Daphnis et Eglé explained

Daphnis et Eglé is an opera by Jean-Philippe Rameau. It was due to appear on 30 October 1753 at Fontainebleau, but the performance was cancelled. It takes the form of a pastorale héroïque in one act. The librettist was Charles Collé.

Performance history

The opera was planned as part of the court of King Louis XV's entertainments at Fontainebleau and was intended as an afterpiece to a play by Nivelle de la Chaussée, La fausse antipathie. However, the dress rehearsal went so badly that the premiere was cancelled and the opera was never staged in Rameau's lifetime.[1]

This was the only artistic collaboration between Collé and Rameau. Paul F. Rice has commented that this collaboration was an unhappy one, and speculated that this was due to Rameau's demands that Collé edit his libretto. This caused Collé to harbor resentment towards Rameau, even after the composer's death.[2]

Music

The opera was the first which Rameau composed after the outbreak of the Querelle des Bouffons and some of the music shows Italian influence. The score contains 23 dance airs.[2]

Roles

RoleVoice typeCast of dress rehearsal, 29 October 1753[3]
Daphnis, a shepherdhaute-contrePierre Jélyotte
Eglé, a shepherdesssopranoMarie Fel
Le Grand Prêtre du Temple de l'Amitié (the high priest of the Temple of Friendship)bassNicolas Gélin
L'Amour (Cupid)sopranoMlle De Riancour

Synopsis

The opera tells the story of a shepherd, Daphnis, and a shepherdess, Eglé, who believe they are merely friends until Cupid reveals they are really in love with each other.

Recordings

Video

Sources

Notes and References

  1. Sadler (2014), p.71
  2. Rice, Paul F., "The Fontainebleau Operas of Jean-Philippe Rameau" (Spring, 1988). The Journal of Musicology, 6 (2): pp. 227-244.
  3. According to the original libretto, p. 3.