| Communications Network | |
| Type: | live |
| Artist: | Clifford Thornton |
| Cover: | Clifford_Thornton_Communications_Network.jpg |
| Released: | 1972 |
| Recorded: | January and April, 1972 |
| Venue: | ABC Stage City, New York City, and Festival of African American Music, Wesleyan University, Middletown, Connecticut |
| Genre: | Free jazz |
| Label: | Third World Records LP 12272 |
| Chronology: | Clifford Thornton |
| Prev Title: | The Panther and the Lash |
| Prev Year: | 1971 |
| Next Title: | The Gardens of Harlem |
| Next Year: | 1974 |
Communications Network is a live album by multi-instrumentalist and composer Clifford Thornton. The two-part composition titled "Communications Network" was recorded on January 22, 1972, at ABC Stage City in New York City, and features Thornton on electric piano and cornet, along with Lakshinarayana Shankar on violin, Sirone on bass, and Jerome Cooper on percussion. The remaining piece, "Festivals And Funerals," based on Jayne Cortez's poem of the same name, was recorded on April 17, 1972, at the Festival of African American Music at Wesleyan University, Middletown, Connecticut, and features Thornton on cornet, Cortez as reciter, Nathan Davis on soprano saxophone, Jay Hoggard on vibraphone, Andy González on bass, Jerry González and Vincent George on congas and percussion, and Nicky Marrero on timbales and percussion. The album was released by Third World Records later in 1972.[1] [2]
AllMusic awarded the album 3 stars. Reviewer Michael G. Nastos called it "potent."
In a review for The Hum, Bradford Bailey called the album "an incredible display of the diverse range in [Thornton's] abilities. The first side is a rising tide of sound and energy – Free-Jazz with the brakes removed, while the second is more delicate and restrained, laced with poetry by Jayne Cortez... It's a lovely album that I can't recommend enough."[3]
Writing for Black World/Negro Digest, Ron Welburn praised the album's "musical inventiveness" but criticized its sound quality. He also stated that Shankar "must be heard for his vision-inspired playing," and expressed hope that Thornton would work with a large orchestra at some point.[4]
All compositions by Clifford Thornton.