Kresilas Explained

Kresilas
Birth Date:c. 480 BC
Birth Place:Kydonia, Crete, Classical Greece
Death Date:c. 410 BC
Known For:sculpture
Training:
  • In Argos, Dorotheos's school
  • In Athens, Myron's school
Notable Works:
  • Pericles with the Corinthian helmet
  • Athena of Velletri

Kresilas (Κρησίλας Krēsílas;) was a Greek sculptor in the Classical period (5th century BC), from Kydonia. He was trained in Argos and then worked in Athens at the time of the Peloponnesian War, as a follower of the idealistic portraiture of Myron. He is best known for his statue Pericles with the Corinthian helmet.

Biography

Kresilas hailed from the city-state of Kydonia, on the island of Crete.[1] He was trained in Argos as a student of Dorotheos, with whom he worked at Delphi and Hermione.[2] Between 450 and 420 BC he worked mainly in Athens, as a follower of Myron's school and in the post-Phidias period he brought elements of compactness due to the Peloponnesian period.[2]

Roman writer Pliny the Elder wrote of a competition between the four sculptors Polykleitos, Phidias, Kresilas, and Phradmon, on the best statues of Amazons for the Temple of Artemis at Ephesus. Each sculptor placed himself at first place, but Phidias, Kresilas, and Phradmon had all put Polykleitos at second place, thus, Polykleitos won, Pheidias came second, and Kresilas third.[3]

Work

In Athens he created, for example, a bronze statue of Pericles (440–430 BC) with the Corinthian helmet upon the head as a sign of his position as strategos. Pliny the Elder said of it: "a work worthy of the title; it is a marvellous thing about this art that it can make famous men even more famous".[4] Its base was found in the Athenian Acropolis; it was doubtless the bronze that Pausanias saw there (Pausanias I.25.1, I.28.2). It seems the series of Pericles portrait busts derive from it, of which there are examples at the Vatican Museums, British Museum (found at Hadrian's Villa at Tivoli, and owned by Charles Townley) and Altes Museum.

Kresilas also created the wounded men and a dying Amazon for Ephesus in concurrence (in a competition with Phidias and Polykleitos), possibly the model for many copies, one of which is the wounded Amazon of Kresilas (volnerata; Pliny, Nat. Hist. xxxiv. 75) in the Vatican Museums. He has also been identified as the originator of the Velletri type of Athena statue (Athena of Velletri). He created a Diomedes statue according to Homer's description.[5]

"Cresilla"

In 1804 CE, Kresilas was mistakenly identified as a woman named "Cresilla" by Matilda Betham, who thought "she" had placed third behind Polykleitos and Phidias in a competition to sculpt seven Amazons for the Temple of Artemis at Ephesus.[6] As a result, Kresilas was mistakenly included in artist Judy Chicago's symbolic history of women in Western civilization, The Dinner Party.[7]

Sources

External links

Notes and References

  1. Hurwit, p. 131; Politt, p. 69; Furtwängler, pp. 115–116.
  2. Giuliano 1987, p. 686
  3. Hurwit, p. 154; Politt, p. 226; Pliny, Natural History 34.53 (pp. 166–167); The Metropolitan Museum of Art Guide 7. "Wounded Amazon" p. 306; Furtwängler, pp. 128–141
  4. Politt, p. 69; Pliny, Natural History 34.74–75 (pp. 182–183).
  5. Book: Barr, Sandra M. Making Something Out of Next to Nothing: Bartolomeo Cavaceppi and the Major Restorations of Myron's "Discobolus". 134. 9781109028539. 2008.
  6. Book: Matilda Betham. A Biographical Dictionary of the Celebrated Women Or Every Age and Country. By Matilda Betham. 1804. B. Crosby and Company Stationers'Court, Ludgate-Hill, Tegg and Castleman, Warwick-Lane; and E. LLoyd, Harley-Street, Cavendish-Square. 297–98.
  7. Web site: Brooklyn Museum. 21 March 2007. 25 September 2015. Elizabeth A. Sackler Center for Feminist Art: The Dinner Party: Heritage Floor: Cresilla.