| Genre: | |
| Creator: | |
| Showrunner: |
|
| Director: | Baran bo Odar |
| Starring: | See below |
| Theme Music Composer: | Apparat |
| Opentheme: | "Goodbye" by Apparat (featuring Soap&Skin)[4] |
| Composer: | Ben Frost |
| Country: | Germany |
| Language: |
|
| Location: | Germany |
| Num Seasons: | 3 |
| Num Episodes: | 26 |
| Executive Producer: |
|
| Cinematography: | Nikolaus Summerer |
| Runtime: | 44–73 minutes |
| Company: | Wiedemann & Berg Television |
| Network: | Netflix |
Dark is a German science fiction thriller television series co-created by the couple Baran bo Odar and Jantje Friese.[5] [6] [7] It ran for three seasons from 2017 to 2020. The story follows dysfunctional characters from the fictional town of Winden in Germany, as they pursue the truth in the aftermath of a child's disappearance. They follow connections between four estranged families to unravel a sinister time travel conspiracy that spans several generations. The series explores the existential implications of time and its effect on human nature and life. It features an ensemble cast led by Louis Hofmann.
Dark debuted on 1 December 2017 on Netflix; it is the service's first German-language original series. The second season was released on 21 June 2019,[8] [9] while the third and final season was released on 27 June 2020.[10] [11]
Dark has received critical acclaim for its acting, direction, writing, tone, visuals, themes, musical score, and the ambition and complexity of its narrative. Many praised the show for its complex narrative structure, which required viewers to pay close attention to detail in order to understand the intricate connections between characters and timelines. The show's slow-burn pacing, atmospheric visuals, and philosophical themes were also lauded for elevating it beyond typical genre fare. The series direction, handled by Baran bo Odar, was praised for its careful attention to detail, mood, and tone, creating an eerie, tension-filled atmosphere that contributed to the show's success.
Dark was recognized for its ambitious storytelling and has been nominated for and won several awards. In 2021, the BBC ranked the series as the 58th greatest TV series of the 21st century.[12]
Children start vanishing from the German town of Winden,[13] bringing to light the fractured relationships, double lives, and the dark pasts of four families living there, and unfurling a mystery that spans four generations.
The first season begins in 2019, but later grows to include 1986 and 1953 via time travel, when members of the show's central families become aware of a wormhole in the cave system beneath the local nuclear power plant. During the first season, secrets are revealed concerning the Kahnwald, Nielsen, Doppler, and Tiedemann families, and their lives begin crumbling as their ties are exposed. The conspiracy involves the missing children and the history of the town and its citizens.
The second season continues the intertwining families' attempts to reunite with their missing loved ones, several months after the first-season finale, in 2020, 1987 and 1954, respectively. Additional story-lines are set in 2053 and 1921. The second season introduces Sic Mundus Creatus Est, a major faction in the ongoing battle for the ultimate fate of the people of Winden and the world. The season counts down towards the apocalypse.
The third season follows the four families across time in the wake of the apocalypse in 2020. It introduces a parallel world tethered to the first. The third season continues the 1954, 1987, 2020, and 2053 storylines in the first world, while also adding a new 1888 storyline and 2019 and 2052 in the second world, as the factions further their own desires for each world. The season also showcases the main events between all of these years, continuing the events of the season while also serving as backstory for the events of the first two seasons.
See main article: article and List of characters in Dark. The first season takes place primarily in 2019 but expands to include stories set in 1986, 1953, and – in the final scene of the first season – 2052, with several characters portrayed at various ages by multiple actors.
The second season takes place several months after the first, depicting the initial stories in 2020, 1987, and 1954, respectively, while continuing the future-set storyline into 2053, and adding a fifth storyline, set in 1921.
The third season introduces a storyline based in 1888 and a parallel reality featuring alternate versions of many main characters.
