| Cosmic Transitions | |
| Type: | studio album |
| Artist: | Isaiah Collier & The Chosen Few |
| Cover: | Cosmic_Transitions_Cover.jpeg |
| Recorded: | 23 September 2020 |
| Studio: | Van Gelder Studio |
| Genre: | |
| Label: | Division 81 |
| Prev Title: | Lift Every Voice (EP) |
| Prev Year: | 2020 |
| Next Title: | Beyond |
| Next Year: | 2022 |
Cosmic Transitions is the second studio album by jazz quartet Isaiah Collier & The Chosen Few. It was released via Division 81 on 12 May 2021. The 56-minute album is split into 5 parts, which are based on planet Mercury's retrograde.[1] Isaiah Collier & The Chosen Few is fronted by saxophonist Isaiah Collier, and also includes pianist Mike King, bassist Jeremiah Hunt, and drummer Michael Shekwoaga Ode.[2]
The album was recorded in the Van Gelder Studio in New Jersey, United States, on 23 September 2020, which would be John Coltrane birthday.[3] [4] The album was inspired by Coltrane's A Love Supreme. The beginning of Cosmic Transitions features chimes, shakers and a Tibetan singing bowl.
Joshua Myers of DownBeat praised the album in their review for its honor of jazz tradition. They also wrote, "From the downbeat, with a literal tolling of the bell, until the final note that finds Collier improvising, forcing the limits of his soprano saxophone, Cosmic Transitions is like the moments after an afternoon rainstorm." Mojo Ben Thompson praised the performances of Mike King and Michael Shekwoaga Ode.[5] Thompson also touched on the jazz tradition, writing "Cosmic Transitions’ greatest challenge was to feel and sound like a vital piece of collective self-expression rather than a carefully staged exercise in historical reconstruction."
Marcus J. Moore of Bandcamp Daily praised the album for how it pays homage to Coltrane and the studio, while asserting that it "stands well on its own." Moore writes, "It’s not only the best album in his short discography, it’s one of the most rewarding listens of the year so far." Leor Galil of the Chicago Reader called Collier a "vital force" in the Chicago jazz scene. Describing the album, Galil writes, "Collier guides his unit through passages tense and acerbic enough to throw every knobby detail into sharp relief, and he’s just as assured when he allows that agitation to dissolve into restrained and mellow complexity."