setting of 1876 is issued in Band XXIII/2, No. 27 of the German: Gesamtausgabe.[3] The revised setting of 1879 is put in an Appendix to Band XXIII/2 of the German: Gesamtausgabe.[3]

    Text

    is based on a text by Heinrich von der Mattig.

    In the valley, the rustling mill disturbs the walker's song,Until he escapes through forest darkness up to the mountains.And in the valley, the mill is rustling ever more distantly.And ever more strongly resonates the song.The heights are reached, the song is now aloneAnd floats on aerial waves into the evening's red.

    Music

    The 84-bar long work in A-flat major is scored for double choir, and 2 tenor and a baritone soloists. Similarly to, the first part (44 bars) is sung by the soloists with an accompaniment of humming voices, figuring the rustling mill. From "", the melody is taken over by the double choir.

    Because of the performance difficulties (humming voices) encountered during the rehearsals, Bruckner added in 1879 an accompaniment of strings (2 violas, 2 cellos and double bass) to enhance the humming voices, and of brass instruments (4 horns, 3 trombones and a tuba) to accompany the double choir.

    Sources

    External links

    Notes and References

    1. C. van Zwol, pp. 726-727
    2. U. Harten, pp. 200-201
    3. http://www.mwv.at/TextBruckner/Katalog/liederWelt.htm Gesamtausgabe – Weltliche Chöre