| Character | Life stage | Description | Actor | Season | ||||
|---|---|---|---|---|---|---|---|---|
| 1 | 2 | 3 | ||||||
| A young boy | ||||||||
| A high school student struggling with his father's suicide. Martha's love interest. | colspan="3" | |||||||
| A time traveller, known as "the Stranger" | colspan="3" | |||||||
| The leader of Sic Mundus, known as "Adam" | colspan="2" | |||||||
| Hannah Krüger, daughter of Sebastian Krüger, a secretive young girl | data-sort-value="Lee, Ella | colspan="2" | ||||||
| Jonas' mother and Michael's wife, a massage therapist; Silja Tiedemann's mother | colspan="3" | |||||||
| A young girl, a friend of Jana and Claudia | data-sort-value="Urzendowsky, Lena" | |||||||
| Michael's adoptive mother, a nurse | data-sort-value="Ratte-Polle, Anne" | |||||||
| Jonas' estranged grandmother | colspan="2" | |||||||
| Ines' father, the Winden chief of police | colspan="2" | |||||||
| A young girl | ||||||||
| Ulrich and Katharina's middle child, Bartosz's girlfriend and Jonas' love interest | colspan="3" | |||||||
| A survivor of the Apocalypse in an alternate reality, a member of Erit Lux, known as "female stranger" | data-sort-value="Kronjäger, Nina" | Nina Kronjäger | ||||||
| The leader of Erit Lux, known as "Eva" | data-sort-value="Nüsse, Barbara" | |||||||
| Ulrich and Katharina's oldest, Franziska's boyfriend | colspan="3" | |||||||
| A member of Sic Mundus | data-sort-value="Koch, Wolfram" | |||||||
| Ulrich and Katharina's youngest child, who goes missing in 2019 and emerges in 1986 | data-sort-value="Liebrenz, Daan Lennard" | colspan="3" | ||||||
| Hannah's husband and Jonas' father, Michael Kahnwald, an artist who commits suicide | data-sort-value="Rudolph, Sebastian" | colspan="2" | ||||||
| A high school student struggling after his brother's disappearance | ||||||||
| Katharina's husband; Magnus, Martha and Mikkel's father; a police officer | colspan="3" | |||||||
| Patient in a psychiatric ward, known as "The Inspector" | ||||||||
| Ulrich's girlfriend, a high school student | data-sort-value="Trebs, Nele" | |||||||
| Ulrich's wife; Magnus, Martha, and Mikkel's mother; a high school principal | colspan="3" | |||||||
| Agnes and The Unknown's son,[14] newly arrived in Winden | colspan="2" | |||||||
| Jana's husband; Ulrich and Mads' father; a journalist | ||||||||
| Jana's husband; Ulrich's father; Magnus, Martha, and Mikkel's grandfather | ||||||||
| A young girl, friend of Ines and Claudia | ||||||||
| Tronte's wife; Ulrich and Mads' mother | ||||||||
| Tronte's wife; Ulrich's mother; Magnus, Martha and Mikkel's grandmother | data-sort-value="Seibt, Tatja" | |||||||
| A young pregnant girl | ||||||||
| Katharina's abusive mother; a psychiatric nurse | ||||||||
| Bartosz and Silja's daughter; Noah's younger sister | data-sort-value="Pieske, Helena" | |||||||
| Tronte's mother, newly arrived in Winden | colspan="2" | |||||||
| Peter and Charlotte's daughter, Elisabeth's older sister, Magnus Nielsen's love interest | colspan="3" | |||||||
| A member of Sic Mundus | colspan="2" | |||||||
| Peter and Charlotte's deaf daughter, Franziska's younger sister | data-sort-value="von Falkenhayn, Carlotta" | colspan="3" | ||||||
| Charlotte's mother, leader of the survivors of the Winden apocalypse | colspan="2" | |||||||
| Helge's son who travelled to Winden after his mother's death | Pablo Striebeck | |||||||
| Charlotte's husband; Franziska and Elisabeth's father; Jonas' psychologist | colspan="3" | |||||||
| An orphaned girl raised by her guardian, H. G. Tannhaus | ||||||||
| Peter's wife; Franziska and Elisabeth's mother; Winden chief of police | colspan="3" | |||||||
| Bernd and Greta's son | colspan="2" | |||||||
| Peter's father, a power plant guard | ||||||||
| Patient in a nursing home | data-sort-value="Beyer, Hermann" | |||||||
| Greta's husband; Helge's father, founder of the power plant | ||||||||
| Helge's father, former director of the power plant | colspan="2" | |||||||
| Bernd's wife, Helge's mother | Cordelia Wege | |||||||
