Constant Cornelis Huijsmans Explained

Constant Cornelis Huijsmans
Birth Date:1 January 1810
Birth Place:Breda, Netherlands
Death Place:The Hague, Netherlands
Nationality:Dutch
Field:Painting
Movement:Romanticism

Constant Cornelis Huijsmans (1 January 1810 – 28 November 1886) was a Dutch art teacher and painter, whose roots go back to the seventeenth-century Antwerp of the landscape painter Cornelis Huysmans (1648–1727). Paintings of the latter are to be found at the Louvre in Paris and at the Hermitage Museum in Saint Petersburg, Russia.[1] [2] Earlier generations of the Huijsmans family used to spell their family name slightly differently, as Huysmans.[3]

Early life and family

Constant Cornelis Huijsmans was born in Breda on 1 January 1810. He was not only a painter but he was the Principal of the Art Academy in Breda as well as a teacher at the Royal Military Academy, also in Breda. He was the son of the painter and chemist Jacobus Carolus Huijsmans and Maria Elisabeth Beens.[4] In 1854 he married Ludovica Francisca Kerstens (1823–1855), whose father was the owner of a successful brewery in Breda.[5] [6] The French author Joris-Karl Huysmans (Charles-Marie-Georges Huijsmans, 1848–1907) was his nephew.[7] On the occasion of the latter's first major publication of a collection of French poems Huijsmans wrote in a letter dated 26 December 1874 to his nephew “by the way, your name in Dutch is Joris-Karel Huijsmans … you wrote [Jorris-Karl] which is German”.[8] [9]

Training and early work (1828–1840)

Early years between 1828 and 1840 in Antwerp, Paris and Breda

Huijsmans studied at the Royal Academy of Fine Arts in Antwerp and at the Academy of Fine Art in Paris.[10] Initially, he specialized in romantic landscapes, but later he turned to interior scenes. Several of his sketchbooks have survived and some of his early paintings are known. In 1835 he returned home because of his father's going blind. As the eldest of eight children he took upon himself the task to support his family financially and to succeed his father who had been an art teacher at the Art Academy as well as at the Royal Military Academy, both located in Breda. In 1838 Huijsmans became close friends with Pieter Johannes Veth (1814-1895), his colleague (until 1841) at the Koninklijke Militaire Academie. Veth later became professor of Ethnology of the Dutch East Indies at the University of Leiden and the first Chairman of the Royal Netherlands Geographical Society. They kept up a correspondence until Huijsmans died in 1886.[11] Huijsmans managed to combine both his teaching job and his painting and took part in various national exhibitions.[12]

Art teaching career (1840–1879)

Huijsmans developed two art teaching methods and he used these methods himself in his art classes. Some institutions such as the Royal Academy of Fine Arts (Rijksakademie van beeldende kunsten) in Amsterdam employed his approach as well. Huijsmans was the first in The Netherlands to dedicate himself to the professionalization of the subject of art teaching. His first art teaching method was called Het landschap (The Landscape), developed and published in 1840.[13] It became a bestseller. The art dealer Vincent van Gogh ("uncle Cent", the uncle of Vincent van Gogh) subscribed to this new teaching method.[14] In 1845 King William II of the Netherlands bought Huijsmans’ painting Interior of a House in North Brabant. This seemed the beginning of success for Huijsmans. In fact, King Willem II owned another painting by Huijsmans which the King must have bought just before or in 1849. It was described as Interior with a woman and a child (Intérieur avec une femme et un enfant, 51 x 64 cm, painted on wood) in the auction catalogue of 1851 (see lot number 244, p. 51), which listed all the paintings to be sold after the death of King William II (1792-1849).[15] [16] However, in 1851 Huijsmans decided to give up painting completely and to concentrate on teaching. In 1852 he developed a second teaching method Grondbeginselen der Teekenkunst, eene theoretische en practische Handleiding om het teekenen grondig te leeren (Principles of Art Teaching, a Theoretical and Practical Manual).[17] [18] Between 1853 and 1872 he published articles in several magazines, such as De Gids.[19] As a result of the mediation of Dutch statesman and minister of liberal signature, Johan Rudolph Thorbecke,[20] Huijsmans obtained in 1865 the important position of art teacher at the new and prestigious Willem II College in Tilburg, a school commissioned by King William II himself. The school was housed in the former royal palace, now the City Hall of Tilburg, but moved in 1934 to a new location.[21]

Vincent van Gogh

During Huijsmans' years as art teacher at the Willem II College in Tilburg, Dutch painter Vincent van Gogh was the school's and Huijsmans’ most famous student between 15 September 1866 and 19 March 1868.[22] Van Gogh (1853–1890) had initially been taught at home by his mother and a governess, and later attended the village school in Groot-Zundert, in North Brabant. In 1864 he was sent to a boarding school at Zevenbergen, but in 1866 his parents decided to send him to the new and prestigious Willem II College in Tilburg. In March 1868 Van Gogh suddenly returned home. One drawing of two men with shovels (1867) has survived from this period in the life of Vincent van Gogh.[23] A year later, in July 1869, Van Gogh obtained his first job with an art dealer Goupil & Cie in The Hague, through the mediation of his uncle Cent (Vincent van Gogh, 1820-1888), also an art dealer in The Hague. Huijsmans remained an art teacher at the Willem II College until 1877.[24]

Later years and death (1879–1886)

In 1879 Huijsmans moved to The Hague together with his sister Oda. Huijsmans died in The Hague on 28 November 1886 at the age of 76.[25]

