| Constantia Grierson | |
| Birth Name: | Constantia Crawley |
| Birth Date: | 1705 |
| Birth Place: | Kilkenny |
| Death Date: | 2 December 1732 |
| Death Place: | Dublin |
| Resting Place: | St. John's Parish Church, Drumcondra, Dublin, Ireland |
| Education: | autodidact |
| Occupation: | editor, poet, and classical scholar |
| Spouse: | George Grierson (c.1679–1753) |
| Children: | George Abraham Grierson (c.1727-55) |
| Portaldisp: | yes |
Constantia Grierson (née Crawley; c. 1705 – 2 December 1732), was an editor, poet, and classical scholar from County Kilkenny, Ireland. She is notable for her achievements as a classicist, which were all the more remarkable given her labouring-class background.
Constantia Crawley was born to an impoverished rural family in County Kilkenny. Her parents recognized her intelligence at an early age and encouraged her desire to learn. She was tutored in Hebrew, Greek, Latin, English, and French by her local vicar, but was mostly self-educated. According to one editor she was "a most excellent scholar, not only in Greek and Roman literature, but in history, divinity, philosophy, and mathematics: and what makes her character the more remarkable is, that she died so early as the age of 27, and that she acquired this great learning merely by the force of her own genius, and continual application."[1] Laetitia Pilkington felt "her Learning appeared like the Gift poured out of the Apostles, of speaking all languages without the Pains of Study; or, like the intuitive Knowledge of Angels."[2]
At about eighteen Crawley moved to Dublin and began to study midwifery under Dr. Van Lewen, a Dutch physician and the father of Laetitia Pilkington. She ceased her studies when she met printer and publisher George Grierson (c.1679–1753) for whom she edited many works. The date of their marriage is unrecorded. By 1727 she had edited titles in the pocket classics edition, including Terence's Comediae, to which she prefixed a Greek epigram from her own pen, inscribing it to Robert, son of Lord Carteret; in 1730 she edited the work of Tacitus, inscribing it to Lord Carteret himself.
Jonathan Swift was so impressed with her editing that he wrote to Alexander Pope on 6 February 1730: "She is a very good Latin and Greek scholar, and hath lately published a fine edition of Tacitus, and she writes carmina Anglicana non-contemnenda."[3] The edition was also much praised by the classical scholar Edward Harwood and "her editions of Terence and Tacitus printed by Grierson were to be favoured by scholars for many generations."[4]
Grierson played an important role in her husband's business and household, which included apprentices and journeymen as well as domestic servants. Highly regarded by Dublin's literary élite for her gifts as an editor as well as a poet, and for her remarkable memory, women from the landed gentry of Ireland were attracted to her and became some of her husband's most valued customers. Her husband emphasised her contributions in his successful petition to the Irish House of Commons in 1729 to be granted the patent for King's Printer: "the Editions corrected by her have been approved of, not only in this Kingdom, but in Great Britain, Holland and elsewhere, and the Art of Printing, through her care and assistance, has been brought to greater perfection than has been hitherto in this Kingdom."[5]
In addition to her editorial work she was a poet.[1] Little of her poetry survives, although her friend Mary Barber published six of her pieces in her Poems on Several Occasions (1734). Those six and two others, included by Laetitia Pilkington in her Memoirs, were published in Poems by the Most Eminent Ladies of Great Britain and Ireland. Jonathan Swift included her, along with Barber and literary critic Elizabeth Sican, in his "triumfeminate" and she was part of his Dublin literary circle.
After a period of frail health, Grierson died at the age of twenty-seven, possibly of tuberculosis, and was buried in Drumcondra, County Dublin.
Her reputation was enhanced by being included by George Ballard in his Memoirs of Several Ladies of Great Britain, who have been Celebrated for their Writings or Still in the Learned Languages, Arts and Sciences (1752).[6] More than four decades after her death, she was praised in The Female Advocate (1775), Mary Scott's poem in praise of women writers and intellectuals.