| A clock-maker | ||||||||
| Charlotte's guardian, a clockmaker, lecturer in theoretical physics, and the author of A Journey Through Time | data-sort-value="Steyer, Christian" | |||||||
| Regina and Aleksander's son, Jonas' best friend and Martha's boyfriend | data-sort-value="Lux, Paul" | colspan="3" | ||||||
| Silja's husband, Noah and Agnes's father; a member of Sic Mundus | data-sort-value="Knižka, Roman" | |||||||
| Claudia and Bernd's daughter | Lydia Maria Makrides | |||||||
| Aleksander's wife, Bartosz's mother, a hotel manager | data-sort-value="Kaufmann, Deborah" | colspan="3" | ||||||
| (Boris Niewald, later Aleksander Köhler) | A young man from Gießen, born as Boris Niewald, assuming the identity of a victim (Aleksander Köhler) of a violent bank robbery that he was involved in | data-sort-value="Lenz, Béla Gabor" | colspan="3" | |||||
| Regina's husband, Bartosz's father, and director of the power plant | colspan="3" | |||||||
| Egon and Doris' daughter, Helge's tutor, friend of Ines and Jana | data-sort-value="Göbel, Gwendolyn" | colspan="2" | ||||||
| Regina's mother, director of the power plant | colspan="3" | |||||||
| Jonas and Noah's mentor; a time traveller | ||||||||
| Doris' husband; Claudia and Silja's father, a police officer | data-sort-value="Hülk, Sebastian" | colspan="2" | ||||||
| Claudia and Silja's father, a police chief inspector approaching retirement | data-sort-value="Pätzold, Christian" | |||||||
| Claudia's mother and Egon's wife | colspan="2" | |||||||
| Noah (Hanno Tauber) | Bartosz and Silja's son | |||||||
| Bartosz's son. Agnes' older brother, an acolyte of Sic Mundus | data-sort-value="Schimmelpfennig, Max" | colspan="2" | ||||||
| Charlotte's biological father; a priest and member of Sic Mundus | colspan="3" | |||||||
| Hannah and Egon's daughter, Jonas and Claudia's half-sister | ||||||||
| Elisabeth's interpreter, known as "girl from the future" | colspan="2" | |||||||
| Noah and Agnes's mother, Bartosz's wife | data-sort-value="Pernthaler, Lissy" | |||||||
| The Unknown | Jonas and Martha's son; a member of Erit Lux, believed to be the origin of the disruptions in time. The three Unknowns operate together to ensure the apocalypse occurs in both Adam and Eva's worlds. | |||||||
| data-sort-value="Diehl, Hans" | Hans Diehl | |||||||
| data-sort-value="Clausen, W." | W. Clausen | A police inspector called to Winden to investigate the missing persons of 2019. Brother of the real Aleksander Köhler, whose identity was assumed by Boris Niewald, now Aleksander Tiedemann. | ||||||
Netflix approved the series in February 2016 for a first season consisting of ten one-hour episodes.[15] Principal photography started on 18 October 2016 in and around Berlin[16] (including Saarmund and Tremsdorf in Brandenburg),[17] and ended in March 2017.
The church where Jonas meets Noah was filmed at the Stahnsdorf South-Western Cemetery in Stahnsdorf. The high school location was filmed at the Reinfelder Schule in Berlin's Charlottenburg-Wilmersdorf neighbourhood. The bridge and the train tracks were filmed on the abandoned in the middle of the Düppeler forest near Lake Wannsee.[18] The gates to the power plant are those at the Olympic Stadium Bell Tower; the nuclear reactor towers were computer-animated. The recurring street scene of the bus stop and T-intersection was filmed at Fahrtechnik Akademie in Zossen. The truck stop with Benni's caravan is located at Zollamt Berlin-Dreilinden (the former Checkpoint Bravo).[19] Exterior hospital shots were filmed at the old section of Lungenklinik Heckeshorn in Wannsee. Library scenes were filmed at the University of Applied Sciences for Finance in Königs Wusterhausen and Berlin State Library.[20]
The series was filmed in 4K (Ultra HD) resolution.[21] It is the first German-language Netflix original series and follows a trend of internationally produced Netflix originals, including the Mexican series Club de Cuervos in 2015, the Brazilian series 3% in 2016, the Italian series in 2017, and the Indian series Sacred Games in 2018.