Library

Huijsmans had built up an interesting library with works from e.g. Leonardo da Vinci, Giorgio Vasari and Karel van Mander, as well as six books by Jan Luyken, and many, mostly French, poetry collections.[26] There are six letters from him to the famous Dutch William Shakespeare translator, Leendert Burgersdijk. They knew each other well and Burgersdijk would regularly ask Huijsmans for comments on the translations.[27]

References

Notes and References

  1. "Een schets van C.C. Huijsmans", Ad C.J.M. Willemen, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 78.
  2. Jef van Kempen, “Joris-Karl Huijsmans in Tilburg”, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 72.
  3. Gazet van Antwerpen, 18 August 1939, p. 4.
  4. "Een schets van C.C. Huijsmans", Ad C.J.M. Willemen, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 78.
  5. "Een schets van C.C. Huijsmans", Ad C.J.M. Willemen, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 78.
  6. De kunst is geheel en al bijzaak, de moeizame carrière van C.C. Huijsmans (1810-1886), tekenmeester in Brabant, Wilma van Giersbergen, Amsterdam, 2003, p. 5. https://pure.uva.nl/ws/files/3614934/26604_UBA002000973_06.pdf.
  7. See paragraph on uncle and nephew Huijsmans in Een zachte aanraking van zijn zieleleven. Over 'ware' en 'valse' mystiek rond 1900, Peter J.A. Nissen, Van Tilt, 2008, p. 9. http://www.dbnl.org/tekst/niss004zach01_01/niss004zach01_01_0002.php
  8. In a letter dated 26 December 1874 Huijsmans wrote to his nephew Joris-Karl Huijsmans: “A propos, ton nom en hollandais est Joris-Karel Huijsmans. Tu a écrit de l'allemand”, Jef van Kempen, “Joris-Karl Huijsmans in Tilburg”, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 72.
  9. The relationship between Constant Huijsmans and his nephew Joris-Karl Huijsmans has been described by Wilma van Giersbergen in De kunst is geheel en al bijzaak, de moeizame carrière van C.C. Huijsmans (1810-1886), tekenmeester in Brabant, Amsterdam, 2003, pp. 120 ff.
  10. Huijsmans studied in Antwerp (1828-1830) and Paris (1833-1835), De kunst is geheel en al bijzaak, de moeizame carrière van C.C. Huijsmans (1810-1886), tekenmeester in Brabant, Wilma van Giersbergen, Amsterdam, 2003, pp. 28-32.
  11. 51 letters have survived, cf. De kunst is geheel en al bijzaak, de moeizame carrière van C.C. Huijsmans (1810-1886), tekenmeester in Brabant, Wilma van Giersbergen, Amsterdam, 2003, pp. 5, 7-8. https://pure.uva.nl/ws/files/3614934/26604_UBA002000973_06.pdf
  12. "Een portret van Constant Huijsmans (1810-1886) op 24-jarige leeftijd", Wilma van Giersbergen, Jaarboek De Oranjeboom, 54, 2001, p. 216.
  13. C.C. Huijsmans, Het Landschap, published by H.J. Backer, Dordrecht, 1840.
  14. "Een schets van C.C. Huijsmans", Ad C.J.M. Willemen, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 78.
  15. Kunst is geheel en al bijzaak, Wilma van Giersbergen, Tilburg, 2003, pp. 47 and 287.
  16. Auction Catalogue, listing the Old and Modern Paintings, owned by the late King of the Netherlands William II (1792-1849) ... which were to be sold on 9 September 1851, at Noordeinde Palace, The Hague. https://www.koninklijkeverzamelingen.nl/archief/scans/A40/2.2/start/50/limit/25
  17. C.C. Huijsmans, Grondbeginselen der Teekenkunst, eene theoretische en practische Handleiding om het teekenen grondig te leeren, published by P.N. van Kampen, Amsterdam, 1852.
  18. "Een schets van C.C. Huijsmans", Ad C.J.M. Willemen, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 78.
  19. For the titles of Huijsmans’ articles in The Gids, see Digitale Bibliotheek voor de Nederlandse Letteren, C.C. Huysmans (here once again written with “y” instead of “ij”).http://www.dbnl.org/auteurs/auteur.php?id=huys014
  20. "Een schets van C.C. Huijsmans", Ad C.J.M. Willemen, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 79.
  21. Jaren van voorzichtig beleid, ter gelegenheid van het 125-jarig bestaan van de Rijksscholengemeenschap Koning Willem II in Tilburg (1866-1991), . (Years of Careful Management, published on the occasion of the 125th anniversary of the King Willem II College in Tilburg).
  22. Huijsmans’ art classes were attended by Vincent van Gogh during 1866-1868, see chapter “De tekenklas en Vincent van Gogh”, De kunst is geheel en al bijzaak, de moeizame carrière van C.C. Huijsmans (1810-1886), tekenmeester in Brabant, Wilma van Giersbergen, Amsterdam, 2003, pp. 173-74.
  23. "Vincent van Gogh Special", Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 8, nr. 2, mei 1990, p. 35.
  24. "Een schets van C.C. Huijsmans", Ad C.J.M. Willemen, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 80.
  25. "Een schets van C.C. Huijsmans", Ad C.J.M. Willemen, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 80.
  26. A description of his library in his beautiful house in a street called “de Ven” (today Piusplein 6 and 6a, Tilburg), is to be found in "Een schets van C.C. Huijsmans", Ad C.J.M. Willemen, Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 6, juni 1988, p. 79 .
  27. "Vincent van Gogh Special", Tijdschrift voor geschiedenis, monumenten en cultuur, jaargang 8, nr. 2, mei 1990, p. 54.

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