| Congo Funk! Sound Madness from the Shores of the Mighty Congo River (Kinshasa/Brazzaville 1969–1982) | |
| Type: | compilation |
| Artist: | Various Artists |
| Cover: | Analog Africa Congo Funk cover small.png |
| Released: | 5 April 2024 |
| Genre: | Congolese rumba |
| Length: | 77:49 |
| Label: | Analog Africa |
Congo Funk! Sound Madness from the Shores of the Mighty Congo River (Kinshasa/Brazzaville 1969–1982) is a compilation album of Congolese rumba, released by record label Analog Africa on 5 April 2024.
In the 1940s and 1950s the influence of Cuban son music in the Republic of Congo (then a part of French Equatorial Africa) and the DRC (then the Belgian Congo) led to the development of a musical style called Congolese rumba.Thom Jurek of AllMusic writes that "the Afro-Cuban sound established new parameters for performance with reverbed guitars, distorted electric basslines, horn sections, jazz-inflected psychedelia, and funk."
In the 1960s Congolese rumba grew in popularity across southern Africa. In the 1970s the music scene in the DRC (then Zaire) declined as many musicians left to escape the difficult economic situation.The presence of James Brown at the three-day music festival Zaire 74, which preceded the 1974 Rumble in the Jungle boxing match between George Foreman and Muhammad Ali, had an electrifying effect on the music scenes in Brazzaville and Kinshasa.
Samy Ben Redjeb, owner of record label Analog Africa, selected the tracks on Congo Funk! from a pool of around 2,000 that he collected on trips to Kinshasa and Brazzaville. Analog Africa had previously released a compilation of 1960s and 70s tracks by Congolese group Verckys et l’Orchestre Vévé, which included Congolese rumba alongside funk and afrobeat.
On review aggregator Metacritic the album holds a score of 89/100, based on 6 reviews, indicating "universal acclaim".Thom Jurek of AllMusic praised the compilation, rating it 4.5/5 stars and calling it "an indispensable addition not only to the Analog Africa catalog but to the burgeoning cultural conversation around the significance, import, and variety of techniques, innovations, aesthetics, and attitudes in African music-making from the era."
Andy Cowan of Mojo rated Congo Funk! 4/5 stars, writing that "global groovers will find this seamless mix of the known and the obscure frequently revelatory." Writing in the Observer, Neil Spencer described the album as "precisely played and delightfully sung examples of Congolese rumba", and rated it 4/5 stars. Clash rated the album 8/10 and called it "a fascinating time capsule into not only the artists and studios of the time but the cities themselves and the Congolese spirit as a whole." In the June 2024 issue of Songlines magazine, Nik Hann praised the balance of energetic and laid-back tracks, and called the album "a tour de force of ineffably enticing grooves."