Principal photography for the second season took place on location in Berlin from June 2018 until November 2018.[22]
Filming for the third season began in May 2019 and wrapped in December 2019.[23]
| Dark: Cycle 1 (Original Music from the Netflix Series) | |
| Type: | soundtrack |
| Artist: | Ben Frost |
| Genre: | |
| Length: | 40:50 |
| Label: |
|
| Producer: | Ben Frost |
| Dark: Cycle 2 (Original Music from the Netflix Series) | |
| Type: | soundtrack |
| Artist: | Ben Frost |
| Genre: | |
| Length: | 46:03 |
| Label: |
|
| Producer: | Ben Frost |
| Dark: Cycle 3 (Music from the Netflix Original Series) | |
| Type: | soundtrack |
| Artist: | Ben Frost |
| Genre: | |
| Length: | 46:57 |
| Label: |
|
| Producer: | Ben Frost |
Apart from the score, numerous pre-released songs were also used throughout the series. The song "Goodbye" by Apparat in collaboration with Soap&Skin was used as the opening theme for the episodes. Songs by the vocal ensemble Roomful of Teeth were also heavily featured on multiple episodes; the third movement of Caroline Shaw's Partita for 8 Voices was featured prominently in season one, and Alev Lenz's "May the Angels", also featuring Roomful of Teeth, was used in the season two episode five, "Lost and Found". The series finale features Soap&Skin's cover of "What a Wonderful World" and Nena's "Irgendwie, irgendwo, irgendwann", the latter which is played over the end credits to close out the series.
The first season of the series was released on 1 December 2017.
A second season was announced with a short teaser on the German Facebook pages of the series and Netflix on 20 December 2017.[24] [25] On 26 April 2019, a second season was announced which was released on 21 June 2019.
On 26 May 2020, a third and final season was announced, which was released on 27 June 2020.[26]
Dark received critical acclaim and has been listed by many publications as one of the best TV shows of the years 2017, 2019, and 2020, as well as of the 2010s, 21st century, and of all time. Vulture included the series in its article A Guide to TV Shows in the 2010s as one of the most notable shows of the decade.[27] The BBC ranked it the 58th best TV series of the 21st century. Meanwhile, BuzzFeed listed it as one of the 25 best TV shows of all time.[28]
The first season of Dark received mostly positive reviews from critics, with many noting its similarities to the TV series Twin Peaks and another Netflix series Stranger Things. The review aggregator website Rotten Tomatoes gave the first season an approval rating of 90%, with an average rating of 7.4 out of 10, based on 48 critics. The website's critical consensus is "Darks central mystery unfolds slowly, both tense and terrifying, culminating in a creepy, cinematic triumph of sci-fi noir."[29] Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream publications, gave it a score of 61, based on ten reviews.[30]
Writing for The Guardian, Lanre Bakare gave Dark a rating of four out of five and praised the series for its tone, the complexity of its narrative, and its pacing.[31] Grading the series with a "B", Steve Greene of IndieWire wrote, "Even when Dark is clinical in its set-up of these interweaving story threads, there's still an incredible amount of energy coursing through the show."[32] From Vox, Emily St. James gave it a score of three and a half out of five and said, "Dark is fun to try to solve — it's a treat to tease out the many connections running among the three eras. It's just that at a certain point, it becomes difficult to care about what's happening, beyond simply wanting to figure out how everything is connected."[33] Ariana Romero of Refinery29 noted that the series was darker and more in-depth than Stranger Things.[34] However, there was some criticism by Reason Glenn Garvin for a heavy-handed approach to its message, a lack of sympathetic characters, and unoriginality of certain aspects of the series.[35]
Los Angeles Times listed Dark as one of the best TV series of 2017, while Thrillist named it the 18th best TV show of the year.[36] [37]
The second season received critical acclaim. On Metacritic, it received a score of 82 out of 100, based on four reviews.[38] At Rotten Tomatoes, season two of the series holds an approval rating of 100% based on 30 reviews, with an average rating of 8.1 out of 10. The website's critical consensus states, "Darks sumptuous second season descends deeper into the show's meticulously-crafted mythos and cements the series as one of streaming's strongest and strangest science fiction stories."[39]
Critics referred to season two as ominous and much more bizarre than season one, and that the series managed to subvert several tropes regarding the concepts of time travel.[40] [41] The season received a rating of four out of five from Jack Seale of The Guardian and Boyd Hilton of Empire, a B+ grade from Hanh Nguyen of IndieWire, and an "amazing" score of 9 out of 10 from David Griffin of IGN.[42] [43] [44] The latter wrote in his verdict: "Dark Season 2 can hurt your brain at times, trying to piece all the time-traveling narratives together, but in the end, creators Baran bo Odar and Jantje Friese reward your patience with some stellar WTF moments. At eight episodes in length, [it] is a tightly-woven tapestry of compelling stories and memorable performances from the entire ensemble." TV Guide's Kaitlin Thomas was also favorably inclined towards the season, saying that "one of the reasons Dark is such a compelling drama isn't just because it presents time travel as something that is possible or because it grounds its story in the emotional narratives of its characters, but because it couches its sci-fi themes in conversations about free will and destiny. [...] [It] excels at building a compelling mystery, and the fact that it never loses the plot itself is a testament to the writing of the series."[45]
