Cortez the Killer explained

Cortez the Killer
Type:Song
Artist:Neil Young
Album:Zuma
Released:November 10, 1975
Recorded:May 22, 1975
Studio:Point Dume, California
Genre:
Length:7:29
Label:Reprise
Producer:

"Cortez the Killer" is a song by Canadian singer-songwriter Neil Young from his 1975 album, Zuma. It was recorded with the band Crazy Horse. It has since been ranked No. 39 on Guitar World's 100 Greatest Guitar Solos and No. 329 on Rolling Stone's list of the 500 Greatest Songs of All Time.[2]

Young has stated in concert that he wrote the song while studying history in high school in Winnipeg. According to Young's notes for the album Decade, the song was banned in Spain under Francisco Franco; according to Xavier Valiño, when Zuma was released in Spain following Franco's death, the song was listed as "Cortez, Cortez".[3] [4]

Lyrics and interpretation

The song is inspired by Hernán Cortés's conquest of the Aztec Empire under Moctezuma II in the 16th century. Instead of describing Cortés's battles with the Aztecs, the last verse suddenly jumps to a first-person perspective with a reference to an unnamed woman: "And I know she's living there / And she loves me to this day. / I still can't remember when / or how I lost my way." Young had recently ended his relationship with Carrie Snodgress when the song was recorded.

On a more cynical note, in Jimmy McDonough's biography of Young, Shakey, Young stated: "What the fuck am I doing writing about Aztecs in 'Cortez the Killer' like I was there, wandering around? 'Cause I only read about it in a few books. A lotta shit I just made up because it came to me."[5] He continued in a December 1995 interview in Mojo: "It was a combination of imagination and knowledge. What Cortez represented to me is the explorer with two sides, one benevolent, the other utterly ruthless. I mean, look at Columbus! Everyone now knows he was less than great. And he wasn't even there first (laughs). It always makes me question all these other so-called icons."[6]

Rolling Stone later criticized the song's view of the Aztec Empire as "dead wrong".[7]

Composition

The song is typical of the Zuma album, with simple chords and gradually rising and falling tension. The song repeats the chords Em7, D and Am7sus4 while Young adds his signature solos throughout. It is played in Young's favored double drop D tuning (DADGBD).

The song fades out after nearly seven and a half minutes, as (according to Young's father in Neil and Me) a circuit in the mixing console had blown. In addition to losing the rest of the instrumental work, a final verse was also lost. When producer David Briggs had to break this news to the band, Young replied, "I never liked that verse anyway."[8]

The additional verse resurfaced on his 2024 tour with Crazy Horse:[9]

But I floated on the water,
And I ate that ocean wave.
Two weeks after the slaughter,
I was livin’ in a cave.
They came too late to get me,
There’s no one here to set me free,
From this rocky grave,
To that snow-capped ocean wave.

Cover versions

Notes and References

  1. Web site: Neil Young Discography: Zuma. neilyoung.com. 2015-07-23. dead. https://web.archive.org/web/20060207061604/http://www.neilyoung.com/archives/discography/nyd_start1.html. 2006-02-07.
  2. Rolling Stone's 500 Greatest Songs of All Time . Rolling Stone . April 7, 2011 . October 1, 2015.
  3. News: Los discos prohibidos del franquismo. El País. 2012-01-20. Manrique. Diego A..
  4. Web site: Neil Young with Crazy Horse - Zuma . November 13, 2023 . Discogs.
  5. Shakey: Neil Young's Biography by Jimmy McDonough, Vintage Canada; 1st edition; (May 13, 2003),,, page 128
  6. Kent . Nick . I Build Something Up, I Tear It Right Down: Neil Young at 50 . Mojo . December 1995 . August 26, 2023.
  7. 2011-02-23. RS Fact-Checks Famous Rock Songs. 2020-07-14. Rolling Stone. en-US.
  8. Young, Scott. Neil and Me.p. 149–150
  9. Web site: Greene . Andy . Neil Young Stuns at 2024 Tour Launch, Unveils Lost ‘Cortez the Killer’ Verse . Rolling Stone . Rolling Stone, LLC . 14 May 2024.
  10. Web site: Pitchfork.tv . Pitchfork.com . 2012-05-18 . 2012-05-24.