| Genre: | Crime drama |
| Creator: | Fyodor Dostoyevsky |
| Director: | Julian Jarrold |
| Starring: | John Simm Ian McDiarmid Shaun Dingwall Geraldine James Kate Ashfield Lara Belmont Mark Benton Katrin Cartlidge |
| Composer: | Adrian Johnston |
| Country: | United Kingdom |
| Language: | English |
| Num Series: | 1 |
| Num Episodes: | 2 |
| List Episodes: |
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| Producer: | David Snodin |
| Executive Producer: | Kate Harwood Jane Tranter |
| Cinematography: | Eigil Bryld |
| Editor: | Chris Gill |
| Runtime: | 90 minutes |
| Company: | BBC Worldwide |
| Network: | BBC Two |
Crime and Punishment is a two-part British television crime drama series, based upon the 1866 novel of the same name by Fyodor Dostoyevsky, that first broadcast on BBC2 on 12 February 2002.[1] The novel was adapted for television by playwright Tony Marchant, and was directed by Julian Jarrold.[2]
John Simm stars as Rodya Raskolnikov, a former student who plans the murder of a pawnbroker to alleviate his financial problems, but also as an existential exercise, feeling himself able to commit such acts without guilt, remorse or justification.[3] The series was broadcast over two consecutive nights, airing in the 9:00-10:30pm slot. The series was released on DVD on 25 August 2008, via 2|Entertain.[4]
The series was filmed in St. Petersburg. Simm said of his role as Raskolnikov; "The hard job for me is to make the viewer understand why Raskolnikov kills. But that is helped by seeing the place that he has to live in, it was absolutely disgusting. He is a very intelligent guy, who is slowly driven to madness by the things he sees around him."[5]
The series gathered mixed reviews in the press, with The Guardian claiming that "As Raskolnikov, the murderer, John Simm is the spindle the whole thing whirls around. He gives a vivid performance and looks like a vicious angel. In the current Augean state of the stables, I am not able to find fault with this well-bred winner"; while The Telegraph were more scathing, writing "It's as if scriptwriter Tony Marchant and director Julian Jarrold had decided to take the setting and crime-drama structure of Crime and Punishment and ditch the philosophical core, the engine that gives everything meaning."[6]