The season was included in many critics' year-end lists of 2019. It was ranked as the ninth and tenth best TV show of the year by Maggie Fremont of ScreenCrush and John Sellers of Thrillist, respectively.[46] [47] Outside the top ten, TV Guide and Complex named it the 12th and 26th best TV show of the year in their respective list.[48] [49] In addition, CNET and Vogue also listed it on each unranked list.[50] [51]
The third and final season received critical acclaim, with the series finale receiving particular praise for being a satisfying conclusion to the story. It received a Rotten Tomatoes approval rating of 97% based on 35 reviews, with an average rating of 8.5 out of 10. The site's critical consensus says, "Darks final chapter is as thrilling as it is bewildering, bringing viewers full circle without sacrificing any of the show's narrative complexities."[52] At Metacritic, the season received an average score of 92, based on four reviews.[53]
The season received a rating of five out of five from Radio Times Patrick Cremona and four out of five from The Guardian Jack Seale, an A− grade from IndieWire's Steve Greene, and an "amazing" nine out of ten from IGN David Griffin.[54] [55] [56] [57] Cremona deemed it as "science fiction at its most mesmerising, its most confounding and its most exhilarating - and it all makes for a truly irresistible piece of television" and further praised the writing, cinematography, casting, and acting (particularly that of Louis Hoffman, Maja Schöne, and Lisa Vicari). Griffin wrote in his verdict, "Dark's third and final season on Netflix is a memorable journey through time and space, with thrilling character shifts and fascinating paradoxes to unpack." William Goodman of Complex praised the ending, saying, "Odar and Friese masterfully close by showing the symbiotic relationship between endings and beginnings. There's no victory without sacrifice, no light without darkness, and no love without loss. The tension between each of these conflicting ideas is so interwoven, making it hard to discern where one ends and the other begins. And so Dark concludes not with a hard endpoint on a line, but by elegantly and satisfyingly circling back into itself."[58]
The season was listed by many publications as one of the best TV shows of 2020. Radio Times named it the eighth best TV show of the year, with one of the website's writers Patrick Cremona saying, "The final series was another irresistible piece of sci-fi television, equal parts mesmerising and confounding, with a sweeping scope that gave it the sense of a true epic. With its exhilarating finale, Dark has earned its place among the list of the very best original series made for the streamer."[59] Exclaim! ranked it the tenth best TV series of the year. The website's Allie Gregory wrote, "With stunning performances from Louis Hoffman, Oliver Masucci and Karoline Eichhorn (and an incredible score to boot), the apocalyptic time travel sci-fi series deftly concludes its mind-bending journey in its darkest (and Dark-est) instalment yet. [...] [It] manages to neatly tie up all of its loose ends to finally find the one true "origin," so, at last, the town of Winden can free itself from the trappings of time and fate."[60] GameSpot listed it as one of the year's ten best TV shows, with one of its writers Mike Rougeau stating, "what really impressed us about Season 3 is how it wrapped things up, even while continuing the tradition of adding yet another new dimension (so to speak) to the show's tangled timelines. It managed to weave one of the most complex, but somehow still cohesive, sci-fi stories we've ever seen."[61] Outside the top ten, Den of Geek named it the 17th best TV show of 2020.[62] Meanwhile, Thrillist ranked it at number 19 on its "40 Best TV Shows of 2020" list, with one of its writers Emma Stefansky calling the series finale "one of the most shocking and emotional conclusions to a TV show you'll see this year."[63]
The series was nominated for the Goldene Kamera TV awards 2018 in three categories: best series; best actress for Karoline Eichhorn as Charlotte Doppler; and best actor for Oliver Masucci as Ulrich Nielsen.[64] None of these nominations resulted in awards, but Louis Hofmann received the "Best Newcomer" award in recognition of his lead role in Dark as well as his performances in several films.[65]
The series was awarded the 2018 Grimme-Preis award in the category "Fiction", which singled out the following cast and crew for awards:
The actors named are awarded as "representatives for the full cast".[66]