Darbar (raga) explained

Darbar
Mela:22nd, Kharaharapriya
Chhaya:,
Similar:Nayaki

Darbar (pronounced darbār) is a ragam in Carnatic music. The raga is a comparatively recent entry to Carnatic Music, possibly in the earlier part of the 18th century.[1] [2] [3]

Structure and lakshana

It is a Vakra ragam derived from the 22nd Melakarta rāgam Kharaharapriya. Nishadham and ghandharam used as long in the Avarohana. Its structure is as follows (see swaras in Carnatic music for details on below notation and terms):

The notes used are shadjam, chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chathusruthi dhaivatham, kaisiki nishadham.

Popular compositions

Darbar is a scale that is used for compositions in a medium to fast tempo. This scale has been used by many composers and there are many compositions in classical music. It has been used to score film music, too. Here are some popular compositions in Darbar.

Thyagaraja

Other compositions

Related ragams

Darbar resembles Nayaki.

See also

Film songs

SongMovieComposerSingers
Unnavaa AsalunnavaaBhakta TukaramP. Adinarayana RaoGhantasala (musician)
Amma Bangaru ThalliPalnati Yuddham (1966 film)S. Rajeswara RaoP. Susheela

Sources

External links

Notes and References

  1. Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  2. Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
  3. Ragasurabhi by K.T Rabindranathan published by Kerala Bhasha Institute First published in November 1992